Danny Wu's American: An Odyssey to 1947, a documentary that's mostly but not entirely about the experience of genius filmmaker Orson Welles during the mid 1940s, will be released by Gravitas Ventures on 9.12.23.
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Here are HE's finest films of the first eight months of '23 -- two thirds gone, four months to go.
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There is one term that sums up the “Bradley Cooper‘s prosthetic nose in Maestro is a form of Jewface anti-Semitism” on Twitter/X.
That term is “deranged, saliva-spraying, ethnic-aggressive lunacy.”
In May ’22 Variety‘s Clayton Davis complained about Carey Mulligan being miscast because a Brit shouldn’t play a Chilean or Costa Rican. Where is Clayton on Bradley’s schnozz? Has he joined his fellow firebrands in standing up against this?
Twitter/X statement from Jamie, Alexander and Nina Bernstein: “It breaks our hearts to see any misrepresentations or misunderstandings of Bradley’s efforts…it happens to be true that Leonard Bernstein had a nice, big nose. Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that. We’re also certain that our dad would have been fine with it as well.”
Sometime in the mid ’90s the late Robert Evans shared a biological observation with me: “When you get older your nose gets bigger, your ears get bigger and longer and your teeth get smaller.”

We’ve all sampled food-and-atmosphere moments to die for…perfect transitional serenity…that quietly radiant feeling in which the place and the warmth (and not just the climatorial kind) are so calming and poignant that time itself has seemingly stopped…much more than just sitting at a table…enveloped by bliss and rapture.
Two nights ago I happened upon a brief video of such a moment…12 years and three months ago (late May 2011) on a calm and sunny day in Venice, Italy…placid, a gentle breeze, the faint sound of water lapping at pilings…sitting at an outdoor table at Trattoria San Basilio, a fairly small (you could even call it tiny) restaurant, waterside in southern Dorsoduru…no tourists, no madding crowd…Calle del Vento, 1516, 30123 Venezia VE, Italy.
Right now I feel as strongly about this moment as Mr. Bernstein felt about the girl in the white dress on the Staten Island ferry.
Video shot on a Canon camera….the quality of iPhone videos wasn’t good enough back then…good God, I was still filing on Movable Type!
HE's director-writer friendo believes that the WGA negotiators are "an ineffective wild bunch -- great with threats, terrible with realistic negotiations."
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In the tradition of James Agee, Otis Ferguson, Andre Bazin, Francois Truffaut, Andrew Sarris, Manny Farber, Pauline Kael, Penelope Gilliat, Todd McCarthy, Joseph McBride and Owen Gleiberman…kidding.
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Three or four weeks ago the driver’s side window in my VW Passat gave up the ghost. It went down but wouldn’t go up again. The front-seat passenger window worked fine and still does; ditto the two backseat windows.
A broken open window obviously means no protection, so I had to handle it pronto. I asked Vinny, a local mechanic whom I respect, if he could fix it. Sure, he said. The next day I met him at a vaguely down-at-the-heels Bridgeport shopping plaza.
Vinny took the door apart and determined that the electrical mechanism that controls the up-and-down motion of the window had suffered a short circuit. The short was caused by a small pool of water that had collected in the door well. To fix it correctly he’d need to find a new white-plastic window mechanism, Vinny said, but he managed to manually crank the window upward.
It was gratifying, at least, that the window was closed and locked in that position. All I had to do was remember to not hit the down-window switch.
I told Vinny I’d get in touch after I returned from Ontario and would promptly pay him to buy and install the mechanism, etc.
Vinny was buried in another job when I returned but that was okay.
Last Saturday I went to a local car wash, and as I approached the vacuum section a Latino guy in a low-thread-count T-shirt motioned for me to lower my window so we could speak. I was temporarily spacing out or daydreaming, but like a total idiot I unthinkingly hit the switch and lowered the driver-side window…gaaahh! It was once again stuck in the open position, and the car was 100% vulnerable to scurvy, slime-fingered thieves.
I immediately called Vinny and said, “Yo, Vinny…the window is down again. Can you help me today or tomorrow or soon?” He said he’d been sidelined with a bad foot (gout) but that he’d search for a used mechanism and we could hook up the next day or certainly the day after.
The following night (i.e., Sunday) it was lightly raining as I sat in the Wilton Library parking lot. I turned the engine on and began listening to music. I was concerned, of course, about more rain water getting into the car through the open window. My left arm was sitting on the elbow rest but I wasn’t touching any buttons or window switches. I sat and listened to Randy Newman and thought about my life.
And then, like magic, the driver window activated itself….whrrrrrrr. The window went up halfway, stopped, thought about it for two or three seconds, and kept going up until the window was completely closed shut.
My mouth fell open. I gasped. It was a moment straight out of Irving Pichel‘s The Miracle of the Bells (’48). Just like the statues of St. Michael and the Virgin Mary slowly turn on their pedestals until they face the coffin of Alida Valli‘s Olga, the driver’s side window had closed itself…the hand of God or some tekekinetic force had intervened.
Vinny’s foot was still hurting yesterday (i.e., Monday afternoon) but we’ve planned on a Wednesday afternoon meet-up.
And that “thing” is that Maestro isn’t all that focused on Bradley Cooper’s Leonard Bernstein. Well, it is to a considerable extent, obviously, but Carey Mulligan’s Felicia has the spotlight. Duhh.

I've been presuming all along that the two strikes will slog on and on and ruin the red-carpet aspect of the early fall film festivals and half-destroy award season promotions until they finally end in October or November...best guess.
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My spitballs are (a) definitely Mark Meadows, (b) probably Rudy Guiliani, (c) possibly John Eastman. Further speculation?
Oh, and by the way? If I were Fani Willis I wouldn’t entertain ambitions to run for public office down the road. She’s presumably an excellent attorney but to say she has an awkward speaking style is putting it mildly. She reminded me of Tiffany Haddish announcing the Oscar noms in 2018. You can feel her struggling as she reads the particulars.
If you want to cut to the chase in the matter of Michael Oher‘s Blind Side lawsuit against Sean and Leigh Anne Tuohy (and their response to same), you may want to read Leigh Steinberg‘s 2.9.15 Forbes article, titled “5 Reasons Why 80% Of Retired NFL Players Go Broke.”
From yesterday’s boilerplate HE piece:
ESPN’s Michael Fletcher: “[Oher] alleges that Sean and Leigh Anne Tuohy, who took Oher into their home as a high school student, never adopted him. Instead, less than three months after Oher turned 18 in 2004, the petition says, the couple tricked him into signing a document making them his conservators, which gave them legal authority to make business deals in his name.
“The petition further alleges that the Tuohys used their power as conservators to strike a deal that paid them and their two birth children millions of dollars in royalties from an Oscar-winning film that earned more than $300 million, while Oher got nothing for a story ‘that would not have existed without him.’”
In other words the Tuohys are shifty and slippery, baby, and Oher wants a cut of that money, honey.


“Not happening…way too laid back…zero narrative urgency,” I was muttering from the get-go. Basically the sixth episode of White Lotus Thai SERIOUSLY disappoints. Puttering around, way too slow. Things inch along but it’s all “woozy guilty lying aftermath to the big party night” stuff. Glacial pace…waiting, waiting. I was told...
I finally saw Walter Salles' I'm Still Here two days ago in Ojai. It's obviously an absorbing, very well-crafted, fact-based poltical drama, and yes, Fernanda Torres carries the whole thing on her shoulders. Superb actress. Fully deserving of her Best Actress nomination. But as good as it basically is...
After three-plus-years of delay and fiddling around, Bernard McMahon's Becoming Led Zeppelin, an obsequious 2021 doc about the early glory days of arguably the greatest metal-rock band of all time, is opening in IMAX today in roughly 200 theaters. Sony Pictures Classics is distributing. All I can say is, it...
To my great surprise and delight, Christy Hall's Daddio, which I was remiss in not seeing during last year's Telluride Film Festival, is a truly first-rate two-hander -- a pure-dialogue, character-revealing, heart-to-heart talkfest that knows what it's doing and ends sublimely. Yes, it all happens inside a Yellow Cab on...
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when and how did Martin Lawrence become Oliver Hardy? He’s funny in that bug-eyed, space-cadet way… 7:55 pm: And now it’s all cartel bad guys, ice-cold vibes, hard bullets, bad business,...

The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
Unless Part Two of Kevin Costner's Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
For me, A Dangerous Method (2011) is David Cronenberg's tastiest and wickedest film -- intense, sexually upfront and occasionally arousing...