Forget This Flawed IndieWire List

Any “100 best films of the70slist that doesn’t include Terrence Malick’s Badlands, John Flynn’s The Outfit, Mike HodgesGet Carter, Peter Bogdanovich’s The Last Picture Show, Michael Ritchie’s Downhill Racer and The Candidate, John Boorman’s Deliverance, Sam Peckinpah’s Straw Dogs, Mel BrooksBlazing Saddles and Young Frankenstein, Hal Ashby’s Being There and Robert Altman’s The Long Goodbye…any such list that ignores these 12 films invites my disrespect.

Plus there’s no way Chantal Akerman’s Jeanne Dielman ranks higher than the two Godfather films…get outta town! The IndieWire list was clearly assembled with a diversity mindset…too many diversity picks elbowing aside way too many first-rate’70s films.

(Thanks to Joe Dante for doing most of the heavy lifting.)

Give Anya Taylor Joy A Chance

HE is okay with Anya Taylor Joy playing the young Joni Mitchell in Cameron Crowe‘s forthcoming biopic (per Jeff Sneider’s scoop), but Amanda Seyfried would have been a much better choice. Obviously.

Converted

This morning I stumbled upon a free, relatively recent AI software that converts photos into line drawings. The idea is to hand prints of these drawings to Sutton for coloring. This weekend, I mean. Go ahead, lay it on me…tell me that free photo-to-line drawing conversion software has been around for years.

I’ve also just happened upon a YouTube file of Lou Reed‘s “What’s Good”, my favorite song from his 33-year-old “death album” (Magic and Loss).

Read more

Easily Stamp’s Finest, Tenderest Scene

Terence Stamp‘s Willie Parker to John Hurt‘s Braddock in Stephen Frear‘s The Hit: “Why should I be scared? Death is just a stage in the journey. We’re here, and then we’re not here. And we’re somewhere else. Maybe. And it’s as natural as breathing.”

Why is the quality of this clip so shitty? Criterion has had a 1080p Bluray version out for several years now.