“Paradine” Perplexed

There’s no other way to put it — Facebook film maven W.T. Solley is fooling around — i.e., impishly trying to provoke reactions — by listing, of all films, Alfred Hitchcock‘s The Paradine Case (’47) in fifth place on his All-Time Great Movies list. To which I have no choice but to say, “Will you cut it out, please?” The Paradine Case is a straightforward portrait of obsession and downfall,” I wrote on 12.16.15. “It’s a carefully measured, decorous, stiff-necked drama about a married, middle-aged attorney (a too-young Gregory Peck) who all but destroys himself when he falls in love with a femme fatale client (Alida Valli) accused of murdering her husband. “A foolish love affair is one thing, but Peck’s exists entirely in his head as Valli isn’t the least bit interested and in fact is in love with Louis Jordan, whom she was seeing before her husband’s death. Not much of an entry point for a typical moviegoer, and not a lot to savor. “It’s essentially a romantic triangle piece (Peck, Valli, Jordan) but you can’t identify or even sympathize with Peck as Valli is playing an ice-cold monster. But I’ve always respected the tragic scheme of it. By the second-to-last scene Peck’s humiliation is complete and absolute.” Hitchcock’s critique: Alfred Hitchcock’s The Paradine Case (‘47) is partly a courtroom drama but mainly a saga of sexual obsession and unrequited desire that ends in total humiliation. Extremely minor Hitchcock + the Kino Bluray is speckled and appalling from a perspective of HD quality.