“Ferrari is generally in the high-middlebrow mode of The Insider or Ali more than the genre mode of Miami Vice or Blackhat. It’s largely a domestic drama with racing and auto manufacturing as the milieu. Yeah, it’s got racing scenes and an absolutely harrowing, mercilessly constructed racing accident climax. But if social media imbecile and Oppenheimer complainer Logan Paul sees the movie, he’ll likely bitch that it’s just Ferrari and his wife and mistress and drivers talking all the time.” — Glenn Kenny’s 8.31 Venice Film Festival review.
