“P.T. Anderson prefers to think of his Master characters as unrequited lovers, which results in a subtle, homoerotic tension that is triangulated in the film by the presence of Dodd’s loyal, steely wife,” etc. Okay, fine but why the horizontal taffy-pull distortion? Never mess with correct proportionality, ever. And no milkshakes.
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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