For the last five or six years Norwegians have been cutting their teeth on the disaster genre. First came Roar Uthaug‘s The Wave (’15), which I enjoyed and admired. Then John Andreas Andersen‘s The Quake (’18), which I didn’t see. And now Pål Øie‘s The Tunnel (aka Tunnelen), which opened in Norway in December 2019. It naturally reminded me of Rob Cohen and Sylvester Stallone‘s Daylight (’96).
The Tunnel (Samuel Goldwyn) begins streaming on 4.9.21.