All the gossipers are reporting that Ben Affleck and Ana de Armas, who both recently costarred in Adrien Lyne‘s Deep Water, are frolicking. As previously noted Affleck looks good these days — the “fat bearded boozer” thing has fallen by the wayside. Life is always best when the aroma of possibility is in the air.

I’ll never get past my burning anger at Hillary Rodham Clinton for giving us Donald Trump, but I’ve alway respected her brains, candor and toughness. And so last night I felt I had to see Nanette Burstein‘s Hillary doc on Hulu.

We’re talking 253 minutes broken down into four chapters — “The Golden Girl”, “Becoming a Lady”, “The Hardest Decision” and “Be Our Champion, Go Away”. And it just moves right aong. It’s all so familiar, of course, because most many of us have lived through the whole Clinton saga, step by step, trauma by trauma. And yet I was engrossed and fascinated, and I’m glad I submitted.

I was never bored — it’s a smart, first-rate epic. I think it’s too friendly by half, but that was the shot going in — be kind, let Hillary tell her side, listen to her and consider the fact that she’s quite the remarkable figure, etc. (Which she is.) I admired Burstein’s decision to cut back and forth between the straightforwqrd biopic portions and the climactic and altogether tragic 2016 campaign.

There’s no mention of Susan Sarandon or Jill Stein or Mike Nichols‘ Primary Colors or Hillary collapsing like a sack of potatoes that that World Trade Center ceremony. Or Hillary voting for the Iraq War invasion in ’03 (or so I recall). Or her husband’s friendship with the late Jeffrey Epstein.

There’s so much that is glossed over and ignored. Because it’s basically friendly. It goes easy.

I would have preferred an in-depth doc that stuck to the approach of Carl Bernstein‘s “A Woman in Charge“, which was respectful but at the same time tougher and revealing.

During the Monica Lewinsky-Ken Starr portion Hillary once again conveys how shocked and appalled she was when her husband, after previously lying to her, confessed all. For the 47th time nobody believes that brilliant Hillary didn’t know Bill was a hound from the get-go. Her deal with him was “we’re in this for the long haul and you know I’ll stand by you no matter what, but don’t be sloppy and don’t embarass me.” But of course he did time and again during his time as Arkansas governor, and again in the White House, and later with his Epstein association.

Not allowed to say this I’m saying it anyway: Looks matter in any walk of life, and Presidential candidates have to somehow exude the aura of glamorous rock stars. Hillary didn’t during the ’16 campaign (she looked well-tended but dowdyish), and she really needed to look extra-special because she’s never had the natural charisma thing. The doc reminded me that Hillary, who’d been slender and youngish-looking during her first 60 years of life, started to put on weight before the ’08 campaign. She seemed to have “stopped trying” (as a friend put it this morning) when she became Obama’s Secretary of State.

Before running in ’15 she really should lost some weight and had some work done. If she had somehow reclaimed a semblance of the appearance she had during her six-year term as New York’s U.S. Senator (’01 thru ’07) I think she would have beaten Trump. I really do. A lot of older male voters didn’t like her, but some would have gone along if she’d looked…well, a bit more like Jill Biden. I’m sorry but does anyone think Barack Obama would have done as well if he looked like Forest Whitaker as General Idi Amin? Would JFK had performed as well if he had thinning hair or looked like Tip O’Neil?

We all deplore reckless or drunk driving, but timid drivers, I feel, are the worst of all. By this I mean slow, overly cautious, indecisive, scared of the shadow of their own car. Any way you slice it they’re infuriating. One of the glorious things about rumble-hogging is that I can easily go around these stooges. But sometimes they get you anyway.

The night before last I making a left turn at a traffic-lighted intersection on Fountain Ave., which is a four-laner. The light was green so people behind me were good to pass. My left-turn signal was on, of course, and I was positioned as far as possible on the left side of the left lane. Nonetheless a white coupe (Accord or Jetta) behind me was stopped, seemingly waiting for me to make my turn before proceeding. And of course three or four or five cars were also stopped behind him/her. All because the Accord/Jetta was too chicken to make a move. All this lily-livered driver (and the drivers behind him/her) had to do was swerve very slightly to the right, which would have been simple because, as noted, I wasn’t blocking the lane but sitting on top of the double line. Plus the Fountain Avenue traffic was mild with openings here and there. But the Accord/Jetta just sat there.

Par for the course. Timid drivers slow things down and make many of us crazy. Sometimes people get so impatient that they wind up making a mistake and then wham. Not that this has ever happened to me but still.

Twitter assaults are unfortunately par for the course if you write any kind of opinionated column. The toxicity is such these days that you’re almost certainly doing something wrong if you don’t get hated on now and then. So I’m used to slings and arrows. But once in a blue moon and in a weak moment I’ll temporarily succumb to a fantasy in which I’m Jake LaMotta destroying Tony Janiro. But it never lasts for more than a few seconds. Because of I always think of that moment in Barry Lyndon when Ryan O’Neal is coolly shunned by a certain fellow of wealth and position after that concert recital in which he beat the hell out of Leon Vitali in front of several powdered-wig guests.

When I posted yesterday’s “Loathsome Windreaker” thing (i.e., Stanley Kubrick‘s repulsive olive-drab-plus-orange thermal hoodie) I’d forgotten that I posted a similar riff last June called “Dress Sense vs. Directorial Expertise.” It was basically about how genius-level directors seem indifferent to fashion or style, and that “being a terrible dresser is more the rule than the exception.”

In that 6.19.19 piece I described director-writer Robert Eggers as he appeared after the first screening of The Lighthouse in Cannes — “jerkwad sneakers, white socks, shiny black chinos with cuffs above the ankle, an oversized Target sweatshirt and a dorkmeister whitewall haircut.”

It struck me this morning that, of course, like the always-ahead-of-his-time Kubrick, Eggers is a normcore guy — an embracer of bland, suburban anti-fashion attire.

A female tangent of normcare is menocore. The term came from a 2018 Man Repeller piece.

“Normcore is a little dated but still relevant,” Jett says. “My best friend’s girlfriend is very normcore. She wears cheap-looking golf attire when going out on the town. but it also has something to do with some women preferring baggy clothes as a kind of ‘fuck u to the patriarchy’ [statement]…like Billie Eilish does. Which I guess is noble as long as they can appreciate clothes on a basic level.”

For decades I’ve had this thing about big silver-looking coins jingling around in my pocket. JFK half dollars, Eisenhower “silver” dollars. For a couple of years in the late ‘90s a couple of actual silver dollars from the 1920s had joined the party. (Then I lost them.) The sound of them, how they feel, the weight…these relatively meaningless coins make me feel the alpha. Probably because they’re remnants of the past. Yeah, that’s it.

Or is that a bad idea because the Bumblefucks don’t care for Warren, and never have? I’d feel pretty good about this ticket — she’s obviously been more assertive than Biden about pushing for basic re-orderings of how things work. But what voters really want isn’t so much Bernie Lite as a return to decency.

I’ve always loved the ring of McCoy Tyner. It conveyed a certain fierceness or down-low intensity that always made me sit up and pay attention. If not a jazz pianist he would (or should) have been a baseball player. (A pitcher, I’m thinking.). Or a novelist. Or a Zane Grey gunslinger from the late 1890s. Great name.

I’m down with Home Before Dark because it stars The Florida Project‘s Brooklyn Prince. Logline: “A plucky, highly intelligent nine-year-old girl follows in her father’s footsteps by becoming a dogged crime reporter as she goes to work on a long-buried cold case.” The Apple streaming series (debuting on 4.3) is written and executive produced by Russel Friend and Garrett Lerner alongside showrunners Dana Fox and Dara Resnik. Jon Chu (Crazy Rich Asians, In The Heights) directed the first episode.

Olive drab plus bright orange…the outdoor color combo from hell. For roughly 20 years Stanley Kubrick wore this same awful, warm-weather, bundle-up hoodie, all through Barry Lyndon, The Shining, Full Metal Jacket and Eyes Wide Shut.

Apparel-wise Kubrick never seemed to give a damn. He always dressed with a minimum of fuss and a general aversion to fashion or even style (except perhaps “workaholic nerd style”). From the late ’50s to early ’70s he wore the same dark blue suit and white shirt. And then, sometime after A Clockwork Orange, came the olive-drab hoodie.

I’ ve hated the sight of this damn jacket for decades, and I just wanted to finally say it out loud. You could almost say (i.e., not really) that on a certain level I’ve never forgiven Kubrick for this aesthetic offense. If he had worn a dark blue windreaker with wolf fur, I would have been fine with that.

There’s nothing to prevent the one-time-only SXSW Streaming Film Festival from happening. It would be difficult but not impossible to set everything up in less than a week, and certainly worth a try. One of the major streamers needs to step up to the plate and say “let’s do this, Janet and John Pierson…let’s make it happen.”