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Hollywood Elsewhere - Movie news and opinions by Jeffrey Wells

“There’s Hollywood Elsewhere and then there’s everything else. It’s your neighborhood dive where you get the ugly truth, a good laugh and a damn good scotch.”
–JJ Abrams
(Star Wars: The Force Awakens, Super 8)

“Smart, reliable and way ahead of the curve … a must and invaluable read.”
–Peter Biskind
(Down and Dirty Pictures Easy Riders, Raging Bulls)

“He writes with an element that any good filmmaker employs and any moviegoer uses to fully appreciate the art of film – the heart.”
–Alejandro G. Inarritu
(The Revenant, Birdman, Amores Perros)

“Nothing comes close to HE for truthfulness, audacity, and one-eyed passion and insight.”
–Phillip Noyce
(Salt, Clear and Present Danger, Rabbit-Proof Fence, Dead Calm)

“A rarity and a gem … Hollywood Elsewhere is the first thing I go to every morning.”
–Ann Hornaday
Washington Post

“Jeffrey Wells isn’t kidding around. Well, he does kid around, but mostly he just loves movies.”
–Cameron Crowe
(Almost Famous, Jerry Maguire, Vanilla Sky)

“In a world of insincere blurbs and fluff pieces, Jeff has a truly personal voice and tells it like it is. Exactly like it is, like it or not.”
–Guillermo del Toro
(Pan’s Labyrinth, Cronos, Hellboy)

“It’s clearly apparent he doesn’t give a shit what the Powers that Be think, and that’s a good thing.”
–Jonathan Hensleigh
Director (The Punisher), Writer (Armageddon, The Rock)

“So when I said I’d like to leave my cowboy hat there, I was obviously saying (in my head at least) that I’d be back to stay the following year … simple and quite clear all around.”
–Jeffrey Wells, HE, January ’09

“If you’re in a movie that doesn’t work, game over and adios muchachos — no amount of star-charisma can save it.”
–Jeffrey Wells, HE

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58 Comments
Cinemacon Awaits

The four-and-a-half-day Cinemacon experience starts today. My flight to Las Vegas (a suffocating plastic nightmare realm that I hate with every fibre of my being) leaves at 10:30 am from Burbank. Hollywood journos go for the product reels — for a clearer, more specific notion of what the coming movie year will amount to. I trust it’ll be worth the trouble. Two years ago I gave up the first day when my suitcase was stolen by an idiot who mistook their bag for mine. I finally got it back but God, what an ordeal. My story was titled “Alfred Hitchcock’s The Wrong Bag.”

I plan to attend all the distributor presentations and tech shows that seem to matter, and otherwise just hunker down and file from my room at Bally’s hotel & casino. No tables, no drinks, no heaping piles of food…a spartan approach.

The problem is that Cinemacon product reels are almost always about megaplex idiot fare. Sony’s 2012 Cinemacon presentation, for example, didn’t even mention Kathryn Bigelow and Mark Boal‘s Zero Dark Thirty, which was easily the most exciting and praise-worthy Sony film of that year. (Here’s my piece about their presentation.)

But that’s Cinemacon and the distributor mindset for you — i.e., previewing ultra-primitive, power-slam, bass-thump CG stuff for the core theatrical audience these days — under-educated simians, schmoes, donkeys, ESPNers, teenagers, what-the-fuckers, the family trade, gamers and others whose taste buds have been systematically coarsened and lowered over the last 25 years, which is roughly when theme-park movies began to be embraced big-time by the major studios.

As the crow flies Bally’s would be a five-minute walk from Caesar’s Palace if it weren’t for the crowds, staircases, elevated walkways, escalators and all the other obstructions. I’m a simple man, a New Yorker, a European. I just like to walk somewhere without all the bullshit. But bullshit is what you get when you come to Vegas.

March 27, 2017 7:26 amby Jeffrey Wells
10 Comments
“The Othahs…Where Are They?”

Allegedly the first installment of a two-parter, pic takes place after the events of Batman v Superman and Suicide Squad. The idea of having to watch this thing is similar to contemplating a visit to the dentist. I can’t wait to feel numb and drained. Stab me in the head with a kitchen knife.

March 26, 2017 1:04 pmby Jeffrey Wells
2 Comments
I Could “Watch” It On The Page Right Now

A guy has sent me a January 2016 draft of Martin McDonaugh‘s Three Billboards in Ebbing, Missouri. The trailer popped on 3.23.

“Easily McDonagh’s best,” the guy says. “Instead of getting cute at the end, it gets human. The trailer is great but it doesn’t give the drama enough credit. I think it’s easily his most mature, humanist film to date. There’s a No Country For Old Men vibe.” Now I’m wondering if I should read it or wait for the film. This is sounding more and more like a perfect film for Cannes. Everyone will probably praise it, and it’ll kick off Frances McDormand‘s Best Actress campaign to boot.

Should Fox Searchlight re-think their alluded-to policy of never screening a potential award-season hottie on the Cote d’Azur? The conventional Oscar strategist advice is to never shoot your wad in Cannes but wait for Venice, Telluride and Toronto. How then did No Country, which premiered in Cannes on 5.19.07, ever manage a Best Picture win?

(More…)
March 26, 2017 12:38 pmby Jeffrey Wells

33 Comments
Fair Shake for Baywatch

As a longtime loather of all things Dwayne Johnson (on 12.8.16 I called him “a comme ci comme ca Republican who’s out to make dough and keep things as vapid and formulaic as possible…an amiable baba with a ripped bod”) and one who harbors strong negative suspicions about Seth Gordon’s  Baywatch (Paramount, 5.26), I feel obliged to turn the other cheek and pass along some buzz from a friend. Take it with a grain.

“I can tell you that everyone is surprised at how well that Baywatch plays and has tested,” the guy says. “It went through development for years and years, but somehow the tone came out right and it apparently channels The Rock’s sweet spot.   [Allegedly] the best comedic use of Johnson to date. There’s a satirical current that sends up Jerry Bruckheimer and Michael Bay cinema, mocking the omnipresent shallowness and overt calculation of every set piece, plot point and storyboarded CGI action sequence. Baywatch wasn’t super-expensive, save for its stars, and will surprise audiences as a smart, funny film that works like gangbusters.”

(More…)
March 25, 2017 12:21 pmby Jeffrey Wells
5 Comments
Gertrude of Arabia

While Werner Herzog‘s Queen of the Desert “doesn’t deserve outright trashing, it can’t be classed as anything other than a disappointment. Because it’s not even the sort of bad that makes Bad Lieutenant: Port of Call — New Orleans such a gonzo blast. The notoriously stodgy historical biopic genre looks as self-serious, surface and inert as it would from any old journeyman. Herzog clearly loves both Nicole Kidman and his subject, Middle Eastern explorer and deal-maker Gertrude Bell, to the point of allowing no blemish to show. It’s such a disappointment when you consider the wild portraits of pioneers that Herzog has given us before, that he’s so reverent here. Isn’t he the director who can locate the madness in everything he sees? Where is Bell’s madness?” — from by a 2.6.15 review by Indiewire‘s Jessica Kiang. Yes, that’s right — filed over two years ago.

March 24, 2017 4:54 pmby Jeffrey Wells
20 Comments
Angry, Blunt-Spoken Mom Knees Local Cops In Groin

I’m going to need a little time to figure how the Left Banke’s “Walk Away Renee” relates to Martin McDonaugh’s Three Billboards Outside Ebbing, Missouri (Fox Searchlight, sometime this fall). But it’s obvious Frances McDormand is going to be a Best Actress contender — tough-talking, grief-struck mom puts a pair of Trump Country lawmen (Woody Harrelson, Sam Rockwell) through hell because they’re more concerned with giving black guys a hard time than finding the person who raped and murdered her daughter. 

 McDormand’s last big score was in HBO’s Olive Kitteridge; her most acclaimed screen performances have been in Moonrise Kingdom, Burn After Reading, North Country, Almost Famous and — her crowning glory — Brainerd police chief Marge Gunderson in Fargo, which opened 21 years ago. 

On 10.21.16 an HE tipster who’d attended a Three Billboards research screening called it “an incredibly smart, dark comedy with a great script.”

March 23, 2017 10:38 amby Jeffrey Wells

28 Comments
How Will This Not Be At Least Fairly Good?

HBO’s The Wizard of Lies, directed by Barry Levinson, pops on Saturday, 5.20 — right in the middle of the Cannes Film Festival. Robert De Niro as Bernie Madoff and Michelle Pfeiffer is wife Ruth, who of course knew everything. Based on the same-titled book, it costars Alessandro Nivola and Nathan Darrow as Madoff’s sons, Mark and Andrew plus Lily Rabe, Kristen Connolly and Hank Azaria.

March 22, 2017 6:36 pmby Jeffrey Wells
12 Comments
Kissin’ Cousins

Said it last January: At the very least Roger Michell‘s My Cousin Rachel (Fox Searchlight, 7.14) is going to look great. The dp is Mike Eley, whose only major credit (at least in terms of high critical regard) is having co-shot Kevin McDonald‘s Touching The Void. You can tell right off that Rachel Weisz‘s Rachel is deranged and trouble for all concerned, and particularly for Sam Claflin‘s Philip. Claflin strikes me as a better looking, less creepy Michael Fassbender. Philip was played by Richard Burton in Henry Koster‘s 1952 version, which popped only a year after Daphne du Maurier’s novel was published.

March 21, 2017 12:44 pmby Jeffrey Wells
15 Comments
Can’t Miss, Slamdunk, Everyone Invited
March 21, 2017 12:25 pmby Jeffrey Wells

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