Anne Francis Chilling in Black Rock

Bad Day at Black Rock (‘55) is a good, strong John Sturges film except for one thing. Nobody in that tiny little desert backwater was doing Anne Francis?

It makes no sense that Francis would even BE there, as a woman this fetching would never settle for a grim existence in a dinky little ghost town like this. Life is short — you have to go for the gusto and the goodies.

But even if you accept that Francis’s “Liz Wirth” would be content to live in this dusty hell hole, human nature dictates that someone in that miserable hamlet would’ve stepped up to the plate and said to her, “I’m your man and we can make beautiful music together and have all kinds of nice plants on the patio.”

Someone always steps up and seals the deal in these situations. It happened in each and every cave settlement in prehistoric times, in every village in ancient Judea, in every clay-hut, grass-roof settlement in medieval Europe. Not that a knockout like Anne Francis would’ve rubbed shoulders with everyday European villagers or Judeans or cave-dwellers.

If I was Spencer Tracy, I would’ve sized things up and sauntered over to Robert Ryan or Lee Marvin or Walter Brennan or Wirth’s brother Pete, who works at the hotel, and said, “Are you telling me that no one’s giving Anne Francis the high, hard one, or at least trying to? Because that really goes against basic human nature.“

Norman Jewison’s “The Russians Are Coming”

According to a recently-deleted CNN report, President Biden allegedly told Ukranian president Zellensky that a Russian invasion is “imminent”…virtually certain come February…and that Kiev could be “sacked.” There’s a suspicion that “journalists were covertly fed Russian intelligence disinformation, so [CNN] removed it once they realized the mistake.”

To Put It Mildly…

A bit less than 30 years ago I profiled Bridget Fonda for the N.Y. Times. The piece, largely based on my visiting the Arizona set of Bodies, Rest and Motion and sharing a nice dinner with her, ran in August ‘92. I liked Bridget a lot; I even felt what you might call a semi-profound kinship with her.

And so, three decades on, I have no comment about the alleged, recently snapped photos of her that have just surfaced. No comment except I literally cried out when I saw them. We all get older but…well, bear with me. Sorry but I’m startled, partly because she’s the niece of Jane Fonda and there’s a certain image or association that comes with that.

That said, I hope Bridget is happy. Maybe the Mail made a mistake. Saying no more.

Yes! Almost Brilliant!

But of course, Joe Biden‘s condescending, less-than-supportive attitude towards Anita Hill during the Clarence Thomas confirmation hearings is an episode he won’t want to revive by nominating her to fill Justice Breyer‘s seat on the Supreme Court.

Filed by N.Y. Times reporters Sheryl Gay Stolberg and Carl Hulse on 4.25.19: “On Thursday, the first day of [Biden’s] presidential campaign, his camp disclosed the call, saying[said that] the the former vice president had shared with Anita Hill “his regret for what she endured” 28 years ago, when, as the chairman of the Senate Judiciary Committee, he presided over the confirmation hearings in which she accused Clarence Thomas, President George Bush’s nominee to the Supreme Court, of sexual harassment.

“But Ms. Hill says the call from Mr. Biden left her feeling deeply unsatisfied.

“In a lengthy telephone interview on Wednesday, she declined to characterize Mr. Biden’s words to her as an apology and said she was not convinced that he has taken full responsibility for his conduct at the hearings — or for the harm he caused other victims of sexual harassment and gender violence.”

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So Which DGA Nominee Will Take Best Picture Oscar?

I’m suddenly feeling hugely depressed by the announcement of the five 2022 DGA Awards nominees. The Big Five are Paul Thomas Anderson‘s Licorice Pizza, Kenneth Branagh‘s Belfast, Jane Campion‘s The Power of the Dog, Steven Spielberg‘s West Side Story and Denis Villeneuve‘s Dune.

Does this mean these films will come to be regarded as the leading Best Picture nominees? Not necessarily but quite possibly, and this is what has sent me into a howling tailspin.

Because among these five and in the eyes of the egalitarian Movie Godz, only West Side Story and Licorice Pizza are really and truly good enough in a genuinely discriminating, emotional, full-hearted sense to warrant top-five status, and yet we all know they probably won’t win because, according to conventional thinking, (a) WSS wasn’t really necessary to begin with plus it died at the box-office and (b) Licorice Pizza, which I liked for the most part, is regarded as too catch-as-catch-can, too meandering.

I’m also gloomed out because the DGA gang has rejected King RichardHE’s pick for 2021’s finest film. Seriously, this is very, very upsetting.

Im short, it’s suddenly hit me like a waffle iron crashing into the left side of my face that the three films most likely to win the big prize are Belfast, The Power of the Dog and Dune. We all know that Dune can’t win (too many people hated it) so it’s down to Belfast and The Power of the Dog.

Here are HE’s picks for the ten best films of ’21King Richard, Parallel Mothers, West Side Story, Spider-Man: No Way Home, The Worst Person in the World, A Hero, Riders of Justice, No Time To Die, The Beatles: Get Back and Zola. The second ten are Cyrano, Licorice Pizza, The Card Counter, In The Heights, The Last Duel, No Sudden Move, Titane, The Tragedy of Macbeth, Drive My Car and Summer of Soul.

I can’t believe this is happening, but it is happening. I’m shocked, I’m stunned, I’m out of breath, etc. Some where in West Los Angeles, Sid Ganis is chuckling.

If these five are indeed the hottest Best Picture contenders, HE believes that the only truly justified winner in the eyes of the Godz would be West Side Story.

WGA Original Screenplay noms: Being the Ricardos, Don’t Look Up, The French Dispatch, King Richard, Licorice Pizza.

Adapted Screenplay noms: CODA, Dune, Nightmare Alley, tick, tick…BOOM!, West Side Story.

Respectful Ixnay

Drive My Car knows exactly what it’s doing, and it delivers on that mission and self-knowledge over a period of 179 minutes, which is unnecessary. A two-hour film that lasts 179 minutes can’t be uplifting or transcendent. Drive My Car is a thoughtful, melancholy slog for grief monkeys, and with way too many cigarettes smoked. It warrants respect but it shouldn’t leapfrog out of the Best Int’l Feature category. Meditative smarthouse material for Justin Chang-level elites and hoity-toities. Hollywood Elsewhere says “sorry but no Best Picture nomination.”

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Obviously Faist

It is Hollywood Elsewhere’s contention that West Side Story‘s Mike Faist is the most deserving contender for the Best Supporting Actor Oscar. He gave the only “wow!”performance…the only one that really popped or generated any excitement.

Most of the award-season sheep are predicting that The Power of the Dog‘s Kodi Smit-McPhee is the most likely winner of the Best Supporting Actor award. Basically for playing a deceptive little candy-ass…Benedict Cumberbatch‘s obscure object of desire and a passive, sneaker-wearing wimp with a hidden agenda up his sleeve. Are you telling me there was even a slight tremor of excitement about his performance after Dog popped last fall?

The sheep are resolute about Jane Campion winning the Best Director Oscar (we all understand this is totally locked-in), and just to fortify this they’re supporting as many Dog contenders as possible, and so Smit-McPhee gets a free ride on her coattails.

Bradley Cooper‘s “Jon Peters” in Licorice Pizza is not a supporting performance — it’s a cranked-up cameo. While Ben Affleck‘s congenial, low-key uncle in The Tender Bar is intermittently charming, his fake Long Island accent diminishes the performance — it reminds you that he’s acting. CODA‘s Troy Kotsur…if you say so. Because people have no taste, the broadness of Jared Leto‘s performance in House of Gucci makes it a likely nominee. Belfast‘s Ciaran Hinds delivered on auto-pilot — he could have played the kindly grandfather in his sleep.

Reps Tried To Save Him From “Dumb and Dumber”

I’m a huge Jeff Daniels admirer — have been for 40 years now, despite his having blown me off for an interview ten years ago. But even if you’re not a huge fan, this is one of the best career-recap recollections I’ve ever seen, and I don’t care if it’s two months old. Every engaging story delivers some kind of choice insight or kernel of wisdom or killer anecdote. (Jack Nicholson on the set of Terms of Endearment: “This isn’t Broadway — this is the pro game.”) I’m very sorry I never caught Daniels in To Kill A Mockingbird, and I apologize for the fact that I’ve never paid the slightest attention to Showtime’s American Rust, a Dan Futterman series that Daniels exec produced and stars in.

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Curious Supporting Preferences

Theirs, not mine.

HE can’t quite decide upon the most deserving contender for the Best Supporting Actress Oscar. One one hand I’m convinced that King Richard‘s Aunjanue Ellis and her performance as a tennis super-mom, has to take the prize. I’m also persuaded that The Tragedy of Macbeth‘s Kathryn Hunter, the gnome-like contortionist in a triple role. left the most searing impression.

My third-place choice is West Side Story‘s Rita Moreno — a commendable turn in a first-rate musical remake

HE’s fourth-place pick is Ann Dowd in Mass. My fifth-ranked contender is a dispute between In The HeightsOlga Merediz (the white-haired matriarch who passes on) and Haley Bennett‘s “Roxanne” in Cyrano.

I felt nothing special for Belfast‘s Caitriona Balfe — fine but whatever. West Side Story‘s Ariana DeBose delivered energy and conviction, but I’m still trying to understand what her alleged magnificence is all about. The Power of the Dog‘s Kirsten Dunst did a great job of playing a depressed and intimidated alcoholic, and she deserves extra credit for managing to look at least eight to ten years older than her own age (39). Passing‘s Ruth Negga is nothing — she glides through a slight, boring film, and doesn’t even begin to look like a BIPOC passing for white.

Due respect but Belfast‘s Judi Dench, The Lost Daughter‘s Jessie Buckley, Nightmare Alley’s Cate Blanchett, Dune’s Rebecca Ferguson and Marlee Matlin in CODA….not this year, not this time.

The vast majority of the Gold Derby go-alongers have Ariana DeBose in their #1 positions; only Dave Karger is man enougb to stand by Aunjanue Ellis.

Problematic PGA Noms

Nominees for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures were announced this morning by the Producers Guild of America. And they blew off Spider-Man: No Way Home…brilliant! The PGA members, in league with the stodgy and harumphy Anne Thompson, Scott Feinberg and Steve Pond, aren’t letting an emotional explosion superhero flick into their little fraternity….no sirree!

But they have nominated Being the Ricardos, Belfast, CODA, Don’t Look Up, Dune, King Richard, Licorice Pizza, The Power of The Dog, tick, tick…BOOM! and West Side Story.

The PGA snooties are 100% aware that most people who’ve sat through Dune were either dead bored or hated how it made them feel, or at least looked at their watch six or seven times. They know this, and they nominated it anyway because it was a big-vision CGI flick based on a seminal sci-fi novel. They’re also aware that the expertly produced Spider-Man: No Way Home levitated millions of ticket-buyers and sent them out smiling and ecstatic and ready to see it again. They know this for a fact and yet they blew it off. Because they’re foo-foo snooties. Because they’re lazy-minded dicks at heart.

HE to PGA voters: You honestly and sincerely believe that tick, tick…BOOM!, which was mostly agony to sit through, is a more worthy recipient of the Zanuck award than Spider-Man No Way Home? You realize you’re living in complete denial, right? You realize that celebrating the tiresome tick, tick…BOOM! over the mesmerizing whoosh of the second hour of Spider-Man is absurd, and that history will judge you fools and dilletantes?

The 2022 Producers Guild Awards ceremony will happen on Saturday, March 19.

Footnote: Sony has so far decided against sending out screeners of SpiderMan: .No Way Home. This may not be the cause it wasn’t among the ten PGA noms, but it was probably a deciding factor.

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Not Allowed To Agree With Matt Walsh

…but as far as Disney’s forthcoming Snow White and the Seven Dwarves remake is concerned, I’m afraid I do agree. With everything except Rachel Zegler being described as a woman of color. She may be vaguely olive-skinned but only faintly. She has rich dark hair and very fair skin — no significant difference between her and the classic Snow White of animated legend.

Twenty dwarves took turns doing handstands on the carpet, etc.