Esquire‘s Mike D’Angelo has written that Cate Blanchett‘s Bob Dylan performance in Todd HaynesI’m Not There “goes beyond mimicry, capturing not only Dylan’s adenoidal mannerisms but his unruly prankster spirit. Whether needling pompous journalists or muttering random aphorisms, her ‘Jude’ greets the world with an expression of perpetual bemusement, as if enjoying some strange private joke.

“It’s an uncanny approximation of the Dylan seen in Don’t Look Back — so convincing that you often forget you’re watching a gender-reversed stunt, and so mesmerizing that you can’t help but feel disappointed every time the movie cuts to one of the other, far less iconic pseudo-Bobs.”

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