Venice side street, taken in late May of 2017. Please consider the ancient wall and the soft and subdued yellow paint, and especially the mint-green colored awning accented by those six or seven strips of pink neon. If shot on 35mm film the only person who could properly capture this late-evening milieu would be Vittorio Storaro. I haven’t been to Venice since. It almost hurts to think about it. They say the camera on the new iPhone 12 is the best yet, and that it captures amazing colors and details when there’s not much light.