Every so often a piece of Bluray jacket art will offer a more interesting visual concept for an old film than the original poster did. A monochrome Rod Taylor and his Victorian time machine whooshing through time so fast that they exude a molten pinkish glow, like some kind of 1965 Gemini space capsule burning through billions of time molecules…that’s cool. On some level this upgrades George Pal‘s 1960 thriller (streeting on 7.8) and makes it seem like it has something people have forgotten about, even if it doesn’t. And it doesn’t.