Pleased With Paths

I was surprised to discover that the 1.66 to 1 crop used in the new Criterion Bluray of Paths of Glory feels relatively satisfying. All I can finally say is that it looks “right,” as if 1.66 to 1 was the idea all along. And I sat down with this disc ready to dislike what … Read more

"Animals In Clothes"

A friend mentioned last night that one of the most intensely desired Blu-rays is Stanley Kubrick‘s Barry Lyndon. Intensely so for its curious absence, and intensely so for months, years and decades after it’s released, I’m sure. Everyone will have to own the most precisely rendered and visually faithful digital version of one of the … Read more

War Against The Monks

In all modesty, I would like to believe that my 2009 war against the Blu-ray grain monks may have been…well, at least a significant anecdotal factor in the evolution of industry thinking about how to wisely master Blu-rays of classic films. I ranted about this over and over, but the best-written column article on the … Read more

Coyle On The Shelf

I picked up the Criterion DVD of The Friends of Eddie Coyle yesterday. There’s a little booklet inside that contains a reprint of a superb Rolling Stone set-visit piece by Grover Lewis (a great journalist who died in ’95 of lung cancer) called “The Last Celluloid Desperado.” It also contains an eloquent essay by Kent … Read more

Damn Sand

Sandstorm-strength grain is a technological blight that classic-era filmmakers had no choice but to work with as best they could. Bring the great directors back to life — Wilder, Lubitsch, Fleming, Capra, Hawks, Ford, Griffith, Keaton, Hitchcock — and they would all say, “Yes, naturally, obviously, of course…ask Lowry Digital‘s John Lowry to do what … Read more

Blu-ray Monochrome

Nobody is more queer for Blu-ray monochrome than myself. The principal cause of this mania is the recent Casablanca Blu-ray, which made Michael Curtiz‘s classic film look 15% to 20% better than it ever had before. I’m so consumed by this hunger that I didn’t let my disappointment with Criterion’s Third Man Blu-ray get in … Read more

Suber Lesson #1

In honor of UCLA film professor Howard Suber‘s recently released “The Power of Film” (Michael Weise, 424 pages), Hollywood Elsewhere will be running a series of bite-sized Suber Lessons taken straight from the book. Lesson #1: What do the following popular classic films have in common? Amadeus, American Graffiti, Annie Hall, Apocalypse Now, Bonnie and … Read more

Chaos Theory

I’m all over the place this morning (researching, ad concerns, re-designing) and running late with Wednesday’s (10.6) column. It probably won’t be up until 3 pm Pacific time. If only there two of me…or three of me, for that matter. One could sleep on the couch and the other on a cot in the dining … Read more