Hillary Clinton‘s opening line at the podium today — “this isn’t exactly the party I’d planned, but I sure like the company” — was spoken with real feeling. Ditto her comments about the symbolic historical role her campaign played over the last several months. But to me, the delivery of the most of her speech felt a little tight and clenched. She wore a reserved and somber expression throughout, and yet it seemed like a fairly sincere statement. Wisely written, well sculpted. She stood up.

Hillary got into the soul of it towards the end — I’ll give her that. During the final seven or eight minutes she almost begged her older-women supporters not to turn away from Obama….”please don’t go there.”
“I endorse [Barack Obama] and throw my full support behind him!,” she said about six or seven minutes in. Some in the crowd are very clearly and audibly yelling, “Noo!! Booo!!” “Support him as you would me!,” she said. Nooo…!!! “I am standing with Senator Obama as I say, ‘Yes, we can!'”
Her expression is nonetheless correct, guarded — on the glum side. That look of indigestion on her face after every “support Obama” statement was pretty evident. “I understand that we all know this has been a tough fight, but the Democratic party is a family” and now it’s time to pull together, etc. Yeah, yeah, some in the crowd seemed to say.
To those who might refuse to support Obama or even vote for John McCain, “Please don’t go there,” she pleaded. “The stakes are too high to dwell on what might have been. I will work my heart out to make sure that Senator Obama will be our next president, and I hope that you will join me in that effort.
“It would break my heart that in falling short of my goal, I would in any way discourage any of you in pursuing your own goals. We weren’t able to shatter this particular glass ceiling, but it’s got about 18 million cracks in it. If we can launch 50 women into outer space, we can someday launch a woman into the White House.
“Will we go forward together or stall and slip backwards? Like millions of women, I know there are still barriers and biases out there. I ran as a daughter who benefitted from opportunities my mother never dreamed of. There are no acceptable limits or prejudices in the 21st Century. You can be so proud that from now on, it will be unremarkable for a woman be in a close race for president…truly remarkable, my friends!
She was being careful, forceful. She sold the message, but was, I felt, reading the words more than feeling them. The body english, the facial muscles and the heart were only somewhat there. The woman is in pain, but she did the right thing.

12:26 pm update: The big Hillary Clinton concession speech event was supposed to start at noon, and her motorcade has just left her Georgetown home, which is a good 15 minutes away from the National Museum Building. She’ll be at least a good 45 minutes late, and we all know what that means…c’mon. A bride or groom arriving this late for a wedding always indicates indecision, if not doubt.

Lamenting the destruction of numerous 35-millimeter theatrical prints of classic films in last week’s Universal Studios fire, UCLA film professor Ron Kuntz has written in a N.Y. Times 6.7.08 op-ed piece that Universal “has already canceled screenings of Rear Window and Howard Hawks‘ Scarface for the U.C.L.A. film history class I teach, along with all their other titles for the indefinite future.
Kuntz says he hopes this disaster “will prompt Universal and its fellow majors to better preserve not just key titles like Duck Soup, Dracula or Vertigo — which will surely be reprinted and return to circulation — but also the other 90 percent of their inventories, the less famous and therefore more vulnerable titles that the studio may not feel justify spending thousands to save. These are exquisite samples of 20th-century American culture and deserve to always be seen in their extravagant, sensual, big-screen glory.”
Of course, Kuntz wrote the article and the Times ran it precisely because they don’t believe — no one does — that Universal execs will make a concerted full-boat effort any time soon to replace the destroyed prints, and certainly not the less-well-known ones.

Covering yesterday’s farewell-and-thank you party thrown by Hillary Clinton for campaign workers, N.Y. Daily News reporters Kenneth R. Bazinet and Michael McAuliff have described “tears and hugs and lingering bitterness that will take some time to heal among Clinton’s soon-to-be-unemployed foot soldiers.” They’ve also run an astonishing kicker quote — an anonymous “campaign aide” saying, “I will never forgive Obama for what he did to Hillary…I will vote for him, but that’s it.”
What do you say to such a statement? Do you say, “Yeah, I hear you…Obama played it low and dirty while Hillary held high the torch of dignity and appealed to the best in voters”? What kind of prescribed medication do you have to be on to buy into this?
Trust me — in her noon speech today in Washington, D.C., Clinton’s carefully parsed words will provide comfort to the person who voiced the above. Clinton’s heart-of-hearts is not in this charade — we all know that. Many of her rabid supporters regard today’s concession speech as a kind of funeral. She’s something of a political realist, of course, and knows what she has to do, but many of us will be flabbergasted if she convinces everyone that she really and truly means what she’s about to “say.”
We all know who and what she is — do we not?
N.Y. Times reporter Jodi Kantor has offered a more carefully measured view of the situation.

Fantasy Moguls’ Steve Mason is reporting that Kung Fu Panda is the weekend’s #1 ass-kicker, having grabbed an estimated $17.75 million on Friday with a likely $55 million haul by Sunday night. Adam Sandler‘s You Don’t Mess With The Zohan earned about $13.25 million and is looking at an estimated weekend take-down of $36.25 million. Sex and The City: The Abomination and Indiana Jones and the Kingdom of the Crystal Skull will apparently be duking it out for third place.

A tribute to the late Sydney Pollack by Bill Horberg, who worked for him a long time at Mirage, on Anne Thompson‘s site. And here, finally, are those Husbands and Wives clips I was looking for before.

A seemingly new site for The Dark Knight.

Looking to explain coming editorial staff cuts at the L.A. Times, Tribune Co. chief operating officer Randy Michaels yesterday told Variety‘s Cynthia Littleton that “the average journalist in Hartford or Baltimore does over 300 pages a year. [And we have found that] you can eliminate a fair number of people while [not] eliminating very much content. We think we have a way to right-size the papers and significantly reduce our costs.”
I wonder what the average output is for internet columnists? You probably can’t measure it in “pages” (well, maybe) but I’ll bet it beats “over 300 pages a year” all to hell.

“People talk about this grand, epic quality in [David] Lean‘s films, but I love them because they are pure. Clean, simple — even minimalist. He never uses anything he doesn’t need, and, like the match and the sunrise, it encapsulates more than a million words.

“No one else comes close, but it gives me something to aspire to.” — Atonement director Joe Wright writing yesterday (6.5) in the Times Online on the occasion of a British Film Institute tribute.

I wish I could think of something to add to the Clint Eastwood-Spike Lee argument. I do at all. I don’t see why there’s a debate at all because (and I got this straight from my old man, an ex-Marine who fought at Iwo Jima) there were no black solders doing any early-wave fighting during that horrific encounter, so Lee is wrong.
My beef with Eastwood’s Flags of Our Fathers has never been addressed or answered, to wit: why were the grunts who went for a swim at the finale wearing white underwear when every G.I. in the Pacific theatre wore skivvies, socks and T-shirts colored olive drab?