Cinemorgue, which features listings and descriptions of thousands of death scenes that are alphabetized by the names of actors and actresses, is grim and exhaustive and…valuable, I guess, but also kind of strange. I’d forgotten how many times Elke Sommer has been gruesomely killed on-screen. Two skiiing accidents, shot three times (machine gunned in 1969’s The Wrecking Crew, the Dean Martin-Matt Helm movie), blown up, and bludgeoned to death.
Almost all movie deaths, it seems, are brutal, bloody, sudden, ghastly, traumatic and otherwise unpeaceful. Nod-off deaths — like Sir Cedric Hardwicke ‘s passing in The Ten Commandments — have been few and far between over the last 40 years. Is real-life death ever smooth and easy? Only if you do yourself in with pills. James Toback said during a phone chat, which is that (paraphrasing) “almost none of us are going to die as pleasantly as we’d like to…it’s always under circumstances we can’t foresee, much less plan for, and sooner than we’d like.”
Note: all present and future mentions of cinemorgue.com are permanently indebted to Movie City News because Poland linked to it earlier today or last night.
“The Republican brand has been so badly damaged that if Republicans try to run an anti-Obama, anti- Reverend Wright…campaign, they are simply going to fail.” — a declaration made yesterday by (believe it or not) Newt Gingrich on Human Events, a conservative website.
The DVD of the original 219-minute cut of Michael Cimino‘s Heaven’s Gate has been available for more than eight years, but even those who mostly despise the film (myself among them) will concede that seeing an allegedly “restored” print on a big screen in a first-rate house like Santa Monica’s Aero is definitely the preferred way to go. Kevin Thomas will introduce the 5.22 Aero screening, which will start at 7:30 pm.
History long ago noted that renowned critic F.X. Feeney is primarily responsible for recasting Heaven’s Gate as a film deserving of revisionist respect. I never bought into this but Feeney’s efforts in this regard are a reminder of what a genuiinely caring and impassioned film critic can do when he/she puts his/her mind to it. Or at least was capable of doing in the old days.
I hated Heaven’s Gate when I first saw it 17 and a half years ago, and I couldn’t stay with it when I tried it a second time at home about five years ago. I therefore feel it’s still worth quoting the famous quip from N.Y. Times critic Vincent Canby that Heaven’s Gate “fails so completely that you might suspect Mr. Cimino sold his soul to the Devil to obtain the success of The Deer Hunter, and the Devil has just come around to collect.”
I attended the second critics screening at the Cinema I on November 17th or 18th (one of those) and stood at the bottom of the down escalator as those who’d seen the afternoon show were leaving. I asked everyone I knew what they thought on a scale of 1 to 10. I’ll never forget the gray, deflated expression on the face of journalist Dan Yakir as he muttered “zero.”
Lionsgate has decided to open Frank Miller‘s The Spirit, an adaptation of Will Eisner’s heavy-noir comic strip, on Christmas Day 2008 instead of 1.16.09. Pamela McClintock‘s 5.6 Variety story, quoting Lionsgate theatrical films chief Tom Ortenberg, says the decision to shift the film to 12.25 “came after the project was presented to fans at New York Comic-Con.”
Scarlett Johansson as “Silken Floss” in Frank Miller’s The Spirit
Nick Broomfield‘s Battle for Haditha (Hanway Films), which is playing at Manhattan’s Film Forum from now through 5.20, is arguably the best Iraq War foot-soldier drama to have been released thus far. Mostly because it uses the POV of all the sad victims in this wretched episode and presents the particulars in a way that straddles the line between judgment and lament.
Shot in purposefully ragged docu-drama style with non-actors and deserving, I feel, a solid 8 on a scale of 10, Haditha will certainly be avoided en masse by those brave citizens who don’t want to know from that conflict, and who will absolutely dodge a dramatization of the infamous November 2005 Haditha massacre in which 24 Iraqi men, women and children — 15 of whom were confirmed non-combatants — were slain by U.S.Marines on a revenge bender.
As the Wikipedia page explains, it has been alleged that the killings were retribution for the attack on a convoy of United States Marines with an improvised explosive device that killed Lance Corporal Miguel Terrazas.
I won’t strenuously argue with the belief of Salon‘s Andrew O’Hehir that it’s “the closest thing this conflict has produced to a Paths of Glory or an All Quiet on the Western Front” or Robert Koehler‘s view that it summons memories of Gillo Pontecorvo’s Battle of Algiers.” It does visit similar tragic turf, and does, for the most part, offer a convincing simulation of the hell fires consuming that cursed country right now as well as those that propelled several regular guy GIs to do what they did two and a half years ago.
The only serious beef I had after seeing in Toronto last September was that “the improvised dialogue feels a little too blunt and on-the-nose at times,” although I said without qualification that it’s “absorbing, bracing stuff.” But because of some of the actors’ delivery and my resistance to some of the dialogue, I wasn’t completely swallowed by it and so the the emotionality didn’t quite kick in.
Coming Soon‘s Ed Douglas has posted a straightforward q & a he did with Broomfield a few days ago.
Interested New Yorkers might want to catch tonight’s 8 pm show at the Film Forum, as it will be followed by a q & a between Broomfield and actor/former U.S. Marine Elliot Ruiz.
Huge exhale and good riddance. Barack Obama wailed in North Carolina and lost Indiana by a nose hair, and that, ladies and gentlemen and undecideds, is finally the end of Hillary Cinton. Tim Russert said this morning that every political player now accepts that Obama will be the party’s nominee in Denver. Politico‘s Mike Allen wrote this morning that Obama “won’t push her out — he’ll let her get her coat, and walk to the door. But he’s talking to the whole country now — not just to Democrats, and not to individual states.”
In the wake of this morning’s breaking news that Clinton has loaned her faltering campaign another $6.4 million on top of the $5 million loan she admitted to earlier this year, her perplexing determination to push on (clearly obnoxious, arguably sociopathic in nature) will only hurt her future prospects. As Politico‘s Roger Simon wrote late last night, “She has options, but only if she manages her endgame carefully. If she becomes known as the candidate who was willing to destroy her party in order to gain the nomination, she is likely to lose not just the nomination but also her political future.”
In the meantime, here’s irrefutable proof of the validity of my earlier suggestion that a Dumbass Amendment be added to the Constitution requiring states to give prospective voters short written quizzes to make certain they’re at least somewhat knowledgable and semi-intelligent before being granted a voice in choosing the nation’s leadership.
Chicago Sun Times reporter Lynn Sweet has reported that yesterday morning “about 50 people were eating breakfast at [the Four Seasons] restaurant in Greenwood when Obama walked in at 7:40 a.m. He went from table to table, chatting briefly with patrons about the economy and gas prices before sitting down to breakfast.
“One of his first encounters went poorly. He approached a man sitting alone at a table and was waved away. The man told me afterward he had no interest in meeting Obama. ‘I can’t stand him,’ he said. ‘He’s a Muslim. He’s not even pro-American as far as I’m concerned.'”
Cue John Mellencamp‘s “Ain’t that America?”
Forced to simulate indications of seasoned intelligence and sensitivity during a recent visit to Keith Olberman‘s “Countdown,” Harold and Kumar Escape From Guantanamo star Kal Penn was, by any fair standard, fairly convincing.
National Public Radio news media reporter David Folkenflik following an interview we did in NPR’s 42nd Street studio this morning about the dwindling, dying profession of dead-tree film criticism. The piece will also include comments from other authorities (including, I’m told, former N.Y. Daily News film critic Jack Mathews), and will air sometime Wednesday afternoon. The online link will be clickable on the NPR site Wednesday evening.
Happy bubbleman at corner of Broadway and Prince Street
Jones Square, 42nd and 7th Avenue, facing east.
Possibly as a result of catching yesterday’s Oprah tribute, Sumner Redstone has amended his position on Tom Cruise (or told his wife to stop kvetching) and has been laying down a welcome mat in hopes that a Mission: Impossible 4 might happen down the road. (S.R. and Cruise dined together in March, it says here.) “I consider Tom Cruise a great actor and a good friend,” Redstone said during a business conference in South Korea. “And if Paramount decides — and they will make the decision — to move ahead with him, I will not object.”
The Swedish Hancock trailer is supposed to be ruder than the American one? The beginnings and middle of both are pretty much the same. I’m not sure about the final thirds.
First, those stories about Heath Ledger/Joker dolls fetching $50 a pop on e-Bay don’t appear to be valid, as this e-Bay page makes clear. Second, 6″ Joker dolls are for eight year-olds. Serious collectors prefer the more detailed 12″ or 15″ tall models with their much better facial likenesses.
Either way, this is the first action figure I’ve wanted to own in a long time. I’ll admit it — it’s partly the macabre aspect of a dead actor being sold as merchandise. I have a James Dean doll at home. I’ve also had four Universal-crafted classic monster dolls on my desk for the last three or four years — the Wolfman, Dracula and two Frankensteins (one modelled on Boris Karloff‘s appearance in the original 1931 film, the other a copy of his look in James Whale’s Bride of Frankenstein).
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