When I think of Valentine’s Day, I usually imagine a bunch of Chicago hoods getting machine-gunned to death back in 1929. But this year is different. Partly because I’m in a great relationship groove (God has smiled down), and partly because there’s a stand-out Valentine’s Day Word Theatre event happening on Thursday, 2.14 at Social (formerly the Hollywood Athletic Club) that will be refreshingly free of the usual trite, mawkish sentiments that tend to coagulate on this romantic holiday.

It’s called “Hot Flicks: Love Scenes from the Silver Screen.” The performers will be Richard Schiff, Illeana Douglas, Chris Gorham, Amanda Seyfried (star of the forthcoming Mamma Mia!), the great Donal Logue (Zodiac, The Tao of Steve), Christina Pickles, Kali Rocha, Michael Rodgers, Toni Trucks, and Raviv Ullman.
I’ve been to Word Theatre events before and know something about the experience. It’s like seeing a first-rate play without the acts or the scenery or the makeup or the blackouts or the tight seating. And with gifted actors, a classy clientele, excellent hors d’oeuvres and (if you’re so inclined) booze.
Good love-scene movie dialogue is hard to come by. Mainly because filmmakers don’t tend to believe in it. Moments of longing, hunger, unrequited love, tenderness or spiritual affinity between characters tend to sink in more deeply when expressed non-verbally. Through the eyes, for the most part, or sometimes with a gesture that isn’t meant to be seen. Like Ward Bond happening to notice the wife of John Wayne’s brother gently stroking the Duke’s Civil War uniform in John Ford‘s The Searchers. Or Heath Ledger pressing his face into Jake Gyllenhaal‘s tattered shirt during a private moment near the end of Brokeback Mountain.

But affecting I-care-about-you dialogue happens nonetheless. My personal favorite is this passage from Jerry Maguire. (Notice that I didn’t include “you complete me” or “you had me at hello.”) I’m also a big fan of “you make me want to be a better man” from As Good As It Gets.
I’ve also always liked the dialogue between Trevor Howard and Celia Johnson in David Lean‘s Brief Encounter. I’m told this will be included in the 2.14 program.

Memo to Brad Grey #2: In case your memory of The Friends of Eddie Coyle is a little fuzzy, here’s an mp3 of the film’s great dialogue scene: Robert Mitchum and Stephen Keats (playing a character named “Jackie Brown”) talking about guns in a diner. Blunt Boston crime- culture dialogue doesn’t get any better than this. (The first Grey memo — a request that he urge PHE president Meagan Burrows to release Peter Yates’ Coyle on DVD — was posted on February 2nd.)

Keats, Mitchum, Coyle

Update: I’ve called the Criteron spokesperson, Brian Carmody of Orange Media Relations, to ask if Criterion has licensed The Friends of Eddie Coyle from Paramount with the intent of putting out a DVD. Carmody hasn’t issued any press release about this that I know if, nor has he written or called to advise me of same.

Yesterday and the night before settled it. Romney didn’t have a choice. Will McCain ask Huckabee to vp up?

Snagging an Obama campaign report that wasn’t intended to be circulated, Bloomberg News reporters Catherine Dodge and Alex Tanzi are reporting that Obama advisers have privately projected a “virtual delegate draw” at the end of the campaign trail.

This means that the final outcome may hinge on how the entrenched-machine super delegates vote, which could potentially result in a truly ugly scenario (i.e., the white-wine drinking, better-educated, African-American, under-40 Obama contingent feeling a horrific sense of electoral betrayal if the dug-in, boomer-aged Clintonistas, friendly to the hamburger-and-burrito-eating-blue-collar-faithfuls, snatch it away in some smoke-free back room) at the Democratic National Convention in Denver next August.
This morning’s First Read summary, quoting the Bloomberg story: “Obama’s advisers are predicting victories in 19 of the remaining 27 Democratic primaries and caucuses, with Clinton winning the big states of Texas, Ohio and Pennsylvania, according to the scenario attached to a spreadsheet showing the campaign’s Super Tuesday delegate breakdown.
“The analysis envisions an Obama winning streak over the next 12 days. It projects victories in the Louisiana primary and caucuses in Nebraska and Washington state on Feb. 9 and a narrow loss to Clinton on Feb. 10 in Maine. Obama is looking to sweep the Feb. 12 primaries in Virginia, Maryland and Washington, D.C., and get victories in Hawaii and Wisconsin a week later.”
“Normally, we’d assume this was an expectations-setting game. And maybe it is. But the Obama campagin analysis seems to be based on the number of working class and/or Hispanic Democrats in various states; check out the states Obama’s team believes it will lose: Maine, Texas, Ohio, Pennsylvania, Rhode Island, West Virginia and Kentucky. All of those states have a lot more blue-collar Democrats than white-wine drinking Democrats. So it’s a very realistic” assessment.

Brad Friedman‘s “double bubble trouble” report, filed late last night, says that (1) California independent voters “who thought they were registering as non-partisan independents [later learned] they’d in fact registered instead as members of the American Independent party, and thus, were not allowed to vote in [yesterday’s] open Democratic primary,” and that (2) “those independent non-partisan voters who did successfully manage to get registered as ‘Decline to State’ (or DTS, or Non-Partisan), were allowed to vote in the Democratic Presidential Primary if they requested to do so when voting. However, without filling in a certain bubble on the ballot, specifying they wanted it to be counted in the Dem Primary, their vote for President, according to LA County’s Registrar of Voters, will not be counted.”

Vanity Fair Oscar blogger Stu Van Airsdale mildly rips into Diving Bell and the Butterfly director Julian Schnabel. He’s not trying to kill or discredit — just admonish the guy for being a tad resentful, a little thin-skinned, too bearded and barrel-chested. (Kidding about the last one.)

The Weinstein Co. paid for thousands of DVD screeners of Todd Haynes’ Cate Blanchett reel (i.e., an artful presentation of just the Cate/Jude sections of I’m Not There) to be delivered inside a plastic envelope in today’s print issue of Variety. The Envelope prognosticators are predicting an Amy Ryan win in the Best Supporting Actress category, but you know how these things go.

As they were in New Hampshire, the polls were wildly off in gauging the thinking of California Democrats and independent voters. Virtually every one reported a day-to-day Obama surge and a neck-and-neck race between Clinton and Obama. One Reuters-Zogby-CSPAN poll published yesterday morning even had Barack ahead by 13 points. And yet Hillary wound up beating Barack 52 to 42. How could the pollsters have been so titanically wrong? What were they smoking?
Absentee ballots that reflected the Hillary-favoring situation two or three weeks ago played a part, I’m guessing. And race-gender Balkanization was undoubtedly a major factor. (“Beware over-40 Hispanics and Asian Americans!,” says the old soothsayer to the Obama team.) But still, on some level people had to have been fantasizing or flat-out lying to the pollsters. That or the old Bradley effect kicked in (i.e., voters got into the voting booth and just couldn’t quite pull the lever for a black guy). Pollsters aren’t making these numbers up so there has to be an explanation. Somebody needs to really study this and figure it out.

Talk about a misleading headline fronting a thin item. Slate‘s Kim Masters posted a short political story around noon titled “Hollywood Likes Obama” with a subtitle reading “But that could change.” It begins by saying that big Barack Obama supporter David Geffen must be disappointed by his candidate’s loss in last night’s California primary. Then it reports that Steven Spielberg, Geffen’s DreamWorks partner, is “isolated” in his support of Hillary Clinton “not only at the office but to some degree at home. ” Either the kids or Kate Capshaw are Barack supporters…whatever.
Masters then writes that “an associate says even Spielberg’s support for Hillary seems a bit dutiful at this point.” Then comes the subhead raison d’etre: “If [Clinton] emerges as the nominee, of course, industry enthusiasm will follow.” Yes, very true — kowtowing to power would be in keeping with the character of the big players in this town. And if Obama pulls ahead in March or April or next summer Hollywood will kneel before the conqueror. So the headline could have just as easily read “Hollywood Likes Obama” with a subtitle reading “And Clinton Support Is…Well, Not Exactly Surging.”

In my early-bird review of Paul Haggis‘s In The Valley of Elah (posted on 7.11.07), I pointed out that Haggis’s screenplay “is based on a true story that happened in the summer of ’03, and was first reported a year later in a Playboy magazine article by Mark Boal, called ‘Death and Dishonor.’
“It came from Boal interviewing Lanny Davis, a former U.S. Army M.P., about the death of his son, who had been reported AWOL following a tour of duty in Baghdad. Haggis bought the rights and created a somewhat fictionalized version, although he stuck to the basic bones.” I later provided various real-story links.
Here it is almost seven months later and Johnny-on-the-spot Movie City News is running a link called “The True Story of In The Valley of Elah.”