Lemon Asked For This

CNN This Morning‘s Don Lemon has never played the role of a straight-arrow, buttoned-down news anchor type. As an out gay man, he’s occasionally flirted with a somewhat nervy and even flamboyant demeanor at times, closer in spirit to Andy Cohen than Anderson Cooper.

CNN has tended to cut him a fair amount of slack, of course. Even when he seemed to take seriously a wild theory that the missing Malaysian jet that disappeared in 2014 might been Bermuda Triangle-d. Even when he got bombed in New Orleans during New year’s Eve coverage on 12.31.16.

But then he stepped into real shit on 2.16.23 when he declared that 51 year-old Nikki Haley isn’t in her prime. Women, he meant, are in their prime in their 20s, 30s and early 40s —- an obvious reference to their sexual peak, which is demeaning as hell when you’re talking about a Presidential candidate or any woman serving in any professional capacity.

And now, as of yesterday morning (4.5), Lemon has Variety‘s Tatiana Siegel all over his ass.

Business Insider is reporting that Lemon is considering a possible lawsuit over Siegel’s takedown piece, which alleges that he has a history of demeaning and occasionally threatening and female colleagues including Soledad O’Brien, Kyra Phillips and Nancy Grace.

“[CNN has] known for years,” a media source has told the New York Post. “But Lemon is not going to sue because then they’d have to depose people and more stuff could come out.”

One thing in Siegel’s story is worded evasively. She reports that in 2014, Lemon “drew widespread condemnation when he told a Bill Cosby rape accuser that she could have stopped an attack by biting the comedian’s penis.” That implies that Cosby may have been trying to physically overpower or manhandle the victim. In fact the victim had told Lemon that Cosby was somehow forcing her to give him a blowjob. Lemon suggested that the victim could have stopped that activity right quick with her teeth.

It was a very Don Lemon-y comment, for sure. I can’t imagine any TV news anchor coming within 100 feet of this line of questioning. But Lemon has always been Lemon.

Absence of Michael Jordan

Last night I caught my second viewing of Air, and it seemed to gain somewhat. It certainly didn’t diminish. My third viewing will be with subtitles, and then it’ll really gain.

I especially loved how Matt Damon‘s eloquent emotional pitch to the Jordan family near the end is off-the-cuff, and in so doing echoes the second half of Martin Luther King‘s “I have a dream” speech, which was also largely improvised, and is discussed early in the film. This is called “refrain” — one of the most solid and dependable tricks in the book.

But one minor thing has stuck in my craw.

Director Ben Affleck‘s decision not to show Michael Jordan is an understandable one. “”He exists above and around the story, but if you ever concretize him, if you ever say, ‘Yes, that’s Michael Jordan,’ they’ll know it’s not, really..it’s fake,” Affleck explained in a People interview. I thought if they bring everything they thought and remembered about [Michael] and what he meant to them to the movie and projected it onto the movie, it [would work] better.”

And so Jordan stand-in Damian Delano in only seen from the rear, and Jordan’s voice is only heard once on a phone line (“hello”). The physical Jordan/Delano presence only happens toward the conclusion (i.e., during the afore-mentioned Nike pitch meeting plus one or two others). But here’s the thing — the camera’s avoidance of Jordan’s face and Affleck not even allowing us to hear a few words from the guy also feels “fake.” The dodge feels too conspicuous. It intrudes upon the reality of that climactic moment and the overall third-act flow.

I don’t know what the solution could have been or if one was possible, but if I’d been directing I would have persuaded the present-tense Jordan, 60, to record a few lines of dialogue. Maybe a few quips, maybe a pungent observation of some kind,. Hearing the Real McCoy certainly would’ve helped.

On the other hand would it have been that hard to find a young Michael Jordan look-alike? We all know that movies are fake from start to finish — what matters is conviction and bringing your best game to the table.

It could have been argued by the producers of The Longest Day (’62) that Dwight D. Eisenhower was too big of a historical figure and that people would instantly know that Henry Grace, the set decorator who played the nation’s 34th president in an early scene, was just some joker pretending to be Ike.

Of course audiences knew that, but the second that Grace’s face appeared on the big screen, it worked. Audiences appreciated the effort and approved for the most part. Grace’s voice was dubbed by voice actor Allen Swift.

Read more

Dylan’s Bud Light Ad Is…

…okay with me. If it sells beer to more people, what’s the problem? Macho dudes have long felt attached to the Bud brand, but times change. I’ve never harbored a great deal of affection or identification for Bud Light or any Anheuser-Busch beverage, for that matter. I’ve been sober for 11 years now — what do I care?

Read more

Odious Humanoid

I’m sorry, but I think it should be our sworn duty to identify and shame wokester fanatics. I’m thinking particularly of Jeff Zhang of Strange Harbors, who yesterday accused Jeff Sneider of racism because a gentle mocking of “a Black It,” given that Maine (the setting of all the It adaptations) is one of the whitest states in the country.

Nobody raised their eyebrows at Ryan Coogler‘s plan for a diverse X-Files. Pretty much any classic franchise or well-known TV series can be rebooted with a Black cast, I would suppose, but for social realism’s sake it’s probably not the most persuasive idea to set the rebooted project in New Hampshire or Switzerland or the Czech Republic.

Noteworthy Zhang line: “[We should] bully these racist morons out of our industry.”

Fat Donny

“Though we often ask artists to reflect on the events of the day for the weekly cover, the magazine has not, until now, turned to a courtroom sketch artist, whose job it is to depict what a scene looks like when cameras are forbidden in federal criminal proceedings. Jane Rosenberg, the artist behind the cover for the April 17, 2023, issue, was one of three approved sketch artists in the courtroom on the fifteenth floor of the Manhattan Criminal Courthouse, on April 4, 2023, when the former President Donald Trump was arraigned on thirty-four felony charges of falsifying business records.” — from a Francois Mouly piece inj the current issue of The New Yorker.

Whatever It Was

…that was making my chest ache and keeping me from slumber all last night…whatever it was, it gave up the ghost a couple of hours ago and now I’m feeling okay again.

Tiny Appendages

I’m sorry but it’s time to come clean about those micro-sized Johnsons that Michelangelo painted and sculpted time and again.

I’ve always been uncomfortable with thimble-sized packages. A self-respecting man should always display a little “heft”, as Terry Southern used to put it. It’s just not cool to have a push-pin shlongola, and I’m wondering how and why a gay man like Michelangelo would be down with this.

To this day I can vividly recall the slight feelings of discomfort when I caught my first glimpse of a semi-hefty male organ. It happened in the showers of the Westfield YMCA, and I remember muttering to myself “Jesus, this guy’s bigger than the golden nude male statue (“Prometheus”) at Rockefeller Center.”

More “Coup de Chance” Praise

Roger Friedman has seen Woody Allen’s Coup de Chance, and is so impressed with the 90-minute, French-speaking noir that he’s suggesting it could end up winning the Best Int’l Feature Oscar next year.

It’s great to hear this level of enthusiasm, and it makes me all the more hopeful that Coup de Chance will play Cannes next month.

It goes without saying, of course, that Allen haters would never allow it to even be nominated, much less win. They would shriek and howl at even the possibility.

And what’s with the 90-minute length, by the way? Doesn’t Allen understand that the average running time these days is well over two hours?

Opening Night Uh-Oh

Maiwenn‘s Jeanne du Barry, a historical drama set in the mid to late 1700s France (i.e., mostly before but also including the French Revolution), will open the ’23 Cannes Film Festival on Tuesday, 5.16.

Opening-night films are almost always weak or problematic in some fashion. From a certain perspective it’s almost a curse, categorically speaking.

Alternately called La Favorite, the film will star Maiwenn as Jeanne Becu (aka Madame du Barry) in a rags-to-riches-to-guillotine story.

Accused of treason, Becu lost her head during the French terror, and more precisely on December 8, 1793.

Johnny Depp plays the aged King Louis XV, who enjoyed Becu as his final mistress. The only problem is that Louis XV died in 1774, or 15 years before the French Revolution of ’89 and nearly 20 years before Becu’s execution so I don’t get it. I’m not trying to be a smartass — I’m just trying to understand.

Wikipedia says Netflix will release Jeanne du Barry in France in 2023 (probably right after Cannes ’23), but that the streaming release won’t happen for another 15 months, or sometime in the fall of ’24. The Wiki page also states that the film, which finished shooting last October, was financed by the Red Sea International Film Festival. I don’t know…sounds kinda fishy.

Boxy “Psycho” on Netflix

I haven’t seen Psycho in a boxy format in many decades, but it’s currently viewable in this aspect ratio (1.37:1) on Netflix. The images look soft and grainy, like you’re watching a broadcast version on an old TV in 1974. The framings are nonetheless fascinating. I suspect that some Netflix techie made a mistake and this version won’t last long, so jump on it as soon as you can.

All Night Long

It’s not Covid (just tested myself) and there’s no fever, but something got into me last night. A serious ache in my chest. Not a heart attack but something. Persistent fatigue. I couldn’t sleep all night. Breathing hurts a bit. Whatever it is, I’m waiting it out.

Son of John Wayne Saddlebag Trauma

[Originally posted on 7.5.14 — almost nine years ago]: A couple of weeks ago I bought some distressed black-leather motorcycle saddlebags for the new Yamaha Majesty. The fact that the bags were old and quite worn-down and looked like John Wayne might have used them during the shooting of Red River are what made them cool.

It’s very hard to find Tom Dunson saddlebags today because 99.5% of today’s motorcycle owners prefer foo-foo metrosexual leather bags with a shiny showroom lustre and metal studs and complex stitchings that might have been designed by Vera Wang or Ozwald Boateng.

But guess what? The people in Austin who sold me the beat-up bags (they’re known as Rusty Chicken.com) cancelled the order and tossed the bags, they said, because they’re too dusty or grubby-looking or something like that.

Rusty Chicken to me two hours ago: “We have sent you several notices saying we have refunded your form of payment. The item was defective.”

Me to Rusty Chicken: “What does that mean, ‘defective’? Why didn’t you just send it and let me decide if I liked it or not? Your listing said it was worn and stressed and so on. That’s what I wanted. I was going to loosen it up with mink oil and then have it repaired by a shoe-repair guy.”

Me to Rusty Chicken (follow-up): “Listen to me, please — I WANT defective. I WANT saddlebags that look old and beat-up and, you know, sort of ‘John Wayne on the Chisholm Trail’. Will you please sell them to me? Please, I’m asking. I really, REALLY want the beat-up saddlebags. Even if they’re starting to fall apart…fine. Will you please sell them to me?”

Rusty Chicken back to me: “The items have been disposed of.”

Me to Rusty Chicken: “WHAT? You take the trouble to offer the saddlebags, you post photos of them on your website, you put them on your website for sale, you accept my order, you tell me that they’re about to be sent out….and then you cancel the order and toss them into the garbage?

“I’m sorry, man, but that’s alcoholic behavior. I’ve been sober for two years and three months but it takes one to know one. I’m not saying it’s ‘bad’ to be an alcoholic as long as you’re aware of your addiction and you’re doing something about it, but c’mon…you offered the bags for sale, you accepted my money and then you decided against the sale, refunded me the $110.00 and threw the effing bags away?”