This film gets better and better the more I think about it. A legendary work always does this. Initial viewing yields high pleasure and satisfaction but you’re not quite levitating. Then it kicks up the next day. Two weeks later you’re telling everyone you meet about it (even cab drivers). Two months later it’s really gotten better, and you’re telling yourself “this is so good that the Academy will probably ignore it.” Wait…am I setting the stage of an Inside Llewyn Davis backlash?