It’s a little late in the cycle, but here‘s a chat with Hurt Locker double-Oscar winner Paul Ottosson, who won for sound editing and mixing last Sunday night. Brought to you and yours by the MakingOf.com guys. (The embed code is only two and half lines, but other embeds are longer than Russian novels. I hate — “I’m using the word ‘hate’ here” — voluminous coding.)
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
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7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
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It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
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Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
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For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
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