Posted within comment thread for “Smart Assesment, Subtle Denigrations,” an HE riff about Kris Tapley‘s Variety piece titled “Are you Ready For The Most Exciting Oscar Race in years?” piece: “If there’s one thing that Oscar race know-it-alls agree upon and with great passion, it’s that Streep, who will OF COURSE be nominated for playing Washington Post publisher Katharine Graham in Steven Spielberg‘s The Post, must be stopped at all costs. From winning, I mean.”

Over the last 30-plus years the feeling of Streep inevitability has always felt somewhat oppressive or at the very least irksome, but now she’s returning with a battalion of Sherman tanks on either flank. In the company of Spielberg, Tom Hanks, Sony Pictures and a big-deal, big-echo newspaper yarn that obviously reflects upon today’s pitched battle between Trump and the fact-beholden press, the Streep blitzkreig (which obviously hasn’t even begun yet) feels overwhelmingly favored, especially given her eloquent, unanimously well received speech about Trump that she delivered last January at the Golden Globe awards.

The culture, the fates and considerable industry heat will usher in a Streep nomination — we accept that, fine, no stopping it. And most of us are fine with Hanks being Best Actor nominated and perhaps even winning for portraying Ben Bradley, but Streep must not win….no! I don’t care how good she is in the film, and you know she will be.

Tom Hanks as former Washington Post editor in chief Ben Bradley (center), Bob Odenkirk as former Washington Post editor Ben Bagdikin during filming of The Post.