“Sentimental Value”‘s Viking-Styled House Is More Than A Presence — It’s A Character

News bulletin: HE’s Bobby Peru was wrong when, based on research, he stated on 5.24.25 that the Sentimental value house is known as Villa Filipstad, “a notable building in the neighborhood Filipstad in Oslo, Norway…located at Munkedamsveien 62”) …brrraaannnggg!

In fact the home is located at Thomas Heftyes gate 25 in Oslo’s hilly Frogner neighborhood. Western region, blue chip, nice view of the city.

From Margaret Talbot‘s “Joachim Trier Has Put Oslo on the Cinematic Map,” The New Yorker, 11.3.25:

“If you walk through the elegant neighborhood of Frogner, in Oslo, you may notice a house that doesn’t fit in with the understated apartment buildings and embassies nearby. It’s not that the house is ugly or run-down. Rather, it evokes a cottage from a fairy tale. Clad in dark wood with a steeply gabled roof, it has squiggles of cherry-red trim, like decorations on a birthday cake. Norwegians call such architecture dragestil, or ‘dragon style,’ a late-nineteenth-century aesthetic recalling Viking ships and wooden-stave churches.

“To Joachim Trier, the Norwegian director whose new film, Sentimental Value, is partially set at this address, the house is ‘a bit like Pippi Longstocking’s. There’s a feeling of something wild and soulful in the middle of something more mannered and polite.'”

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Politicians Who Occasionally Use Profanity

…have HE’s approval.

Pensylvania governor Josh Shapiro describing JD Vance’s politics as “bullshit” is analagous to Howard Beale telling his UBS newscast viewers that he’d simply “run out of bullshit.”

It was the right word to use both times.

Shapiro: “Excuse me for getting emotional about [this], but when I see hungry people in my state, who are hungry because of JD Vance‘s bullshit politics, that makes me angry…America deserves better than JD Vance.”

Favorite Santa Barbara Tales

Initially posted in…I forget. Definitely re-posted on 2.14.21:

The following true-life encounters occured during the Santa Barbara Film Festival. The first happened in 2020; the second in ’15 or ’16. It follows that most of what happens during my annual SB visits is uneventful; we only pass along the stand-out stuff.

Story #1: I was in the checkout line at Ralph’s on Carillo. A giggly party girl and her friends were buying four huge bottles of something alcoholic. Either the booze was pale yellow or the bottles were tinted that way. Didn’t see a label or sticker.

I asked the checkout guy, “What is that stuff?”

“Bocca,” he said.

Bocca?” I repeated. I thought it might be some exotic liqueur. “Never heard of it.”

Actually I had in The French ConnectionTony Lobianco’s Brooklyn-based heroin dealer was named Sal Bocca. Roy Schieder: “Our friend’s name is Bocca. Salvatore Bocca. They call him Sal. He’s a real sweetheart.”

The girl and her pallies paid for the Bocca, and the guy packed the bottles in ordinary paper bags, which struck me as insufficient given their size and weight.

“How do you spell that?” I asked. The checkout guy ignored my request, but he looked at me sideways. “You never heard of Vocca?”

“No,” I insisted while offering a half-shrug of apology. Ping. “Oh, you mean vodka?”

“Yeah, man…vocca.”

“Oh, sorry. I misunderstood. Sorry.“

In fact, the checkout guy, who was (and undoubtedly still is) of Latin descent and spoke with a slight accent, was pronouncing his vees like bees. I learned that in Spanish class when I was 15. When you say “vamonos,” for example, the vee is pronounced as a blend of vee and bee.

Which partially explains the confusion. But vodka is pronounced “vahdkuh” and this guy was delivering too much of an “oh” sound. So just between us, it was mostly his fault. I’ve been saying the word “vodka” my entire life so don’t tell me.

Story #2: I was staying for a night (Saturday) at the Cabrillo Inn. I awoke around 6:30 am. I naturally wanted my usual cup of morning mud. There was no coffee-pot heater in the room so hot tap water would have to suffice. I turned on the faucet and waited. And waited. Didn’t happen — never even turned warm.

So I dressed and went downstairs with my day-old paper cup and my Starbucks Instant and strolled into the complimentary-breakfast room.

Some 50ish guy (a tourist from Chicago, he later explained) was standing inside and giving me the once-over. Two women were preparing things; they weren’t quite ready to serve. All I wanted was some hot water so I asked for that. In a minute or two, they said. I nodded and waited.

The Man From Windy City thought I had somehow overstepped.

Chicago guy: “Why don’t you ask the hotel manager?”
Me: “What’s he gonna do?”
Chicago guy: “That’s what he’s here for.”
Me: “What’s he gonna do, push the emergency hot-water button?”
Chicago guy: “He could get an engineer to fix the pipes.”
Me: “At ten minutes to seven on a Sunday morning? Yeah, that’s a possibility.”

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In Honor of Cameron Crowe’s “The Uncool”, Which I Haven’t Read…

Here’s a re-boot of HE’s “Almost Famous Scene That Never Happened“, which initially posted on 5.3.19:

Almost Famous, Cameron Crowe‘s finest and most personal film, opened 25 years ago. I remain a huge fan, especially of the 162-minute director’s cut “bootleg” version that came out on Bluray in 2011.

Crowe’s initial theatrical version ran 122 minutes, in part because Dreamworks producer Walter Parkes kept insisting on “shorter, shorter, shorter.” It felt a bit constricted, didn’t really breathe. The 162-minute Bluray is the definitive version.

During production I got hold of a 1998 copy of Crowe’s script. It was 168 pages long, and I fell in love with it straight off. Almost all of it was shot and most of it became part of the final cut. Unfortunately my favorite scene (which is posted after the jump) wasn’t shot or was shot and never used.

Almost Famous is a largely autobiographical saga about a teenaged, San Diego-residing Crowe stand-in (called William Miller in the script and played by Patrick Fugit) landing a Rolling Stone assignment to profile an up-and-coming band called Stillwater, which had a star performer called Russell Hammond (Billy Crudup).

William hangs out with the band, gets into all kinds of wild-ass adventures, gets to know the Stillwater groupies and so on. After a false start he eventually turns in an honestly written article to Rolling Stone.

Russell and the band members are alarmed when the fact-checker calls. Fearful of being portrayed as insecure dipshits, they lie by insisting that Miller’s account is fiction. The article is killed, and William returns home in a state of defeat and total exhaustion.

The final graph of the Wiki synopsis: “Russell feels guilty for betraying William. He calls Penny Lane (Kate Hudson) and wants to meet with her, but she tricks him by giving him William’s address. He arrives and finds himself face-to-face with William’s mother (Frances McDormand), who scolds him for his behavior. Russell apologizes to William and finally gives him an interview.

Russell, we learn, has verified William’s article to Rolling Stone, which runs it as a cover feature. Penny fulfills her long-standing fantasy to go to Morocco. Stillwater again tours only by bus.”

The scene that I loved so much shows a guilt-stricken Russell visiting the offices of Rolling Stone and admitting to Jann Wenner, Ben Fong Torres and David Felton that William’s article is an honest account. I’ve had this script in a file cabinet for 20 years, and this is the first time I’ve posted these now-yellowed pages:

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Cary Grant Didn’t Drop Acid Until ‘58

…and tripping on LSD is not what anyone who knows anything would call a “stoned” excursion — it’s more like the intoxication of sailing clear-headed on the Long Island Sound under marmalade skies.

And I think Grant stopped tripping when his daughter Jennifer came along in ‘66.

At the 1957 Oscars Grant accepted Ingrid Bergman’s Best Actress Oscar (Anastasia) on her behalf.

“My Husband Won’t Fuck Me”

“And therefore, being completely post-partum-depressed and hating my dreary motherhood existence and unable to generate any further interest in writing, I am lock-and-load determined to descend into feral madness as well as drag my husband and the audience down into the very same hell-pit….aaaagggghhh!”

HE to JLaw’s “Grace”: “You’re deeply unlikable, as in spitty, sputtering, hell-bent, self-loathing…Jesus.

“If I was in RPatz’s shoes I wouldn’t want to fuck you either. Hell, I wouldn’t even want to receive oral pleasuring from you because you’re in a crazy enough space to abruptly bite into Mr. Happy…I would honestly be afraid of you drawing blood or leaving teeth marks.”

From “Die, My Love Warrants Respect But Joe and Jane Will Hate It,” posted from Cannes on 5.17.25:

“While I respected Lynne Ramsay‘s Die, My Love and what it was on about (i.e., “aaagggghhh!”), the Debussy journos didn’t go for it. Too grim, too downish in a one-note sense, no plot pivots of any kind….just a downward swirl into the gathering storm of Jennifer Lawrence‘s postpartum derangement….down, down, down.

“Then again it’s presented in 1.37…boxy is beautiful, bruh.

“What is Die My Love really about?

“Just as Alfred Hitchcock‘s The Birds wasn’t so much a restrained horror film about malicious winged demons as an indictment of social complacency, Die, My Love isn’t so much about JLaw’s descent into self-destructive madness as a portrayal of the dull horror of doing almost nothing with your life while caring for a child…an indictment of middle-class, stay-at-home-and-burp-the-baby-while-baking-cookies momism.”

“Old-School Oscar Bait…Most Prestigious Hollywood WWII drama of 1988”

Well, guess what? HE loves the idea of sitting through a two-and-a half-hour Oscar bait flick from that electric season of George Bush-vs.-Michael Dukakis-vs.-Willie Horton-vs.Lee Atwater. I really like “competent and watchable”!!

And yet Sony Pictures Classics, the film’s distributor, has been playing a little bit of “hide the ball” as far as screenings and streaming access is concerned. We all know what that means.

Ironic “Nuremberg” Nudge to MAGA Slowboats: “You can reclaim your former glory.”

From Owen Gleiberman’s 9.7 review: “Written and directed by James Vanderbilt, Nuremberg presents itself as lavishly somber and important and includes several not-so-veiled references to the rise of intolerance, and the need to maintain international standards of justice, in the world today.

“But competent and watchable as it is, Nuremberg isn’t big on psychological tension or insight. As Herman Goring, Russell Crowe acts with consummate command even as Göring, by design, keeps the audience at arm’s length. But Rami Malek‘s Lieutenant Colonel Douglas Kelley brings a weird insecurity; along the way, his Kelley almost seems to forget what his job is.”

I distinctly recall being taught in my teens that the central character’s last name was spelled Goering. (The Wiki page confirms this.) So what is this “Goring” shit?

Anti-Trump Vim & Vigor

10:06 pm: It’ll probably be another hour or so before the vote on California’s Prop. 50 is known, but here’s hoping for a decisive majority.

11:08 pm update: Prop. 50 passes! — 65% pro, 35% con. Gov. Gavin Newsom rolled the dice with his political ass on the line, and he’s won big.

Night of the Living Trans…Whoa, Hold On!

This Gold’s Gym member (POC on the left) is obviously arrogant, egoistic and horridly insensitive. If there was a God she would be sentenced to a year in a damp isolated dungeon for her trans hate.