“There’s Hollywood Elsewhere and then there’s everything else. It’s your neighborhood dive where you get the ugly truth, a good laugh and a damn good scotch.”
–JJ Abrams
(Star Wars: The Force Awakens, Super 8)
“Smart, reliable and way ahead of the curve … a must and invaluable read.”
–Peter Biskind
(Down and Dirty Pictures Easy Riders, Raging Bulls)
“He writes with an element that any good filmmaker employs and any moviegoer uses to fully appreciate the art of film – the heart.”
–Alejandro G. Inarritu
(The Revenant, Birdman, Amores Perros)
“Nothing comes close to HE for truthfulness, audacity, and one-eyed passion and insight.”
–Phillip Noyce
(Salt, Clear and Present Danger, Rabbit-Proof Fence, Dead Calm)
“A rarity and a gem … Hollywood Elsewhere is the first thing I go to every morning.”
–Ann Hornaday
Washington Post
“Jeffrey Wells isn’t kidding around. Well, he does kid around, but mostly he just loves movies.”
–Cameron Crowe
(Almost Famous, Jerry Maguire, Vanilla Sky)
“In a world of insincere blurbs and fluff pieces, Jeff has a truly personal voice and tells it like it is. Exactly like it is, like it or not.”
–Guillermo del Toro
(Pan’s Labyrinth, Cronos, Hellboy)
“It’s clearly apparent he doesn’t give a shit what the Powers that Be think, and that’s a good thing.”
–Jonathan Hensleigh
Director (The Punisher), Writer (Armageddon, The Rock)
“So when I said I’d like to leave my cowboy hat there, I was obviously saying (in my head at least) that I’d be back to stay the following year … simple and quite clear all around.”
–Jeffrey Wells, HE, January ’09
“If you’re in a movie that doesn’t work, game over and adios muchachos — no amount of star-charisma can save it.”
So the catty-watties in Tom Hooper‘s Cats (Universal, 12.20) are their own species — cat-human hybrids that don’t much resemble their cousins who cavorted in the popular stage show. Small and lithe with cat ears and whiskers and tails, but darting around on their hind legs and dressed in leotards. And no claws. More of a mocap than a costume-and-makeup thang.
Flatline reaction to Francesca Hayward‘s Victoria, I’m afraid, and a mild shrug for Taylor Swift‘s Bombalurina and Idris Elba‘s Macavity. If anyone owns it, it’s Jennifer Hudson, I suppose. I immediately recognized Judi Dench (Old Deuteronomy) and Ian McKellen (Gus the Theatre Cat). I wish I was allowed to say that James Corden and Rebel Wilson play fat cats, but that era has passed, I’m afraid. Their characters are named Bustopher Jones and Jennyanydots.
The title of this post was stolen from a 7.18 trailer review riff by N.Y. Times contributor Bruce Fretts.
Any thoughts you may have had about Jerry Bruckheimer and Joseph Kosinki‘s Top Gun: Maverick possibly dealing subtle cards and not necessarily using sledgehammer tactics are now…well, let’s just say that hopes along those lines are temporarily dashed. If this just-released teaser is any kind of indication, I mean.
San Diego-based fighter pilots!….the aura of studly military rock stars, coping with buried anger and the burden of expectations, brusque and strapping and throwing their heads back in laughter while playing piano in a honky tonk. (Like Miles Teller‘s son of Goose Bradshaw character does in a blink-and-you’ll-miss-it clip.) And the women who both love and compete with them. With the big climactic test of skill and character looming. And so on.
I haven’t read the script (co-authored by Peter Craig, Justin Marks, Christopher McQuarrie and Eric Warren Singer) but the tip-off is a Wikipedia description of Jennifer Connelly‘s character — “a single mother running a bar near the Naval base.”
A single mother! Running a bar! Who dispenses sage advice while mixing a killer Mojito! With, I’m guessing, a possible age-appropriate interest in Tom Cruise‘s Maverick, who’s now a creased and weathered Naval flight instructor. And perhaps, in keeping with the theme of launching the new generation, with an aspiring fighter-jock daughter? Or am I pushing too far?
I want a scene in which Cruise tells Connelly that Kelly McGillis‘ Charlie Blackwood left him for another woman, and then (beat, beat) Connelly tells Cruise, “Yeah, I know…it was me.” Or: “I’m sorry, that’s tough. (beat) She left me too.”
Ed Harris to Cruise: “Captain…what is that?” Jon Hamm playing some kind of tough nut. And Val Kilmer back for seconds. All the young dudes of the original Top Gun are now in their late 50s and early ’60s.
Best shot in the trailer: Crew-cutted Cruise riding a motorcycle without a helmet, bathed in magic-hour amber, loving the wind and grinning the grin.
Cruise’s six career-best roles (in this order): (1) Vincent the assassin in Collateral, (2) the titular Jerry Maguire, (3) Joel Goodson, the U-boat commander of Highland Park, (4) Charlie Babbitt in Rain Man, (5) Ron Kovic in Born on the Fourth of July, and (6) Frank T.J. Mackey in Magnolia. Honorable Mention: Mitch McDeere in The Firm.
For what it’s worth, this is the funniest Good Boys trailer yet. Assembling an effective trailer for an R-rated tweener comedy requires a certain finesse — timing, cutting, pacing, the right kind of English. The Universal marketing guys got it right this time. Pic opens on 8.16.
“A little too imitative of Superbad with the minor tweaks of three (rather than two) even-younger male protagonists, more swearing, and a lot more drug references, Good Boys lacks that film’s wit and heart. It’s a lively, slick package, yet crude and obvious at every turn, unlikely to attract either the critical or word-of-mouth favor that might create a sleeper hit for Universal’s planned August release.” — from Dennis Harvey’s SXSW Variety review, filed on 3.12.19.
“Lee Eisenberg and Gene Stupnitsky‘s Good Boys script is packed wall-to-wall with jokes, to the point that this critic missed lines that were drowned out by the roars of laughter from the packed house at [Austin’s] Paramount Theatre. Having written on a string of sitcoms and helmed episodes of The Office, Stupnitsky brings a finely honed skill for punchline pacing to his feature directorial debut. [Except] it’s mostly the same jokes over and over: cute kids cursing and not understanding sex stuff.
“Initially, it’s jolting fun to see these baby-faced boys dropping F-bombs or mistaking a cache of BDSM gear for ‘weapons’ and a sex doll for a CPR dummy. (‘It’s sticky.’) But as the boys run screaming through the second act, these bits offer diminishing returns. The foul language becomes a bit numbing. Thankfully, the third act’s comedy becomes more focused on character than crudeness, which gives its climactic montage a needed oomph.” — from a Guardian review by Kristy Puchko, also filed during SXSW.
My attitude before seeing Ursula Macfarlane‘s Untouchable was “what will this doc tell us about Harvey Weinstein‘s misdeeds and the landmark reporting that brought him down…what will it tell us that isn’t already part of the conversation, and which might move the needle forward?” The answer is that it isn’t so much about Harvey (certainly not in terms of examining his psychology) as several of his victims, and that getting to know who these women are and what they went though in their own words…all I can say is that it matters a great deal, and that their stories, one upon another and then another, make you feel the deep-down rage and melancholy. At the end of the day it’s not so much a prosecutorial indictment (although it obviously is that) as a broken heart movie. It says “this happened and now what?”
The poster for Untouchable is excellent, by the way.
“I wasn’t surprised to hear so many people expressing fear that the racist, divisive, climate-change-denying, woman-abusing jerk who is our president was going to get re-elected, and was even seeing his poll numbers rise.
“Dear Democrats: This is not complicated! Just nominate a decent, sane person, one committed to reunifying the country and creating more good jobs, a person who can gain the support of the independents, moderate Republicans and suburban women who abandoned Donald Trump in the midterms and thus swung the House of Representatives to the Democrats and could do the same for the presidency. And that candidate can win!
“But please, spare me the revolution! It can wait. Win the presidency, hold the House and narrow the spread in the Senate, and a lot of good things still can be accomplished. ‘No,’ you say, ‘the left wants a revolution now!” Okay, I’ll give the left a revolution now: four more years of Donald Trump.” — from 7.16.19 N.Y,. Times column by Thomas L. Friedman, titled ‘Trump’s Going to Get Re-elected, Isn’t He?’
So Friedman is saying what? That only Typewriter Joe will do? AOC is not running for President.
In reportedly agreeing to play King Triton in Disney’s forthcoming live-action CGI remake of The Little Mermaid, Javier Bardem is merely playing his cards like an adult. This is the world in which we live, and paycheck roles in tentpole films (digital Disney remakes, Marvel and Star Wars franchise flicks) is where the money is. Not to mention “the artistic thrills”, to quote Rosemary’s Baby protagonist Guy Woodhouse (John Cassevetes).
The only headscratcher is that Ariel is being played by Halle Bailey, which would suggest that Triton, her dad, should be played by an actor in the realm of Samuel L. Jackson, Cuba Gooding or Jeffrey Wright…right? Perhaps the actress cast as the late Queen Athena will complete the portrait.
The Bardem casting was reported Wednesday by Deadline‘s Amanda N’Duka. Rob Marshall is directing the CG feature from a script by David Magee. Harry Styles is reportedly in talks for the role of Prince Eric. Previously announced cast includes Melissa McCarthy as Ursula, Awkwafina as Scuttle and Jacob Tremblay as Flounder.
In William Wyler‘s Ben-Hur, Pontius Pilate (Frank Thring) attempts to explain to Judah Ben-Hur (Charlton Heston) the way of the world as defined by Rome. If Pilate were to comment on the Bardem casting, he would put it thusly:
“Where there is greatness, great government or power, even great feeling or compassion, error also is great. We progress and mature by fault. Disney has stated time and again it is endeavoring to shape our cultural life in a great cinematic future. Perfect freedom has no existence. A grown man knows the world he lives in, and for the present, the world is Disney. Javier Bardem has simply chosen to cash a fat check rather than fight.”
Yesterday The Hollywood Reporter‘s Scott Feinbergseemed to draw an analogy between Tuesday’s Emmy nominations, which ignored many performances by well-known movie stars, and a February ’18 Vulture assessment of certain Academy nomination preferences by the “New Academy Kidz.”
It would seem, in other words, that changes within the TV Academy (new members, new rules, new thinking) are affecting the nominations.
“Emmy categories were announced on Tuesday, recognizing virtually every aspect of the TV business,” Feinberg began. “One thing, though, was noticeably missing from this year’s list that has been a staple of previous years: a large presence of movie stars (or, at least, people who first established themselves on the big screen before moving to the small).
“The TV Academy’s performers peer group took a pass on a host of A-list and/or Film Academy-knowledged actors and actresses who were thought to be in serious contention, including Catch-22‘s George Clooney; Homecoming‘s Julia Roberts; Maniac‘s Jonah Hill, Emma Stone and Sally Field; Grace and Frankie‘s Jane Fonda and Lily Tomlin; Kidding‘s Jim Carrey; Who Is America‘s Sacha Baron Cohen; Yellowstone‘s Kevin Costner; King Lear‘s Anthony Hopkins and Emma Thompson; Ray Donovan‘s Jon Voight and Susan Sarandon; Knightfall‘s Mark Hamill; The Deuce‘s James Franco and Maggie Gyllenhaal; Shameless‘ William H. Macy; The Widow‘s Kate Beckinsale; and Live in Front of a Studio Audience: Norman Lear’s All in the Family and The Jeffersons‘ Jamie Foxx, Woody Harrelson, Marisa Tomei, Kerry Washington and Will Ferrell.”
“’In general, it just feels like there is a feeling that we have to award people who have maybe been overlooked before. It’s about not wanting to award people who they have been rewarded a lot in the past. Maybe we need to give someone else a chance. I definitely think, whether [it’s] conscious or subconscious, [this is] happening.”
“It’s a bit cheeky to say ‘never ever again’ (because who the hell knows), but yeah, in this particular cultural moment it is all about Tribal Identity. And what’s disturbing is, we have a whole generation now for whom tribal representation is, to use one critic’s word, numinous. The under-40 crowd has invested Race, Gender and Sexuality with a kind of cosmic significance. It doesn’t mean a lot to them — it means everything to them. Indeed, much of their conversation and writing seems to always come back to it.”
On Wednesday morning the Morning Joe team aired a video of Donald Trump and Jeffrey Epstein schmoozing, cavorting and thick as thieves at some kind of easy-pickings Mar-a-Lago party in ’92.
Trump has portrayed himself as estranged from Epstein since the billionaire’s criminal history of soliciting and sexual trafficking recently re-surfaced; the video indicates that Trump has been lying about this, at least as far as the early ’90s were concerned.
In a 10.29.02 New York magazine profile of Epstein, Trump was quoted as follows: “I’ve known Jeff for 15 years. Terrific guy. He’s a lot of fun to be with. It is said that he likes beautiful women as much as I do, and many of them are on the younger side.”
The late David Ferrie, a JFK assassination conspiracy suspect by the sights of Jim Garrison.
The thing that got my attention, and I mean a visual aspect that leapt right out in a WTF sense, is the apparent fact that Trump was wearing extra-dark, seemingly dyed eyebrows during that Mar-a-Lago party, which happened when Trump was 46 and Epstein was 39.
In the God-knows-how-many-thousands-of-photos snapped of Trump before and after this ’92 soiree, he’s never had these weird black caterpillars. They initially reminded me of the ones worn by Akim Tamiroff in For Whom The Bell Tolls or those Martin Scorsese cat eyebrows.
Before he became a blonde Trump’s hair was medium light brown, and swarthy brows aren’t exactly characteristic of people with fair Germanic complexions.
Then it hit me…of course! These are the inky, paste-on eyebrows worn by Ferrie, a suspect in the mid ’60s Jim Garrison investigation of the JFK assassination.
You’re reading about a new film and thinking about the contributors. What filmmakers of consequence (directors, actors, screenwriters, producers, directors of photography) instill, in this instance, feelings of uncertainty or trepidation? Or dread? Based, obviously, on their past work.
I’m not talking about actors whose faces need punching. That’s a separate consideration. I’m talking about strong creatives who, without any calculated malice aforethought, have rubbed your sensibilities the wrong way. This doesn’t make them bad people or unworthy industry professionals. It simply means that their names make you go “uh-oh.”
For me, the two biggest threats in this regard (and I don’t mean this in a cruel or dismissive way) are cinematographers JanuszKaminski and BradfordYoung — the former for his relentless use of desaturated color plus milky light shafts pouring through large windows, the latter for his devotion to under-lighting (leading to palettes of pea-green murk and mine-shaft ink).
One of the burdens of being a big-deal creative with a noteworthy signature is that you won’t please everyone. That goes with the territory.
The Safdies‘ Uncut Gems James Gray‘s Ad Astra Taika Waititi’s Jojo Rabbit Fernando Meirelles‘ The Pope Pablo Larrain‘s Ema Hirokazu Kore-eda‘s The Truth Bill Condon’s The Good Liar Noah Baumbach’s Marriage Story Steven Soderbergh’s The Laundromat Noah Hawley’s Lucy in the Sky Bong Joon-Ho’s Parasite Celine Sciamma’s Portrait of a Lady on Fire Michael Angeo Covino’s The Climb Werner Herzog’s Family Romance LLC Agnes Varda’s Varda by Agnes
I didn’t see Alejandro Landes‘ Monos (Neon, 9.13) during last January’s Sundance Film Festival, where it won the World Cinema Dramatic Special Jury Award. Right away you’re thinking “okay, this guy has it.” Compositionally, impressionistically. William Golding‘s Lord of the Flies meets jungle-ritual cruelty and perversity. That line of country.
“Sporting names like Rambo (Sofia Buenaventura), Lobo (Julian Giraldo), Bum Bum (Sneider Castro) and Patagrande (Hannah Montana alum Moises Arias, hard-left-turning into gun-toting psychopathy), these youths and barely-teens are beholden to a mysterious rebel force known only as The Organization, which is conducting terrorist strikes against some ill-defined powers-that-be in South America.
I was half-mesmerized by Julis Onah‘s Luce, a tautly written, convincingly performed domestic drama about racial agendas, attitudes, assumptions and...
Latest HE rundown of 2019 films of a certain preferred quality. 88 as we speak. Leaing off with the likeliest 2019 Best Picture contenders:
1. Martin Scorsese‘s The Irishman (Netflix, sometime in October) — A mob hitman recalls his possible involvement with the slaying of Jimmy Hoffa. (Robert De Niro, Al Pacino, Joe Pesci, Jesse Plemons).
2. Quentin Tarantino‘s Once Upon A Time in Hollywood (Sony, 7.26) — A faded TV actor and his stunt double embark on an odyssey to make a name for themselves in the film industry during the Helter Skelter reign of terror in 1969 Los Angeles. (Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino).
3. Marielle Heller‘s A Beautiful Day in the Neighborhood — The story of Fred Rogers, the honored host and creator of the popular children’s television program, Mister Rogers’ Neighborhood. (Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Tammy Blanchard)
4. Greta Gerwig‘s Little Women (Sony, 12.25) — Four sisters come of age in America in the aftermath of the Civil War. (Florence Pugh, Timothée Chalamet, Emma Watson, Saoirse Ronan)
5. Jay Roach‘s Fair and Balanced (Lionsgate) — Fox honcho Roger Ailes and sexual harassment allegations that resulted in his resignation. (Charlize Theron, Nicole Kidman, Margot Robbie, John Lithgow, Allison Janney, Kate McKinnon, Malcolm McDowell, Mark Duplass)
6. Kasi Lemmons‘ Harriet (Focus Features) — A feminist 12 Years A Slave, based on the story of freedom fighter Harriet Tubman (Cynthia Erivo), her escape from slavery and subsequent missions to free dozens of slaves through the Underground Railroad in the face of growing pre-Civil War adversity. Cynthia Erivo, Janelle Monae, Joe Alwyn, Deborah Ayorinde, Clarke Peters, Leslie Odom Jr., Tory Kittles, Vondie Curtis-Hall.
7. Dee Rees‘ The Last Thing He Wanted (Netflix) — (boilerplate) A journalist stops her coverage of the 1984 U.S. Presidential election to care for her dying father / Anne Hathaway, Willem Dafoe, Ben Affleck, Toby Jones, Rosie Perez, Edi Gathegi, Mel Rodriguez, Brian Rechkemmer.
8. Steven Soderbergh‘s The Laundromat (Netflix) — Saga of journalists unearthing the Panama Papers scandal — a massive tax-evasion scheme involving 11.5 million files, secret banking accounts, powerful political figures. Melissa Rauch, Gary Oldman, Meryl Streep, Alex Pettyfer, David Schwimmer, James Cromwell, Matthias Schoenaerts, Antonio Banderas, Robert Patrick, Jeffrey Wright.
9. John Crowley‘s The Goldfinch (10.11, Warner Bros.) — Boilerplate: As a child, Theodore Decker survives a terrorist bombing at an art museum — an attack that kills his mother. From there, he tumbles through a series of adventures that finds him living in Las Vegas with his deadbeat father and, later, involved in art forgeries. / Ansel Elgort, Aneurin Barnard, Ashleigh Cummings, Willa Fitzgerald, Sarah Paulson, Luke Wilson, Jeffrey Wright, Nicole Kidman.
10. Gavin O’Connor‘s Torrance — Struggling with addiction, a former basketball star attempts becomes the coach of a disparate, ethnically mixed high school basketball team at his alma mater. (Ben Affleck, Janina Gavankar, Al Madrigal, Yeniffer Behrens) (Warner Bros.)
11. Roger Michell‘s Blackbird — A terminally ill mother arranges to bring her family together one last time before she dies. (Kate Winslet, Lindsay Duncan, Rainn Wilson, Susan Sarandon).
GENERAL APPEAL, BIGGER NAMES, BIGGER BUDGETS. etc. (30)
1. Ang Lee‘s Gemini Man — An over-the-hill hitman faces off against a younger clone of himself. (Will Smith, Clive Owen, Mary Elizabeth Winstead, Benedict Wong).
2. Jon Favreau‘s The Lion King — CGI and live-action re-imagining of the 1994 Disney classic. (Voice-acting by Donald Glover, Alfre Woodard, Chiwetel Ejiofor, Seth Rogen).
3. Todd Phillips’ Joker — Joker origin story, you know the drill. (Joaquin Phoenix, Robert De Niro, Shea Whigham, Zazie Beetz)
4. J.J. Abrams‘ Star Wars: Episode IX — The conclusion of the new ‘Star Wars’ trilogy. (Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Kelly Marie Tran, et.al.)
5. Joe Wright‘s The Woman in the Window — An agoraphobic woman living alone in New York begins spying on her new neighbors only to witness a disturbing act of violence. (AmyAdams, WyattRussell, GaryOldman, JulianneMoore)
6. All You Need Is Love (aka “Untitled DannyBoyle/RichardCurtis Film”) — Set to the music of the Beatles, it’s about a musician who thinks he’s the only one who can hear the Beatles’ music. (Lily James, Ed Sheeran, Ana de Armas, Kate McKinnon, Lamorne Morris) Sheeran plays himself discovering a rising young musician. Mckinnon plays a talent agent. Hamesh Patel costars.
7. James Mangold‘s Ford v. Ferrari — The true story of the battle between Ford and Ferrari to win Le Mans in 1966. (Christian Bale, Matt Damon, Jon Bernthal).
8. Jordan Peele‘s Us — A “social thriller” set between two couples — one white, one black. Starring Winston Duke (Black Panther) and Lupita Nyongo’o — L.A. Daily News critic Bob Strauss champing at the very bit. (Anna Diop, Elisabeth Moss, Kara Hayward)
9. Gavin Hood‘s Official Secrets — The true story of a British whistleblower who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq. (Matthew Goode, Keira Knightley, Ralph Fiennes)
10. David Michod‘s The King — (Timothée Chalamet, Joel Edgerton, Ben Mendelsohn, Robert Pattinson, Lily-Rose Depp) Adaptation of WilliamShakespeare‘s HenryIV, PartsIandII and HenryV. Chronicles the early 1400’s medieval struggle between England and France, both in succession as well as on the battlefield. TimotheeChalamet as Henry V rises to the English throne after beating the French in the Battle of Agincourt. (Froench king is played by RobertPattinson.) Oscar bait. Brad Pitt produces. Netflix.
11. David Gordon Green‘s Newsflash — On November 22, 1963 CBS newsman Walter Cronkite grapples with reporting on live television about President John F. Kennedy’s assassination in Texas. Not starring Seth Rogen as Cronkite (and thank God!), but possibly costarring Mark Ruffalo, Logan Lerman.
12. John Lee Hancock‘s The Highwaymen — Based on the true story of how two retired Texas Rangers put together the posse that killed Bonnie and Clyde — not as depicted in the ’67 Arthur Penn film. PaulNewman and RobertRedford were originally set to play the two leads before Newman’s health failed. (Kevin Costner, Woody Harrelson, Kathy Bates, Kim Dickens)
13. Rupert Goold‘s Judy — Biopic of JudyGarland‘s battle with drug addiction and divorce in London in 1968, one year before her death. LizaMinnelli has come out publicly against the film and against ReneZellweger playing her mother. (Rufus Sewell, Michael Gambon, Jessie Buckley)
14. Deston Daniel Cretton‘s Just Mercy — Attorney Bryan Stevenson (Michael B. Jordan) defends Walter McMillan (Jamie Foxx), a man unjustly imprisoned for murder. Based on Stephenson’s memoir. (Jordan, Foxx, Brie Larson, O’Shea Jackson Jr., Tim Blake Nelson, Rob Morgan)
15. Terrence Malick‘s Radegund — Franz Jägerstätter, an Austrian conscientious objector, refuses to fight for the Third Reich in World War II and is executed in 1943. Shot in late summer of 2016. (August Diehl, Valerie Pachner, Michael Nyqvist, Jürgen Prochnow, Matthias Schoenaerts, Bruno Ganz)
16. Rian Johnson‘s Knives Out — A modern murder mystery in a classic whodunit style. (Jamie Lee Curtis, Ana de Armas, Michael Shannon, Chris Evans)
17. James Gray‘s Ad Astra — Astronaut Roy McBride travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. (Brad Pitt, Tommy Lee Jones, Donald Sutherland, Ruth Negga)
18. Bobby Moresco‘s Lamborghini — The life story of Ferruccio Lamborghini, the founder of Lamborghini. (Antonio Banderas, Alec Baldwin, Maria Grazia Cucinotta, Leonardo Salerni)
19. Dexter Fletcher‘s Rocketman — Elton John biopic, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin. (Richard Madden, Taron Egerton, Bryce Dallas Howard, Jamie Bell)
20. Dan Gilroy‘s Velvet Buzzsaw — American horror thriller film, written and directed by Gilroy. (Jake Gyllenhaal, Rene Russo, Zawe Ashton, Natalia Dyer, Tom Sturridge, Daveed Diggs, Toni Collette, John Malkovich and Billy Magnussen) Set in LA’s contemporary art world, wealthy celebrity artists collide with billionaire collectors in an unusually twisted comedy horror thriller. (Netflix)
21. Tom Harper‘s The Aeronauts — Pilot Amelia Wren and scientist James Glaisher find themselves in an epic fight for survival while attempting to make discoveries in a hot air balloon. (Eddie Redmayne, Felicity Jones, Tim McInnerny)
22. Sebastián Lelio‘s Gloria Bell — Remake of Lelio’s Chilean original. A middle-aged Los Angeles woman looking for love. (Julianne Moore, John Turturro, Alanna Ubach, Jeanne Tripplehorn, Sean Astin)
23. Steven Soderbergh‘s High Flying Bird — A sports agent pitches a rookie basketball client on an intriguing and controversial business opportunity during a lockout. (Zachary Quinto, Zazie Beetz, Kyle MacLachlan, Bill Duke)
24. Julie Taymor‘s The Glorias: A Life on the Road — GloriaSteinem‘s itinerant childhood and its influence upon her life as a writer, activist and organizer for women’s rights worldwide. (Alicia Vikander, Lulu Wilson, Julianne Moore, Bette Midler)
25. Craig Brewer‘s Dolemite Is My Name — The story of performer Rudy Ray Moore, who assumed the role of an iconic pimp named Dolemite during the 1970s. (Eddie Murphy, Wesley Snipes, Keegan-Michael Key, Craig Robinson)
26. Steven Soderbergh‘s The Laundromat — A group of journalists unearth the Panama Papers — 11.5 million files linking the world’s most powerful political figures to secret banking accounts to avoid taxes. (Gary Oldman, Melissa Rauch, Meryl Streep, Robert Patrick)
27. Kasi Lemmons‘ Harriet — The story of Harriet Tubman, who helped free hundreds of slaves from the South after escaping from slavery herself in 1849. (Janelle Monáe, Deborah Ayorinde, Cynthia Erivo, Joe Alwyn).
28. Noah Hawley‘s Pale Blue Dot — A female astronaut who, after returning to Earth from a life-changing mission in space, begins to slowly unravel and lose touch with reality. (Natalie Portman, Dan Stevens, Jon Hamm, Zazie Beetz)
39. Untitled Noah Baumbach Project — An unfolding divorce that spans from New York City to Los Angeles. (Scarlett Johansson, Adam Driver, Ray Liotta, Laura Dern)
31. Joe Berlinger‘s Extremely Wicked, Shockingly Evil and Vile — A chronicle of the crimes of Ted Bundy, from the perspective of his longtime girlfriend, Elizabeth Kloepfer, who refused to believe the truth about him for years. (Zac Efron, Lily Collins, Haley Joel Osment, Kaya Scodelario)
32. Justin Kurzel‘s The True History of the Kelly Gang — The story of Australian bush-ranger Ned Kelly and his gang as they flee from authorities during the 1870s, based on Peter Carey’s novel. (Charlie Hunnam, Russell Crowe, Nicholas Hoult)
33. Rod Lurie‘s The Outpost — Abut the 2013 Battle of Kamdesh in which Taliban forces attacked a U.S. outpost. The result of the battle was a pyrrhic victory as most the the outpost was destroyed (8 Americans killed, 27 wounded) but Taliban forces retreated due to losses of over 150 Taliban fighter killed during the battle. Staff Sergeant Clinton Romesha (Scott Eastwood) and Staff Sergeant Ty Carter (Caleb Landry Jones) were both awarded the Medal of Honor in 2013 for courageous actions. Orlando Bloom also stars.
34. Darius Marder‘s Sound of Metal — (Olivia Cooke, Riz Ahmed, Mathieu Amalric, Arthur Hiou)
35. Fernando Meirelles‘ The Pope — Opposing visions between two of the most powerful leaders in the Catholic Church, both of whom must address their own pasts and the demands of the modern world in order to move the church forward. (Juan Minujín, Anthony Hopkins, Jonathan Pryce, Matthew T. Reynolds)
36. Casey Affleck‘s Light of My Life — Father and daughter escape to the woods trying to outrun a deadly pandemic that has ravaged and destroyed the world. Also written by Affleck. (Casey Affleck, Elisabeth Moss, Tom Bower, Timothy Webber)
37. Robin Bissell‘s The Best of Enemies — Civil rights activist Ann Atwater faces off against C.P. Ellis, Exalted Cyclops of the Ku Klux Klan, in 1971 Durham, North Carolina over the issue of school integration. (Sam Rockwell, Tarahji O. Henson, Wes Bentley, Anne Heche)
38. Max Winkler‘s Jungleland — A reluctant bare-knuckle boxer and his manager must travel across the country for one last fight, but an unexpected travel companion exposes the cracks in their bond along the way. (Charlie Hunnam, Jessica Barden, Jack O’Connell, John Cullum)
39. Mia Hansen-Løve‘s Bergman Island — An American filmmaking couple who retreat to Faro for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place. (MiaWasikowska, VickyKrieps, AndersDanielsenLie, JoelSpira.)
40. John Crowley‘s The Goldfinch — A boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the Metropolitan Museum of Art. (NicoleKidman, SarahPaulson, Finn Wolfhard, Ansel Elgort)
41. Adrian Noble‘s Mrs. Lowry and Son — (Vanessa Redgrave, Timothy Spall, Stephen Lord) L.S. Lowry becomes a widely celebrated 20th century UK painter for his dark brooding landscapes and emaciated stick figures, but spends most of his life under the influence of his autocratic mother and dies a reclusive virgin.
42. Jim Jarmusch‘s The Dead Don’t Die — Deadpan comic zombie film (Tilda Swinton, Adam Driver, Caleb Landry Jones, Chloë Sevigny, Bill Murray, Steve Buscemi — possibly Daniel Craig.
51. Casey Affleck‘s Far Bright Star — Set in 1916, an aging cavalryman leads a team of men to hunt down the Mexican revolutionary Pancho Villa. However, after an ambush in which most of the men are killed, the cavalryman must struggle to survive in the desert. (Joaquin Phoenix)
52. Scott Z. Burns‘ The Torture Report — In the aftermath of the 9/11 attacks, CIA agents begin using extreme interrogation tactics on those they think were behind it. (Adam Driver, Jon Hamm, Jennifer Morrison, Maura Tierney).
53. William Nicholson‘s Hope Gap — A family deals in the aftermath of the shock revelation that a husband plans to end his 29 year marriage to his wife. (Annette Bening, Bill Nighy, Josh O’Connor, Aiysha Hart)
54. Benh Zeitlin‘s Wendy — Set on a mysterious island where aging and time have come unglued, Zeitlin’s mythological story tells the tale of two children from different worlds fighting to maintain their grip on freedom and joy. (Tommie Lynn Milazzo, Shay Walker)
55. Bart Freundlich‘s After the Wedding — A manager of an orphanage in Kolkata travels to New York to meet a benefactor. (Michelle Williams, Julianne Moore, Billy Crudup, Will Chase)
56. James DeMonaco‘s Once Upon a Time in Staten Island — Allegedly a coming of age family drama set in the summer of 1982 on Staten Island. (Bobby Cannavale, Naomi Watts, Frank Grillo, Isabella Pisacane)
57. Dee Rees‘ The Last Thing He Wanted — A journalist quits her newspaper job and becomes an arms dealer for a covert government agency. (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones)
58. Robert Eggers‘ The Lighthouse — The story of an aging lighthouse keeper named Old who lives in early 20th-century Maine. (Robert Pattinson, Willem Dafoe)
59. Lone Scherfig‘s The Kindness of Strangers — Six characters cross paths one night in a Russian restaurant in Manhattan and change/save each other’s lives. (Andrea Riseborough, Zoe Kazan, Bill Nighy, Caleb Landry Jones, Jay Baruchel)
60. Chiwetel Ejiofor‘s The Boy Who Harnessed the Wind — A boy in Malawi helps his village by building a wind turbine after reading about them in a library book. (Chiwetel Ejiofor, Aïssa Maïga, Joseph Marcell, Noma Dumezweni)
61.Christoph Waltz‘s Georgetown — Ulrich Mott, an ambitious social climber, marries a wealthy widow in Washington D.C. in order to mix with powerful political players. (Christoph Waltz, Annette Bening, Corey Hawkins, Vanessa Redgrave)
62. Richard Linklater‘s Where’d You Go, Bernadette? — After her anxiety-ridden mother disappears, 15-year-old Bee does everything she can to track her down, discovering her troubled past in the process. (Cate Blanchett, Judy Greer, Kristen Wiig, Laurence Fishburne)
63. Benedict Andrews‘ Against All Enemies — An ambitious young F.B.I. Agent is assigned to investigate iconic actress Jean Seberg when she becomes embroiled in the tumultuous civil rights movement in late 1960s Los Angeles, California. (Kristen Stewart, Zazie Beetz, Vince Vaughn, Jack O’Connell)
64. Armando Iannucci‘s The Personal History of David Copperfield (Tilda Swinton, Ben Whishaw, Gwendoline Christie, Hugh Laurie)
65. Pablo Larraín‘s The True American — A Bangladeshi Air Force officer looking to make his way in the United States is shot by an American terrorist out to kill Muslims in the aftermath of September 11th.
66. Josephine Decker‘s Shirley — A famous Horror writer finds inspiration for her next book after she and her husband take in a young couple. (Elisabeth Moss, Michael Stuhlbarg, Logan Lerman, Odessa Young)
67. Lisa Barros D’Sa & Glenn Leyburn‘s Normal People — Adaptation of the Irish novel by Sally Mooney. Two opposites meet in high school, then again at university and fall in love while struggling with the meaning of their relationship as they share devastating setbacks in their lives. (Liam Neeson, Lesley Manville, Amit Shah, David Wilmot)
68. Wash Westmoreland‘s Earthquake Bird — A young expat living in Tokyo is suspected of murder, which uncovers a mysterious love triangle. (Alicia Vikander, Riley Keough, Jack Huston, Kiki Sukezane)
69. Josh Trank‘s Fonzo — The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia, and comes to be haunted by his violent past. (Tom Hardy, Linda Cardellini, Noel Fisher, Matt Dillon)
70. Sia‘s Music — the story of a sober drug dealer and their disabled sister. (Kate Hudson, Hector Elizondo, Maddie Ziegler)
71. Julie Delpy‘s My Zoe — A divorced mother looks to protect her daughter after an unexpected tragedy. (Richard Armitage, Gemma Arterton, Lindsay Duncan, Daniel Brühl)
72. Paul Verhoeven‘s Benedetta — A 17th-century nun in Italy suffers from disturbing religious and erotic visions. She is assisted by a companion, and the relationship between the two women develops into a romantic love affair. (Virginie Efira, Charlotte Rampling, Lambert Wilson, Olivier Rabourdin)
73. Untitled Miranda July Project — A woman’s life is turned upside down when her criminal parents invite an outsider to join them on a major heist they’re planning. (Evan Rachel Wood, Gina Rodriguez, Debra Winger, Richard Jenkins)
74. Ciro Guerra‘s Waiting for the Barbarians — An honest magistrate in a small outpost of a large empire has a crisis of conscience and tries to lead a resistance when a military commander shows up to torture and murder the natives who pose no threat. The revered author J.M. Coetze won the Nobel Prize for Literature. Literary acolytes a little upset with Depp casting. (Johnny Depp, Robert Pattinson, Mark Rylance, Harry Melling)
75. Trey Edward Shults‘ Waves — Two young couples navigate through the emotional minefield of growing up and falling in love. (Lucas Hedges, Sterling K. Brown, Alexa Demie, Taylor Russell)
76. Yuval Adler‘s The Operative — A woman recruited by the Mossad to work undercover in Tehran. (Diane Kruger, Martin Freeman, Cas Anvar, Werner Daehn)
77. Jennifer Kent‘s The Nightingale — Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. (Aisling Franciosi, Sam Claflin, Damon Herriman)
78. Dome Karukoski‘s Tolkien –The formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. (Nicholas Hoult, Lily Collins, Pam Ferris, Laura Donnelly)
79. Marjane Satrapi‘s Radioactive — A story of the scientific and romantic passions of Marie and Pierre Curie, and the reverberation of their discoveries throughout the 20th century. (Rosamund Pike, Anya Taylor-Joy, Aneurin Barnard, Sam Riley)
80. James Kent‘s The Aftermath — Post World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German who previously owned the house. (Alexander Skarsgård, Keira Knightley, Jason Clarke, Kate Phillips)
81. Julius Onah‘s Luce — (Naomi Watts, Octavia Spencer, Tim Roth, Kelvin Harrison, Jr.) Adaptation of the hit play. Watts and Roth play the parents of an adopted African teenager who may harbor aspirations of terrorism.
82. Gideon Raff‘s The Red Sea Diving Resort — The rescue of Ethiopian Jewish immigrants to Israel in 1981. (Michiel Huisman, Haley Bennett, Chris Evans, Greg Kinnear)
83. Todd Robinson‘s The Last Full Measure — 34 years after his death, Airman William H. Pitsenbarger, Jr. (“Pits”) is awarded the nation’s highest military honor, for his actions on the battlefield. (Alison Sudol, Sebastian Stan, Samuel L. Jackson, Jeremy Irvine)
84. Alice Winocour‘s Proxima — An astronaut prepares for a one-year mission aboard an international space station. (Eva Green, Matt Dillon, Lars Eidinger, Aleksey Fateev)
85. Liz Garbus‘s Lost Girls — A mother searching for her missing daughter in Long Island makes a horrifying discovery in the woods where the murdered bodies of four girls have been dumped. (Amy Ryan, Gabriel Byrne, Lola Kirke, Dean Winters)
86. Andy Goddard‘s Six Minutes to Midnight — Influential families in Nazi Germany have sent their daughters to a finishing school in an English sea side town to learn the language and be ambassadors. (Judi Dench, Jim Broadbent, James D’Arcy, Eddie Izzard)
87. Zeresenay Mehari‘s Sweetness in the Belly — Orphaned as a child, Lily experiences her parents homeland of England, escaping civil war. She becomes the heart of a disenfranchised community in London. (Dakota Fanning, Kunal Nayyar, Yahya Abdul-Mateen II, Wunmi Mosaku)
UNCERTAIN
Woody Allen‘s A Rainy Day in New York [in limbo at Amazon, allegedly streaming sometime in ’19)
22. Aaron Sorkin‘s Lucy and Desi — The lives and careers of television pioneers Lucille Ball and Desi Arnaz. Probably not shooting yet — as of mid October 2018 they had not started. Producer friend says they’re still casting Desi. (Cate Blanchett) Possible 2020 release.
Untitled Harriet Tubman Project (HBO) — The life of Civil War-era activist HarrietTubman, who worked to liberate slaves in the American South by developing an a secretive system that allowed them to escape to freedom. Screenplay by Kirk Ellis. (Viola Davis, Mike Gassaway)
