Directed by Rufus Norris and written by Alecky Blythe and Adam Cork, based on their 2011 National Theatre musical of the same title, London Road is a 2015 British musical mystery thriller about the Steve Wright killings (i.e., “the Suffolk strangler“), which happened in Ipswich in 2006. Wright was convicted in 2008. Tom Hardy, Olivia Colman, Kate Fleetwood, etc.
I’m feeling a teeny bit nervous about getting into a timely screening of Cameron Crowe‘s Aloha (a.k.a., Son of Deep Tiki) before leaving for France on the evening of May 7th. It opens on 5.29, at which point I’ll be in Prague. Three business days in Los Angeles before catching a red-eye for New York, and then I’ll have Thursday and Friday of this week in New York followed by four more days next week (5.4 thru 5.7) before catching a red-eye to Paris. I’m feeling curiously optimistic in my expectations. With all the negative build-up over the last few months, largely due to Amy Pascal’s dismissive comments in that hacked email, the film merely has to be half-decent to seem pretty good. I still have to laugh at that allegedly legit summary of a screening report that Gawker posted, to wit:
Everyone presumably understands by now that the universally praised Love & Mercy (Roadside, 6.5) is a time-flipping drama about the trials of Beach Boys maestro Brian Wilson during two stages in his life — the mid ’60s era when he created Pet Sounds and Smile and the mid ’80s when he began to slowly extricate himself from the clutches of Svengali-like therapist Eugene Landy (Paul Giamatti). Young Wilson is briliantly portrayed by Paul Dano; middle-aged Wilson is played just as compellingly by Jon Cusack. It’s interesting, therefore, that the new poster decides to use a likeness of the youngish, real-deal Wilson rather than Dano or Cusack. Which is cool — a concise way of avoiding any confusion.
An assortment of Los Angeles-based film bloggers and print journalists are presently enjoying a gratis, all-expenses-paid visit to the 2015 Riviera Maya Film Festival. The seven-day event is based in Playa del Carmen, the Yucatan beach town 30 miles south of Cancun and 200 miles north of Belize City. I tried to offer my…uhm, “promotional” services to Sunshine Sachs publicist Brooke Blumberg, who did the inviting, but she decided to invite every name-brand columnist in town (Sasha Stone, David Poland, Scott Feinberg, et. al.) except me…thanks! She apparently doesn’t like me or suspects I’d be more trouble than I’m worth or something along these lines. Not true! I am perfectly willing to shill for any film festival that will fly me there and put me up, etc. I write really well and can give the same kind of handjobs that other journalists give when they visit places for free.
Hotel Platinum Yucatan Princess in Playa del Carmen
This morning I got a message from Stone, who’s down there now and staying at the Hotel Platinum Yucatan Princess, which offers the exact same kind of luxurious decor and feelings of well-tended splendor offered by every other luxury hotel in the world. (I stayed in a place almost precisely like this in Hoi An, Vietnam in 2013.) May I ask something? What is the point of travelling to an exotic location if you’re going to stay in a place that’s a carbon-copy duplicate of every other luxury habitat around the world? It’s the Club Med approach to travel…the Kardashian way. Has anyone read Conde Nast Traveller lately? With slight variations every luxury hotel in the world looks exactly the same. The body snatchers have branched out — they’re now designing hotels.
During last night’s televized chat with Diane Sawyer, the transgendered Bruce Jenner said (a) “I’m not gay…I am, as far as I know, heterosexual…I’ve never been with a guy” and (b) that while he’s been attracted to women all his life, that’s no longer the case — “I’m asexual,” Jenner said. So the new Bruce is embracing womanhood for inner identity reasons and not sexual ones. He’s not, in short, Lana Wachowski. The former Larry Wachowski became a woman for the same identity reasons, but also (as I understand things) to become a lesbian. I’ve known a lot of guys in my life who are very feminine and fully at peace with that, and isn’t that the main order of business? To know inner fulfillment and serenity? It’s fine with me if Jenner wants to physically transition in terms of genitalia and breasts and whatnot, but what’s the point if he’s decided to ignore sexuality? What can’t he just be womanly, nurturing and compassionate Bruce with a dick?
<div style="background:#fff;padding:7px;"><a href="https://hollywood-elsewhere.com/category/reviews/"><img src=
"https://hollywood-elsewhere.com/wp-content/uploads/2019/08/reviews.jpg"></a></div>
- Really Nice Ride
To my great surprise and delight, Christy Hall‘s Daddio, which I was remiss in not seeing during last year’s Telluride...
More » - Live-Blogging “Bad Boys: Ride or Die”
7:45 pm: Okay, the initial light-hearted section (repartee, wedding, hospital, afterlife Joey Pants, healthy diet) was enjoyable, but Jesus, when...
More » - One of the Better Apes Franchise Flicks
It took me a full month to see Wes Ball and Josh Friedman‘s Kingdom of the Planet of the Apes...
More »
<div style="background:#fff;padding:7px;"><a href="https://hollywood-elsewhere.com/category/classic/"><img src="https://hollywood-elsewhere.com/wp-content/uploads/2019/08/heclassic-1-e1492633312403.jpg"></div>
- The Pull of Exceptional History
The Kamala surge is, I believe, mainly about two things — (a) people feeling lit up or joyful about being...
More » - If I Was Costner, I’d Probably Throw In The Towel
Unless Part Two of Kevin Costner‘s Horizon (Warner Bros., 8.16) somehow improves upon the sluggish initial installment and delivers something...
More » - Delicious, Demonic Otto Gross
For me, A Dangerous Method (2011) is David Cronenberg‘s tastiest and wickedest film — intense, sexually upfront and occasionally arousing...
More »