Expert Joker

This is strictly second-hand but I heard something today that upset my apple cart. It comes from the periphery of the Woody Allen camp.  The talk (and please understand this is just “talk” as in “not necessarily bankable”) is that Woody, who will be 82 in December, has muttered something along the lines of “the movie I make in 2019 might be my last.” He’s currently casting his 2018 film, which he’ll shoot either later this year or early next year, and then see to the promotion and publicity, and then he’ll make his 2019 film. And once that’s done it may be “adios muchachos.” Because, I’ve been told, Woody suspects he may not have any juice left after the ’19 flick, that he’ll be “done.”

Wells response: Here are my definitions of Allen being “done.” One, he’s just dropped dead on Fifth Avenue while directing his latest film. Two, he’s been found been slumped over in bed, his yellow writing pad at his side. Or three, he’s become one of those guys with saliva dribbling out of his mouth who might wander into a cafeteria with a shopping bag, screaming about socialism.

Even if Allen recently did mutter something about hanging it up, a new good idea could change everything in an instant…right? What would Woody do with himself if he stopped writing and directing? True, he’ll turn 84 in ’19, which would mean that over half of his life will have gone by. By the Clint Eastwood standard (i.e., 87 and is still cranking ’em out), Woody is far from done.

Breathe, Stronger, Other Sagas of Brave Sufferers

From a Boston reader this morning: “I’ve been seeing advertising for Andy Serkis and Andrew Garfield‘s Breathe (Bleecker Street/Participant, 10.13) and am wondering how it might perform, both commercially and critically, in the wake of David Gordon Green and Jake Gyllenhaal‘s Stronger (Lionsgate/Roadside, 9.22), which will open three weeks earlier. Both are about men, driven by a woman’s love, overcoming great physical challenges and odds against a long, full life. Three factors: (a) close release-date proximity, (b) the commonality of plot, and (c) the Andrew vs. Jake thing. Whaddaya think?”

My response: “Spiritual uplift dramas about average folks slammed by tragedy and misfortune but refusing to accept a grim fate or a curtailed lifespan have, of course, constituted a dramatic genre for the last three decades. Life threw a curve or buried them in suffering but they wouldn’t buckle. Spirit, perseverance, grit. The support of families, wives, co-workers, etc.

Breathe and Stronger are kin of all kinds of films in this realm. Ben Lewin‘s The Sessions, in which the life of polio victim John Hawkes was spiritually opened up by Helen Hunt‘s sex surrogate, is similar to Breathe as they both deal with guys paralyzed from the neck down. The total paralysis enveloping Mathieu Amalric in Julian Schnabel‘s The Diving Bell and the Butterfly (’07) is even more extreme.

Stronger is about real-life Boston bombing victim Jeff Bauman (Gyllenhaal) overcoming the loss of his legs, obviously a less daunting challenge than the one facing Garfield but still a tough haul.

Expand the pain parameters and you could include The King’s Speech (royal stuttering), all kinds of concentration camp dramas (Angelina Jolie‘s relatively recent Unbroken, Robert Young‘s Triumph of the Spirit, Joseph Sargent and Arthur Miller‘s Playing For Time), Jim Sheridan and Daniel Day Lewis‘s My Left Foot (a seminal physical-malady film, released in ’89), innumerable disease-of-the-week TV dramas from the ’80s, etc.

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Back to Sonoran Crossing

Thanks to Alejandro G. Inarritu and Katie Calhoon for allowing Tatyana and I to attend the LACMA installation of Carne y Arena at the last minute. We went late yesterday morning; it opens today. Intense, jolting, emotional, essential. The whole run (ending sometime in September) is sold out. Here, again, is my piece about visiting the Cannes film Festival installation (posted on 5.18.17). And here’s a nicely descriptive 6.29 L.A. Times piece by Carolina Miranda. I was studying the particulars a bit more this time; I could do this another few times easy. But I’ll never park inside the L.A. County Museum garage ever again. $16 for 66 minutes, kiss my ass. Which is another reason why I’m mostly a two-wheel man. I never pay anything for parking the bike (I just weave around the gates), and no one ever gives me a ticket.

 

Use Or Lose

Urban Dictionary says the primary definition of “kicks” is shoes, but what they really mean is spiffy shoes. I haven’t heard anyone say the word “kicks” in this context since the Ford administration, if that. Some words die from attrition; the culture loses interest and they fall off the vine. Has anyone used or heard “kicks” anytime this century, or even during Reagan-Bush-Clinton? There’s one shoe term that I know is dead and gone for the most part, and that’s “sporty.” The only people who say “sporty” are 70something guys who play golf or conservatives who own yachts or older Wall Street dicks. In Out Of The Past Robert Mitchum bought a pair like this when he was in Acapulco looking for Jane Greer, and then suddenly Kirk Douglas showed up, looked down at the new shoes, grinned and called them “sporty.” That was 70 years ago. “Sporty” is finished.