Douglas Cuts Biden Some Slack

Michael Douglas on age and Joe Biden, 7:14 mark: “The people I’ve talked to say he’s sharp as a tack. We all have issues with memory as we get older [but] let’s just say that Joe’s entire cabinet would be more than happy to work wth him again [over] the next term. I cannot say that about the other candidate [as] nobody in his cabinet from 2016 wants to be involved with him.”

HE agrees with YouTube guy #1: “No smart, talented, experienced, accomplished, reasonable person…a person who puts the country first…no one with those qualities will endorse Trump in 2024.”

Ditto YouTube guy #2: “Right now it doesn’t matter if Biden is too old. I would rather have a too-old guy who will uphold the constitution than someone who actively wants to destroy it.”

Does Bobby Peru Understand…?

…that what Bill Maher was talking about last Friday night is happening in schools? That it’s real? And that shaping the soft-clay minds of young kids on trans issues has become a mainstream public-school thing…stamped, signed and endorsed by the Democratic Party?

He really thinks all is well, and that my seconding what Maher said the night before last is…what, some kind of obsessive, fear-driven thing on my part?

Friendo sez

Again, here it is.

R.O.T. Chronicles (cont’d)

I’m sorry but Hitchcock’s continuity person on North by Northwest should have been canned.

Termination error #1: Roger Thornhill’s scrawled message on the inside cover of his R.O.T. matchbook was composed within three lines, but when Eve Kendall reads it on the couch downstairs it has four lines.

Termination error #2: Several matches are missing when the message is initially written, but when Eve reads it the match supply is restored to full capacity.

Errors copied — not discovered by me.

Screenshot

Son of Evening Prowl in One-Horse Town

Posted, ignored and quickly fire-walled on 8.7.21: It was a warm midsummer evening in the small town of Walton, New York, possibly ’81 but more likely ’82. I was staying that weekend with my dad, Jim Wells, at his country cabin on River Road, right alongside the West Branch of the Delaware River.

Jim was an avid fly fisherman, and when dusk fell all he had to do was put on the rubber waders and stroll into the waist-deep water, which was less than 100 feet away. I’m not exactly the Henry David Thoreau type, but I have to admit that the cabin and the surrounding woods and the other atmospheric trimmings (crickets, feeding fish, fireflies) was quite the combination as the sun was going down.

Alas, I was frisky back then and accustomed to prowling. As a Manhattanite and Upper West Sider (75th and Amsterdam) my evening routine would sometimes include a 7 pm screening and then hitting a bar or strolling around or whatever. The “whatever” would sometimes involve a date with a lady of the moment or maybe even getting lucky with a stranger. It all depended on which direction the night happened to tilt.

So there we were, my dad and I, finishing dinner (maybe some freshly-caught trout along with some steamed green beans and scalloped potatoes) and washing the dishes and whatnot, and I was thinking about hitting a local tavern. I wasn’t a “sitting on the front porch and watching the fireflies” type. I wanted to get out, sniff the air, sip bourbon, listen to music.

So I announced the idea of hitting T.A.’s Place or the Riverside Tavern and maybe ordering a Jack Daniels and ginger ale on the rocks. If I’d been a little more gracious I would’ve asked Jim to join, but we weren’t especially chummy back then. Our relationship was amiable enough, if a little on the cool and curt side. Plus the idea of Jim and I laying on the charm with some local lassie seemed horrific.

I wasn’t seriously entertaining some loony fantasy that I might meet someone and luck out, not in a little one-horse town like Walton, but then again who knew? It was the early ’80s, the ’70s were still with us in spirit, I was looking and feeling pretty good back then, the AIDS era hadn’t happened yet, etc. You had to be there, I guess, but singles had just experienced (and were still experiencing to a certain degree) perhaps the greatest nookie era in world history since the days of ancient Rome.

Plus you could still buy quaaludes at the Edlich Pharmacy on First Avenue. It sounds immature to say this, but life occasionally felt like a Radley Metzger film.

Jim apparently had thoughts along the same lines, as he quickly suggested that we do T.A.’s as a team. I immediately said “uhm, that’s okay,” as in “I’m thinking about going stag and you’ll only cramp my style.” I shouldn’t have said that, and if my father is listening I want him to know that I’m sorry. It was brusque and heartless to brush him off like that.

To his credit, Jim was gracious enough to laugh it off. I heard him tell this story to friends a couple of times.

Jim had bought the River Road cabin from Pam Dawber, who was pushing 30 and costarring in Mork & Mindy at the time. It was located outside of town about three or four miles. My father would send her a check every month, and was very punctual about it. Walton was roughly a 100-minute drive from Manhattan.

Predatory Parents, Drag Queens, Pedophiles, etc.

“Do I have to pretend [this stuff] is cool in order to keep my liberal ID card? Sorry — can’t do that.”

“Wokeness is no longer an extension of liberalism — it’s more often taking something so far that it becomes the opposite — at a certain point inclusion becomes promotion. Endlessly talking about gender to six year-olds isn’t just inappropriate — it’s what the law would call entrapment.”

Still Hurts to Watch This Film

It hit me yesterday that Josie Rourke, who made her bigtime feature directing debut with Mary, Queen of Scots, has been absent from the flush realm since Mary opened in late ’18. There are reasons for that, of course. One is that people like me felt novocained to death, Mary being an overbearing exercise in woke presentism.

It Hurts To Watch This Film,” posted on 11.16.18: Josie Rourke‘s Mary, Queen of Scots is a slog and a drag — a hard-to-follow, sometimes infuriating attempt to make a 16th Century tale of conflict between willful cousins (the titular, flinty Mary vs. Queen Elizabeth of England) into something relevant to the convulsive culture of 2018.

I found it a slog because I didn’t give a flying fuck about anyone, and because the damp air (which wafted out from the screen) and chilly-looking Scottish exteriors made me want to wrap myself in scarves and sweaters. Why would anyone want to live in Scotland in the first place? It’s all fog and peat and stone castles. I just wanted to build a fire and huddle.

I spent the entire 124-minute running time trying to understand why I hated this film almost immediately. Have you ever walked into a crowded room and decided on the spot that you really don’t care for the vibe of a certain person standing near the punch bowl? It was like that. Within minutes I was seething with irritation. There were several factors, I gradually realized.

I felt alienated by Rourke’s attempt to impose a woke social atmosphere upon 16th Century Scotland and England — by applying a strong women-vs.-sexist pig narrative and going with multicultural casting choices. I’m not saying it’s invalid to adopt this approach (knock yourselves out), but I did find it numbing to sit through.

Early on I was telling myself I need to see Charles Jerrot‘s same-titled 1971 version with Vanessa Redgrave and Glenda Jackson. I don’t recall this film at all, but I was muttering to myself that it has to be better than the newbie…it HAS to be.

I resented having to wade through the thick Scottish accents, and realized early on that I’d have to wait for a subtitled screener to understand all of the plot intrigues. It’s one of those historical flicks in which nothing is fully clear until you go to Wikipedia and read the actual histories.

I admired Saoirse Ronan‘s feisty performance as the titular character (she’s always good) but hated the blatant “acting” by the secondary characters. Every actor explicitly conveys how their character is feeling about what’s going on — whether they’re pleased, unhappy, sad, suspicious, unsettled or whatever — and after 15 minutes of this I was ready to scream. Please, assholes…stop “acting”!

I felt especially hostile to James McArdle‘s performance as the Earl of Moray, Mary’s resentful half-brother. My second most despised performance was Jack Lowden‘s as Lord Darnley — he preens, he poses, he goes down on Mary, etc.

Beau Willimon‘s screenplay is overly complex and labyrnthian — I gave up trying to follow all the twists, turns and betrayals, especially toward the end.

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Son of “Love Stinks”

“An unexamined life is not worth living but an examined one is still no bargain” — Woody Allen line from Cafe Society.

Angsty Loner (i.e., me) to Mr. Lonelyhearts: I’m 17, a high-school junior, and miserable. Partly (mostly?) due to the fact that my hormones are raging while my experience with hetero physical intimacy has been, shall we say, limited.

Which doesn’t mean I haven’t emotionally suffered over this or that dashed relationship. I’ve eaten my heart out over…I don’t know, seven or eight girls since the third grade. Maybe more. And none of the objects of my desire have been more than semi-interested, if that.

Girls are fickle and flighty and all over the map, and at the end of the day I don’t seem to have what they want. Even temporarily, I mean. Before their mood changes.

So I know a thing or two about unrequited love or lust or, in the best of situations, a combination of the two that is casually, half-assedly or all-too-briefly reciprocated and then forgotten. One of these days or years the real thing will happen, and when it does…I’ll cross that bridge.

My current obsession is blonde and blue-eyed and a little scatterbrained. Or scatter-hearted. She likes me in spurts, and then some other guy moves in.

There are three others she’s enamored of. A cute, stocky, chubby-faced jock. A hippie-ish dude with longish hair, Brooks Brothers shirts and mocassins. And a local cop who’s 27 or 28. And then fourth-place me.

I rolled around with blondie on a bed of pine needles near the local reservoir…once. We made out at a party…once. She slapped me repeatedly at another party, which was her way of saying she wanted my attention. We’ve had some fun times.

But I’m strictly backup. So what do I do? Is there any path to salvation in this agonizing situation?

Mr. Lonelyhearts to Angsty Loner: I’m sorry but no, there isn’t. It sounds cruel to say this, but you’re just going to have to suffer through this infatuation and then eventually move on.

One reason you’re in fourth place (and not third, second or first) is that you’re probably radiating weak, squishy vibes. Probably born of low-self-esteem. If you have any moxie you’ll grow out of that but for the time being it’s your cross to bear.

High-school women are reticent as a rule, and they do hold most of the cards, and if they’re not that interested you can’t stop ’em.

The fact that she’s nursing relationships with four guys simultaneously is a red flag, of course. It means she has self-esteem issues of her own. It won’t kill you to pine for this flighty little blonde. It hurts, of course, but life is a never-ending stream of hurt and troubles. Get used to it. Pain makes you stronger if you can take it.

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“Places In The Heart” Is Still A Meltdown

Three days ago I rewatched Robert Benton‘s Places in the Heart (9.21.84). Sometimes older films hold up and sometimes they can seem a bit softer or less formidable in retrospect. Well, you can sheath that sword because the sands of time haven’t diminished Places in the Heart in the slightest. In my book it’s a truly great film. The church communion scene at the very end still turns me into mush.

Sally Field‘s “you really like me!” speech upon winning the Best Actress Oscar has been endlessly belittled, but over the last 40 years I’ll bet that few have given the film another shot and really settled into her performance. Her Edna Spalding is fairly magnificent…about as pained and stressed and rock-solid as it gets.

Director-writer Benton, who’s still with us at age 91, really knew rural, Depression-era Texas, having been born and raised in the backwater of Waxahachie (where Places in the Heart takes place) and you can feel that authority and authenticity in every scene.

Heart includes uncomfortably frank depictions of racism, and there’s no way in hell that the wokesters would allow such a film to be made today. But every frame is real and honest and humane. It’s touching, grueling, affecting…the way it really was back then, at least in Benton’s recollection.

I don’t want to hear one HE comment-threader argue this point…not one!

And the cast….good God! Field, John Malkovich, Danny Glover, Lindsay Crouse, Ed Harris, Amy Madigan, Lane Smith, Terry O’Quinn, Bert Remsen.

There’s a scene in which Smith urges the financially strapped Field to allow Malkovich’s “Mr. Will”, his blind brother-in-law, to stay with her as a lodger. Field’s initial response is “this isn’t a good time,” which I partly understood. At the same time I was muttering to myself, “Don’t say ‘no’ to Malkovich staying with you…please! He’s John Malkovich!”

Malkovich’s career erupted that year. His Heart performance resulted in a Best Supporting Actor nomination. He played a tough photojournalist in Roland Joffe‘s The Killing Fields. And he played Biff in a celebrated Broadway revival of Death of a Salesman, costarring with Dustin Hoffman. I caught Salesman in the spring or summer of ’84, and five minutes after Malkovich came on stage I said to myself, “Jesus fuck, this guy is amazing.”

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Waving Ukrainian Flags Was Entirely Appropriate

This morning the House of Representatives approved giving Ukraine $60 billion for defense; ditto $26 billion for Israel.

The vote was 311 to 112. A majority of Republicans — 112 — voted against it and one, Representative Dan Meuser of Pennsylvania, voted “present”…coward. The Dems waved Ukrainian flags, which pissed off the righties.

The measure requiring either the sale of TikTok by its Chinese owner or banning the app in the United States passed 360 to 58.

N.Y. Times: “’Our adversaries are working together to undermine our Western values and demean our democracy,’ Representative Michael McCaul, Republican of Texas and the chairman of the Foreign Affairs Committee, said Saturday as the House debated the measure.

“’We cannot be afraid at this moment. We have to do what’s right. Evil is on the march. History is calling and now is the time to act.’

“’History will judge us by our actions here today,’ McCaul continued. ‘As we deliberate on this vote, you have to ask yourself this question: ‘Am I Chamberlain or Churchill?’

“For months, it had been uncertain whether Congress would approve new funding for Ukraine, even as momentum shifted in Moscow’s favor. That prompted a wave of anxiety in Kyiv and in Europe that the United States, the single biggest provider of military aid to Ukraine, would turn its back on the young democracy.”

Close to Forensic

This CNET video includes a crudely animated reconstruction of the murders of Nicole Brown Simpson and Ron Goldman on the night of 6.12.94. I’m uncertain as to when it originally aired — possibly in the mid ’90s or certainly more than 20 years ago.

I had never watched this horrorshow until after the death of O.J Simpson on 4.10.24.

The key portion begins around 4:35…ghastly.

It should be noted that the animated action doesn’t square with the earwitness account of local resident Robert Heidstra, who testified that he heard a male (almost certainly Goldman) yelling “hey! hey! hey!” around the reported time of the killings, or 10:35 pm.

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I’m Not Sensing A Lot of Stability or Moderation Here…