Chris Nolan‘s Tenet has been streaming and on 4k Bluray for eight days now. I’ve watched it with subtitles one and a half times so far, and there’s no question it plays much more coherently (and certainly less problematically) this way. But you know what? It tickles and taunts more than it adds up. It still doesn’t make a whole lot of basic sense. I’m sorry but that’s a fact.
I loved the audacious, ahead-of-the-curve, first-time-ever freshness of Tenet when I saw it on a big screen in Flagstaff on Friday, 9.4, but maybe I was extra-enthused because I was so happy to watch a film in a theatre again.
I still love the inverted/backwards shit (especially during that dazzling 747 airport sequence) but the charm of that gimmick has fallen away pretty sharply, you bet.
I only know that subtitles doesn’t really solve the basic Tenet problem, which is the arrogant Nolan himself. I loved Dunkirk but now I’m back to thinking he’s an infuriating filmmaker — a guy whose films will always tax my patience (unless he makes another based-on-history film). It’s a tragedy to know deep down that Nolan will never make a film as engaging as Memento again.
I didn’t realize how badly Tenet was flunking across the board until I read a 12.18 Facebook review by Nick “Action Man” Clement, who is easily the kindest, most obliging, most turn-the-other-cheek reviewer of mainstream commercial films on the planet earth, and certainly since the 2.25.20 death of the big-hearted F.X. Feeney.
Clement’s basic deal is to bend over backwards in order to give a generous coo-coo tongue bath to almost any popcorn flick out there, past or present. It’s not that Clement has no taste, but that he’s unable to suppress the primal love he has for “guy” movies.
In this sense Clement is a dependable brand, just as Hollywood Elsewhere is a dependable place for cranky drillbit truth-telling.
So when Clement panned Tenet a few days ago, I went “holy shit….this means something! Nolan has overplayed his ‘too tricky for school’ routine and wound up shoving a cold banana up his ass….if he’s lost Nick Clement, he’s definitely done something wrong.”
Consider Clement’s assessment:
1. Overall I thought this was okay – certainly entertaining in the moment but in the end, not up to my expectations. And it makes me sad to report this fact, as I’ve pretty much loved all of Christopher Nolan’s output up until this point. Merely “okay” is not what I expect from this filmmaker. The Prestige and Interstellar remain my two favorites, Dunkirk was exceptional, and massive The Dark Knight Rises and Inception POWER. But this felt miscalculated.