If I’m Not A Columnist…

Vincent Hanna: “So you never wanted a regular type life?”

Neil MacAuley: “What’s that, barbecues and ball games?”

Hanna: “Yeah.”

The blessing of tapping out a daily column 10 or 12 hours daily (if you include watching films at home) and generally running around and hitting film festivals (obviously pre-pandemic) was that it didn’t include life’s usual-usuals — okay, maybe an occasional barbecue or a ball game (although the last time I attended a game at Dodger Stadium was sometime in the late ‘90s) but generally it was about operating my own steam engine and living off the fumes of that.

That all came to a crashing halt 11 months ago, of course. And now, in the words of Martin Sheen’s Cpt. Willard, “I wake up and there’s nothing.”

I don’t know why I just wrote that. The column isn’t nothing. The daily discipline and discovery and occasional tumult of Hollywood Elsewhere is damn near close to everything. Without it the emptiness would eat me whole like a blue heron swallowing a live chipmunk.

But the current, indisputable fact is that the special joys of this kind of life — the fun, the surge and the Don Logan bolt and buzz of it all…the laughs and encounters, the luscious flavors and intrigues, the traveling and the airports and cavernous European train stations, the occasional set visits, cool parties, subway intrigues, Academy screenings, small screenings, all-media screenings, press junkets, visiting the homes of friends near and far, noisy restaurants, walking the crowded streets of Rome, London, Paris and Hanoi, writing in crowded cafes, hitting the occasional bar with a pally or two, the aroma of exotic places and the hundreds upon hundreds of things that just happen as part of the general hurly-burly (including the generally ecstatic idea of a world without masks)…all of that is fucking gone now, and it probably won’t come back for another eight to twelve months, if that.

Plus there’s the terror of wokester culture and the notion that there are more than a few people out there who wouldn’t mind slipping a blue plastic bag over my head.

I haven’t felt this consumed by ennui and despair since junior high school. But at least I still have the daily grind, and for this I feel very lucky. And so this NY Times article about the serious pitfalls of letting your work overwhelm or dictate your life…my immediate reaction was “are you kidding me?”

My favorite line in the whole piece:

For 35 or 40 years my basic response was, I felt, nicely phrased by William Holden’s Pike Bishop in The Wild Bunch: “I wouldn’t have it any other way.”

Now I’m not so sure. No roller coaster, no life. Well, I have a “life” (Tatiana’s persistent faith and disciplines and laughter, getting chewed out for my endless failings, restful nights, good stuff to stream, old films that look and sound great, our two cats and the comfort and assurance of the day-to-day) but the thrills and adventure are all but gone.

Ray Liotta’s Henry Hill: “These are the bad times.”

But at least Trump is finished and the vaccines are starting to give people a slight sense of hope, or at least an idea that life in this long dark tunnel will eventually open up, oxygen and sunlight-wise.

Demon Seed

What words best describe the sickening, cowardly Republican Senators who will refuse to convict Donald Trump for igniting the 1.6.21 insurrection? They know he launched the attack on the U.S. Capitol in roughly the same fashion that Osama bin Laden drove the 9.11 attacks and tiny Charles Manson was the bearded demon general who sent killers to 10050 Cielo Drive in August 1969. They know this, but they’re going to ignore this because they don’t want to get primaried by looney-tune righty usurpers.

We all understand and even accept that he won’t be convicted, but when his serpent gremlin followers try to claim he’s been “vindicated” in the aftermath…that’s when my blood will begin to boil.

Shannon Put-Around

Actual photo that served as the basis of the famous Goodfellas painting and Joe Pesci ‘s artistic assessment (“one dog lookin’ one way, another dog lookin’ another way and the guy sayin’ ‘whadaya want from me?’”).

Generosity, Inclusion

The 2021 Critics Choice Awards nominations were announced this morning. Congrats to David Fincher and the 12 noms gathered by Mank. Come one, nearly come all…almost everyone’s invited…spread it around…may the best contenders win, or at the very least show up. Will the March 7th show happen “live” with actual bodies, tables, food, drinks, red carpet, etc.? Of course not.

Boldface HE indicates winning preference; # indicates HE runner-up preference. Note: Not all the nominees are listed here.

BEST PICTURE
Da 5 Bloods (Netflix)
Ma Rainey’s Black Bottom (Netflix)
Mank (Netflix)
Minari (A24)
News of the World (Universal Pictures)
Nomadland (Searchlight Pictures) / HE
One Night in Miami (Amazon Studios)
Promising Young Woman (Focus Features)
Sound of Metal (Amazon Studios) / #
The Trial of the Chicago 7 (Netflix)

BEST ACTOR
Ben Affleck – The Way Back (Warner Bros.) / #
Riz Ahmed – Sound of Metal (Amazon Studios) / HE
Chadwick Boseman – Ma Rainey’s Black Bottom (Netflix)
Tom Hanks – News of the World (Universal Pictures)
Anthony Hopkins – The Father (Sony Pictures Classics)
Delroy Lindo – Da 5 Bloods (Netflix)
Gary Oldman – Mank (Netflix)
Steven Yeun – Minari (A24)

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom (Netflix)
Andra Day – The United States vs. Billie Holiday (Hulu) / #
Sidney Flanigan – Never Rarely Sometimes Always (Focus Features)
Vanessa Kirby – Pieces of a Woman (Netflix)
Frances McDormand – Nomadland (Searchlight Pictures)
Carey Mulligan – Promising Young Woman (Focus Features) / HE
Zendaya – Malcolm & Marie (Netflix)

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods (Netflix)
Sacha Baron Cohen – The Trial of the Chicago 7 (Netflix) / #
Daniel Kaluuya – Judas and the Black Messiah (Warner Bros.)
Bill Murray – On the Rocks (A24/Apple TV+)
Leslie Odom, Jr. – One Night in Miami (Amazon Studios)
Paul Raci – Sound of Metal (Amazon Studios)
SPECIAL HE WRITE-IN VOTE: LaKeith Stanfield, Judas and the Black Messiah (Warner Bros.) / HE

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm (Amazon Studios)
Ellen Burstyn – Pieces of a Woman (Netflix)
Glenn Close – Hillbilly Elegy (Netflix)
Olivia Colman – The Father (Sony Pictures Classics) / HE
Amanda Seyfried – Mank (Netflix) / #
Yuh-Jung Youn – Minari (A24)

BEST YOUNG ACTOR/ACTRESS
Ryder Allen – Palmer (Apple TV+)
Ibrahima Gueye – The Life Ahead (Netflix) / #
Alan Kim – Minari (A24)
Talia Ryder – Never Rarely Sometimes Always (Focus Features) / HE
Caoilinn Springall – The Midnight Sky (Netflix)
Helena Zengel – News of the World (Universal Pictures)

Unheated Hotel Room

Except for the modest-sized fire, which isn’t enough to warm our high-ceilinged hotel room. Plus the 3G wifi disappoints. Poco Cielo Hotel, adjacent to La Fonda. Another Tijuana dental appointment tomorrow at 2 pm.

Same Old Racehorses (Except “Saint Maud”)

London Critics Circle Awards / a bold HE indicates emphatic agreement. Note: A24 waited way too long to release Saint Maud, which premiered 17 months ago in Toronto.

FILM OF THE YEAR
Nomadland / HE

FOREIGN-LANGUAGE FILM OF THE YEAR
Another Round / HE

DOCUMENTARY OF THE YEAR
Collective / HE

The Attenborough Award:
BRITISH/IRISH FILM OF THE YEAR
Saint Maud / haven’t seen it

DIRECTOR OF THE YEAR
Steve McQueen – Small Axe / HE

SCREENWRITER OF THE YEAR
Chloé Zhao, Nomadland / HE

ACTRESS OF THE YEAR
Frances McDormandNomadland

ACTOR OF THE YEAR
Chadwick BosemanMa Rainey’s Black Bottom

SUPPORTING ACTRESS OF THE YEAR
Maria BakalovaBorat Subsequent Moviefilm

SUPPORTING ACTOR OF THE YEAR
Shaun ParkesMangrove / HE

Read more

Mooch, Part 2

In the comment thread for “Why I’m A Mooch Fan,” “seasonalaffleckdisorder” asked this morning “why you think the Mooch is acceptable in some way after he was complicit in the worst administration in U.S. history?” To which I replied:

“He’s explained it all. He had that job for 11 days, made a mistake, got fired, saw past himself, turned a corner. He wasn’t (and isn’t) Heinrich Himmler. He’s from a Long Island blue-collar family (like Ron “Born on the 4th of July” Kovic). Fellow New Jerseyan Bill Maher has an apparent place in his heart for the Mooch, whom he once called “a killer” — a kind of Scorsese character, a financial sector Michael Corleone with a common-man ethos going on, which is to say a semblance of a moral center — a dark-haired, well-dressed guy who never shot Virgil Solozzzo or Cpt. McClusky or ordered the deaths of the heads of the five families. He’s not an X-factor writer or movie fanatic like me…not a musician or a Richard Alpert-like mystic or an ex-LSD crusader or a guy with my own specific values, but he’s a non-evil operator with a wife and kids, and he hails from a culture I know and understand to some extent. There’s something about that streetcorner patois that reaches out. Mooch is a classic fiscal Republican, and that doesn’t make him Satan. Anyone who has the ability to pick himself up off the floor and say, ‘Okay, I made a mistake, that didn’t work, maybe I was an asshole, let’s examine why, on to the next episode” — anyone who can dust himself off and turn a page has my respect.”

Cultural Pulsebeat

These movie ads ran in 5.29.63 edition of the N.Y. Times. What do they say about the state of that twilight era when JFK had a bit less than six months to live? That things were gradually transitioning out of the stodgy, conformist, straightlaced ’50s attitudes (the “Jane Fonda dies from having sex with Peter Finch” film, Hud’s barbed-wire soul, the predation of Hitchcock’s seagulls and black ravens, John Huston and Montgomery Clift‘s sexually subversive Freud) but that a basic ’50s psychology was still calling the shots.

The ’60s elation (the upswing, the changeover, “things are happening”) lasted for six years in this country — beginning on 11.22.63 or more accurately with the arrival of the Beatles in February ’64, and ending with the 12.6.69 Altamont festival. If you want a stricter definition a la Terry Valentine, it happened in “’66 and early ’67…that’s all it was.” Hollywood didn’t even understand what was happening until everyone saw Blowup (which opened stateside on 12.18.66), and even then they were slow to react. Essentially the ’60s were close to over by the time Hollywood began to make youthquake films, although special credit is due to Theodore J. Flicker‘s The President’s Analyst, which opened on 12.21.67.

Chalamet Reborn

All is forgiven if Timothee Chalamet stars in a full-length, 21st Century remake of Edward Scissorhands…minus the electric Caddy, of course. He’ll be forgiven for throwing Woody under the bus, forgiven for the forthcoming Dune (which is going to have problems), forgiven for everything. Winona Ryder is forgiven also. Just make this….please! Directed by David Shane (who helmed the commercial) or maybe Edgar Wright. I’m not kidding. Absolute genius-level Superbowl spot.