A 6.3 digital presentation of Woody Allen and Vittorio Storaro‘s Cafe Society at Cine Gear Expo has been described in mouth-watering terms by The Hollywood Reporter‘s Carolyn Giardina.

“Storaro actually arrived hours earlier in the day to make sure the projection was just as he intended,” she writes. “The gorgeous imagery was, uniquely, screened from a 12-bit uncompressed 4K DPX file (rather than a commonly used Digital Cinema Package), playing off a Clipster postproduction system and displayed with a Sony 4K projector — meaning that the Cine Gear presentation of the movie had more resolution and color tonality than today’s most commonly used digital cinema projectors.

“Lensed with Sony’s F65 digital cinematography camera (and lighter F55 for Steadicam work), Café Society was both Storaro and Allen’s first feature-length motion picture shot with a digital camera.

Suicide Squad is the next major film in which ne’er-do-wells are unambiguously presented as the heroes. They’re “bad” but you’re on their team, you identify with them, you want to them to succeed, you’ll feel bad if they don’t. The best of the genre, top of my head, in this order: The Wild Bunch, Bonnie and Clyde, Heat, One-Eyed Jacks, The Professionals, The Dirty Dozen, The Outfit, Tom Horn, etc. I’m not talking about intriguing, charismatic bad guys (Tom Cruise‘s “Vincent” in Collateral, Denzel Washington‘s dirty detective in Training Day) or half-flawed good guys but outside-the-law characters presented as the most compelling moral characters in the realm of the film.

There’s a scene in Judd Apatow‘s This Is 40 when Leslie Mann gives Paul Rudd shit because he cops to having popped a Viagra before a romantic moment in the shower. Mann’s lament: “Am I not hot enough to raise your staff without medicinal augmentation?”  I forget what Judd’s reply was, but you can’t change over-40 biology. It’s not a lack of desire or start-up stiffitude but Mr. Johnson’s occasional tendency to become Mr. Moody. I’m there, I’m not there, I’m committed, I’ve changed my mind, etc. Yes, I got into this a few weeks ago but I’ve always been a Cialis guy. 24 to 36 hours vs. six to eight. I like them even when there’s nothing going on. “It makes me feel like I’m gonna live forever.” — Warren Beatty to Goldie Hawn in the second-to-last scene in Shampoo.

Story #1: I wasn’t there but a friend ran into Muhammad Ali at a New Jersey Turnpike gas-and-food stop in the winter of ’68. This of course was during Ali’s exile years (i.e., after the boxing commissars had taken away his heavyweight championship title after he’d refused to serve in the military due to religious objections over fighting in the Vietnam War). He was travelling in a large tour bus, and a fair amount of ice and sludge had apparently accumulated on the sides, and Ali had borrowed a water hose from the gas-station guy and was hosing it down and scraping the ice off with one of those long-handled scrapers. It was freezing and windy, but my friend had to shake his hand — “Hey, champ!” Ali stopped hosing, smiled, offered his hand and a kind word. Nothing special but “a moment.”

Story #2: In the fall of ’96 I was moderating a Woodland Hills AMC film class called “Hot-Shot Movies”, and one of my picks was Leon Gast‘s When We Were Kings, the brilliant doc about the 1974 Ali vs Forman “Rumble in the Jungle” championship bout which won the Oscar the following year for Best Feature-Length Documentary. I was introducing the film when a middle-aged, red-haired woman raised her hand and said, “Why have you chosen this film? Why do we have to sit here and watch it?” Translation: “I bought a ticket to your film series for doses of classy escapism, but not to see a film about that black Muslim blowhard who disgraced himself by refusing to fight in Vietnam.” I chose it, I said, because the film is full of spirit and love and celebration, and because it ends in glorious triumph. And because it may be the best sports-related doc I’ve ever seen.

“Every kid I knew in high school had a Scarface poster….people like bad guys.”

The Great Paris Flood of 2016 is bad for tourism but quite the spectacle. And yet it’s nothing compared to the flood of 1910 when the Seine rose 28 and 1/2 feet (8.62 meters) above its normal level. The Seine levels are currently dropping. They had been at 6 meters (just shy of 20 feet) above normal. No tour boats, lots of bankside gawking, tons of mud and debris in certain areas. But the Louvre and the Musee d’Orsay have not been flooded, and life will go on.

“American’s real religion is capitalism, and like every religion it needs a devil. And that devil has always been socialism. Republicans always say that if you let in a little socialism it’ll spread out of control, but actually it’s the opposite. It’s capitalism that we’ve let spread out of control. It’s eaten our democracy. It’s eating our middle class. It’s eaten our health care system, our prison system, our news media. It’s even eaten our food system so thoroughly that a lot of our food should no longer be eaten.” — Bill Maher “New Rules” schpiel during last night’s (6.3) Real Time, which HBO Now never offers until a day or two has passed.”

9:30 pm Pacific: Muhammad Ali has died. God rest his soul. He will always be a hero and a beacon to me. Earlier: There have been odd reports in recent years that former heavyweight champion Muhammad Ali was near death, only to prove untrue. Now Radar Online is reporting that the Parkinsons-afflicted Ali, 74, is grappling with respiratory problems in the Phoenix area and that the situation may be more grave. I love Muhammad Ali if he makes it through, and I love him if he doesn’t. He’s the most inspiring athlete of my life, and never more so than in that legendary 1974 championship bout with George Foreman — the Rumble in the Jungle.

The headline is a misquote. Here’s what Matt Damon actually said in part to the MIT graduating class of 2016: “Let me say this to the bankers who brought you the biggest heist in history: It was theft and you knew it. It was fraud and you knew it. And you know what else? We know that you knew it. And yeah, okay, you sort of got away with it. You got that house in the Hamptons that other people paid for…as their own mortgages went underwater. So you might have their money, but you don’t have our respect. Just so you know, when we pass you on the street and look you in the eye…that’s what we’re thinking. I don’t know if justice is coming for you in this life or the next. But if justice does come for you in this life, her name will be Elizabeth Warren.” I added the Hillary thing.

If you’re an X-Men mutant, you’re a combatant. Gender is not an issue, but your combat skills definitely are. Your special powers define your prowess in the combat arena. It follows that in any X-Men movie mutants are going to be assaulted, punched, kicked, strangled, body-slammed. As far as I’m aware it’s okay to portray said violence involving male mutants in ads for X-Men: Apocalypse. But it’s not okay to show female mutants (particularly Jennifer Lawrence‘s Mystique) involved in any kind of violent altercation, especially if they’re losing. Because this image would be perceived as “casual violence against women.” Yesterday Fox marketing apologized to The Hollywood Reporter for the content of a billboard showing Oscar Isaac’s Apocalypse choking Lawrence’s Mystique: “In our enthusiasm to show the villainy of the character Apocalypse we didn’t immediately recognize the upsetting connotation of this image in print form. Once we realized how insensitive it was, we quickly took steps to remove those materials. We apologize for our actions and would never condone violence against women.”