I was going to title this article “Cancel Sam Peckinpah,” but that might sound too extreme. Then again why not? The idea (one that I’m sure the “safeties” would agree with) is that by posthumously cancelling the late, impassioned, gifted-in-the-’60s, booze-addled, cocaine-snorting, notoriously abusive director and keeping him jailed in perpetuity, it would send a message to current industry abusers that they’d better clean up their act or else.
And let’s not stop at Peckinpah‘s memory alone — let’s also cast suspicious eyes upon his film critic admirers, his biographers, his fans, the Criterion Collection execs who approved the Bluray of Straw Dogs, director Rod Lurie for his Straw Dogs remake, anyone who owns Blurays of Ride The High Country, Major Dundee, The Ballad of Cable Hogue, The Wild Bunch…you get the idea. Round ’em all up.
You can’t just cancel the residue of this horrible man — you have to erode and possibly even destroy the lives of those who’ve sought to keep his memory alive. Have you ever gotten down on your knees and tried to remove crab grass from your front lawn? You can’t fuck around. You have to be merciless.
It goes without saying that if Peckinpah was somehow time-throttled out of the ’60s and ’70s and into the present environment that he wouldn’t last five minutes. So why not pretend that he’s still here and act accordingly? Why not send a clear and thundering message that Peckinpah-like behavior will never, ever be tolerated in this industry again? What does the fact that Peckinpah died 36 and 1/2 years ago have to do with anything? In a way he’s still “here”, still among us.
Okay, I’m partly kidding. Peckinpah was definitely a drunken, sexist, coked-up beast (particularly in the ’70s and early ’80s), but he did make a few brilliant films and if you know anything about the movie-making craft you know it’s damn hard to make even a decently mediocre one. Plus the annoying fact that life has never been especially tidy in the corresponding or delineation of great art vs. gentle people and vice versa. But if I was serious you know that a significant percentage of Twitter jackals would approve.
I was inspired to write this by an HE commenter named “Huisache“, whi posted the following sometime this morning in the “Duelling Thompson Sagas” thread:
Huisache: “With the exception of Straw Dogs all of Sam Peckinpah’s films are messes of one magnitude or another, with Bring Me The Head of Alfredo Garcia the biggest mess of all.
“The Getaway is enjoyable but the Slim Pickens ending is emblematic of Peckinpah’s resort to just saying ‘screw it, how do I get out of this mess? It was just nailed on. Sam had a mess and he called Pickens for help and the old feller bailed him out with a glorious good-ole-boy bit.
“I saw the film when it came out and was living in the area where it was filmed in central Texas. I thought it a very enjoyable mess and the Pickens ending a hoot. But that’s all the film is — an enjoyable hoot. Acting like it’s some kind of worthy project is a bridge too far.