I may be wrong, but Francis Lee‘s Ammonite (Lionsgate, 1.21) seems to have lost its footing in the award-season conversation. One reason is that roughly a third of critics have found it wanting in one way or another. Another, I’m telling myself, is that a couple of months ago star Kate Winslet generated accusations of award-season opportunism by trashing the innocent Woody Allen, her director in the reasonably decent Wonder Wheel (’17).