I didn’t crash until 2 am last night so I damn sure wasn’t going to bound out of bed at dawn for the Golden Globe nominations. No way. There are plenty of sites posting the nommies chapter and verse so I’ll just mention a few eyebrow raisers:
(1) No Best Motion Picture, Drama for Fences, and no Best Director nomination for Denzel Washington — Oddly, unjustly, the “Fences isn’t cinematic enough” observation has stuck to the wall as far as the HFPA is concerned. Hollywood Elsewhere’s view is that Fences, a straight-sauce delivery of August Wilson‘s finest play, has the confidence to not flourish things up with ambitious camera strategies. It just watches without comment, letting Wilson’s dialogue (along with the perfect performances) carry the ball. That’s integrity, son.
(2) No Best Supporting Actor nomination for Hidden Figures‘ Kevin Costner — I’ve noted more than once that Costner is one of those world-class movie stars who’s mastered the fine art (as once explained by James Cagney) of planting your feet, looking people in the eye and telling the truth. This steady, balanced, fair-minded vibe fortifies his Hidden Figures character, NASA honcho Al Harrison (a composite character partly based on the late Robert Gilruth), and the film as a whole.
(3) Total blowoff of Martin Scorsese’s Silence — Even among those who’ve expressed this or that concern about Scorsese’s 17th Century spiritual epic, no one is disputing that Silence is a deeply personal, fully-realized masterwork of sorts — not the easiest film to sit through perhaps but one that indisputably pays off at the end, and which sticks to your ribs for days following. It doesn’t seem right or respectful to just wave this film off like a side order of asparagus. No nominations at all.
(4) No Michael Keaton nomination for his fascinating, ethically ambiguous, neither fish-nor-fowl performance as McDonald’s kingpin Ray Kroc in The Founder — As I wrote on 12.2, “Most people like their moral-ethical dramas to adhere to a black and white scheme, and The Founder boldly refuses to do this. It treads a fine ethical edge, allowing you to root for Keaton’s ‘bad guy’ despite reservations while allowing you to conclude that the McDonald brothers were stoppers who didn’t get it.” Keaton’s brilliant performance never instructs you how to feel or what judgments to arrive at, and therein lies the genius.
(5) No nomination for Gold‘s Matthew McConaughey — I haven’t posted any opinions about Gold (Dimension 12.25), but I’m not in the least bit surprised that Matthew McConaughey‘s performance as ‘Kenny Wells’ (a gold-prospecting character based on the real-life John Felderhof, who figured prominently in the Bre-X financial scandal of the ’90s) is being bypassed for awards action. For McConaughey’s performance is the most annoyingly actorish he’s ever given, crammed with makeup and affectations — a bulky weight gain, a mostly bald head, fake teeth, an attitude of oily greediness and the relentless smoking of cigarettes in every damn scene. The only thing McConaughey doesn’t do makeup- or affectation-wise is (a) walk with a pronounced limp or (b) wear a Quasimido-like hunchback prosthetic. The McConnaissance was over after Sea of Trees, but his Gold performance made me want to run and hide — no offense.”