Museum of Modern Art film department manager Sean Egan informs that the remastered Berlin Alexanderplatz will have its North American premiere at MoMA between April 10th and 15th. The new print is supposed to look “fairly amazing,” he says.
Museum of Modern Art film department manager Sean Egan informs that the remastered Berlin Alexanderplatz will have its North American premiere at MoMA between April 10th and 15th. The new print is supposed to look “fairly amazing,” he says.
Emmanuel Levy is apparently the only other blogger-critic of note who’s gone to bat for Zodiac thus far, calling it “an epic-scale psychological thriller” and “a sprawling American masterpiece.” Paramount publicity doesn’t want any such comments circulating too broadly between now and Friday, 2.23, the embargo date that they’re asking old-media types to observe. They think the buzz will get lost in the ether if it comes out too soon, even though the opening date is only two and a half weeks off.
Robert Novak is reporting that “according to Democratic sources, former President Clinton got Steven Spielberg to step away from a tacit endorsement of Sen. Barack Obama. Spielberg has let it be known that he will host a future fundraiser for Clinton” — Bill or Hilary? — “as part of a policy of helping all Democratic presidential candidates. But Jeffrey Katzenberg and David Geffen seem to be clearly in Obama’s camp.” Let no one ever accuse Spielberg of lacking backbone or principle. A little massaging from an ex-President, some smiles and choice words and wham…he’s on the fence.
I’ll be doing a live chat with Hollywood Babble-On‘s Marty Keegan on Thursday, 2.15, sometime around 1 pm. Keegan describes the L.A. Daily News-sponsored show as a “revolutionary” internet deal that allows for live broadcasts over your computer or cell phone, and also for the audience to text or phone in live, their questions and comments being incorporated into the show.
Keegan, a comedian-writer, is married to Time magazine reporter Rebecca Keegan, who’s one of the few people in the L.A. bureau to have survived those sweeping staff cuts.
Since no one’s come up with any kind of Best Picture Oscar prospectus that jells or resonates (i.e., nobody’s buying into my Babel declaration of a few days ago, while some are insisting it’s an LMS-vs.- Departed situation), I’m going to try sussing things anew by calling and grilling no less than 30 Academy members over the next couple of days. (And not just people I know and/or aesthetically relate to — I’m going to definitely contact some doddering blue-hair types.) If any Academy members or Oscar strategists want to get in touch to make this process easier, so much the better.
Commenting on the Best Director Oscar race, Clint Eastwood said yesterday that Martin Scorsese “probably has a good chance, there is a lot of sympathy for him, but I have no control over any of that. I always feel sorry…for the others, because there are other nominees and they’ve worked very hard on their projects, too. I don’t think any two people should be singled out.”
“On Monday morning in Berlin, sources confirmed that the Weinstein Company has signed a North American deal for Morgan Spurlock‘s Where in the World…, a new documentary about Osama bin Laden. With Spurlock in Berlin over the weekend, Cinetic Media and Wild Bunch screened about 15 minutes from the new film. TWC has yet to issue a formal announcement confirming the pact.” — from an e-mailed
Borat meets Fahrenheit 9/11 meets religion- bashing…an unholy blend of Larry Charles and Bill Maher…”coming soon to a house of false idols near you.”
Hey, where’s Todd McCarthy‘s Zodiac review in Variety? Somebody must have weighed in since my Friday posting. Less than three weeks before it opens…hubba-hubba.
“Agree about Zodiac,” a Manhattan-based journalist wrote this morning. “I think the Fincher fanatics, and I mean the fan boys who geek out over Fight Club, might find this film, which is terrific, a disappointment. It’s too cerebral, too procedural…too much about how this frustrating case takes over the lives of the three leads. What it’s not is a thrill-a-minute ride a la Seven. Which is maybe why Paramount is a little afraid of it. But whoo, boy, it sure delivers the goods in just about every other way. And the leads are great.”
Ich bin ein lifelong Berlin Alexanderplatz avoider, but now that a definitive remastered six-disc DVD box set is on the way…
“The spirit of early Woody Allen is alive and well on the streets of the French capital in 2 Days in Paris, an entertaining, deliciously played walk-and-talker by helmer-writer-star Julie Delpy and co-star Adam Goldberg. Dialogue-driven humor, which often goes way beyond satirizing just Yank-Gallic differences, has a traditional French lightness but also a fearlessness that’s refreshing.” — from Derek Elley‘s Variety review from the Berlin Filn Festival.
“One of the dirty secrets of this time of year is that the money that is spent on the Oscars — hundreds of millions of dollars on television and trade ads, parties, and shipping DVDs to academy members — can never be recouped even by the most spectacular post-awards bounce. None of last year’s contenders surpassed the $100 million mark in domestic box office. All that money is, in part, the price tag on ego — of making sure that the captains of this industry have something in the trophy case when all is said and done.” — from David Carr‘s 2.12.07 N.Y. Times piece about Oscar credit skirmishes.
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