Virus Was Bloodstreaming Five Years Ago

There’s this idea that the woke virus didn’t really manifest in the liberal bloodstream until the George Floyd riots of late May and early June 2020. No — it was well underway by mid to late ’17. It was significant enough that I wrote an Invasion of the Body Snatchers satire of this poisonous phenomenon on 1.9.18.

Five years of this shit! And probably another two or three years before it starts to flatten out and go away. Maybe.

Posted on 1.9.18: Over the last 60 years we’ve seen four Invasion of the Body Snatchers films — Don Siegel’s 1956 original, Phil Kaufman’s 1978 remake, Abel Ferrara’s 1993 version and Oliver Hirschbiegel‘s decade-old The Invasion.

Now it’s time for a fifth involving the installation of seed-pod mindsets, with the change agents being the Millennial and Generation Z sons and daughters of today.

I’m talking about a scenario in which the Anglo Saxon whitebread gene is regarded as inherently arrogant, criminal and bad for the planet — flawed, cruel, heartless, exploitive. A consensus emerges that the only way to correct this abhorrent culture is to fully indict the historical criminality of whiteness over several decades and in fact back to the beginnings of this nation — what it’s been, what it is now and where it’ll lead if things aren’t turned around.

Alien spores float down from space, affecting only the children and grandchildren of boomers and GenXers. Once turned, the awoken are free to call Anglo-Saxon culture by it’s true name — oppressor, a cancer, a scourge upon humanity. Within days the idea is spread that it’s time for enlightened non-whites to marginalize or dilute or even overthrow white culture so that POC culture can re-shape things and bring in a little fresh air and more fairness, freedom and opportunity.

Gradually seed-pod consciousness spreads to members of the liberal intelligentsia, and more and more of them are suddenly embracing the program. The general idea is “let those shitty old crusty white guys eat some of the shit that POCs have been eating for the last couple of centuries,” etc.

Gradually it becomes accepted that if you’re white and straight you’re kind of a bad person, or at the very least suspect. And that you probably need to re-educate yourself and embrace the new reality…or else.

A clever horror-comedy satire that ten years ago would have come and gone and been forgotten by awards season is transformed by seed-podders into a Best Picture contender, and those who question the validity of this are regarded as cranks or closet racists.

Friends and family members of seed-pod film critics begin to notice a certain robotic manner and a glassy, out-to-lunch look in their eyes. Local constable: “But he looks like his picture, madam. Obviously he’s Guy Lodge, the Variety critic.” Mrs. Lodge: “But it isn’t him, I’m telling you. Something is missing. It’s just not Guy!”

Liberal-minded film critics Anne Thompson and Eric Kohn declare that they’ve been making sure that POCs are ranked prominently in their year-end awards ballot, partly because they admire their films but also because they’re about or were made by POCs.

Seed-pod urban culture begins to adopt other changes. Millenial and GenZ types begin to regard heterosexuality as a problem, and it’s gradually decided that it’s time to let LGBTQ folks run the culture and push heteros off to the side a bit. They’ll be allowed to walk around and buy groceries, but they need to accommodate themselves to the notion that straight whites are an underclass.

And if educated liberal Democrat white guys complain about any of this on social media platforms, the seed-podders tag them as closet Republicans or closet racists or closet homophobes. Would the seed-podders be delighted to bust these white guys on any of these counts and thereby eradicate or at least marginalize their asses and put them out to pasture? You have to ask?

The transforming of society has never been a gentle process, and to make an omelette you have to break a few eggs.

I’ll Never Trust Guy Ritchie Again

I decided a while back that Guy Ritchie‘s Operation Fortune: Ruse de guerre (Lionsgate, 3.3) was almost certainly meh-level or, you know, some kind of problem. Partly because it began filming over two years ago (1.14.21), and then the previously scheduled 1.21.22 release was abandoned by STX Entertainment “without comment.”

Not to mention Ritchie’s rep as a skilled hack who makes Guy Ritchie films….nothing wrong with that, but nothing great about it either. Plus there’s no forgiving Ritchie for making those two repulsively awful Robert Downey Sherlock Holmes films (in ’09 and ’11). Plus the only Jason Statham movie that didn’t blow chunks was Roger Donaldson‘s The Bank Job (’08),

Right now Operation Fortune has a 66% Rotten Tomatoes rating. That means it has problems. That means it’s at least half a wank.

Fortune has less to recommend than even the weakest of the Bond films, according to The Age‘s Jake Wilson. “The banter is witless, the action sequences perfunctory and the take on global affairs is almost too wilfully empty-headed to be labelled as cynicism. If a film such as this can be defended, it’s as an invitation to set adulthood aside. As with much genre storytelling, what we’re dealing with is a child’s game writ large – but with more than the usual indifference to whether anything seems ‘real’.”

But wait…Variety‘s Owen Gleiberman was impressed by the damn thing. The leadline of his 3.1.23 actually calls it a “home run.” HE to Glierbamn: Wait a minute, wait a minute…what? Guy Ritchie doesn’t hit homers, and he hasn’t slammed a triple since Lock, Stock and Two Smoking Barrels in ’98. His brand is about hitting mostly doubles and occasional singles.

Gleiberman: “The script of Operation Fortune is a gem, allowing this to be the rare thriller that’s as driven by words as an old Hollywood movie. Yet it’s Ritchie’s direction that makes every scene vibrate. His talent is on full display, though now it’s held in perfect perspective.

“The Cannes yacht scene is intricate enough to rival what Tarantino brought off in Inglourious Basterds” — I didn;t like Inglourious Basterds all that much! — “and the climax, set in the power tower of those biotech moguls, spins on a reversal of expectation about one of the film’s characters that’s wily enough to be exhilarating. The sparingly used helicopter shots expand the action with an almost musical visual flair.

“All of this makes me want to go back and watch Guy Ritchie’s early movies again. Will I change my mind about them? Probably not. Yet with Operation Fortune, Ritchie rules. In this movie, he’s like Howard Hawks in overdrive. Tom Cruise, Barbara Broccoli and everyone else in Hollywood: take heed.”

HE’s DNS Propagation

6:30 pm eastern: The HE server switchover (Siteground to Liquid Web) has been happening since around 2 am this morning, or roughly 14 hours ago. According to whatsmydns.net, the HE signal is green-checked (i.e., looking good) in North and South America, most of Europe, Africa, India, Southeast Asian, Japan, South Korea and Australia.

It’s currently weak in only four global locations or regions — (a) Auckland, New Zealand, (b) Nanjing, China, (c) Moscow, Russia and (d) Glostrup, Denmark.

Conversation’s Over

You wouldn’t believe how much the know-it-all Telluride wokester journos were shrieking with delight and doing cartwheels over Sarah Polley’s talking-in-a-barn movie last September…Oscar noms, going all the way, wheeee!

Abraham Lincoln wasn’t into combs or brushes or looking tidy — the crazy-morning-hair, just-woke-up look

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Words In Passing

We’re all presuming that Martin Scorsese’s Killers of the Flower Moon will be highly impressive, but it’s nonetheless encouraging to read an actual morsel of second-hand hearsay, to wit:

If you ask me the 2.23 debate thread that contains this short paragraph (Glenn Kenny vs. Daniel Rowland) is just as interesting as it addresses certain negatives that may emerge, depending on the breaks.

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A Decent Snowfall, Finally

Around 2:30 am Tuesday morning a trio of guys wearing dayglo green hoodie parkas plus the usual snow gear were shoveling out the driveway of my Wilton condo community. I was awake anyway as I’d just updated my Web.com nameserver codes, but the sound of their snow shovels scraping the driveway surface…”guuhhrrutt!…guuhhrrutt!”…was an eye-opener.

“Pope’s Exorcist” Trailer Will Suffice

Father Gabriele Amorth, the fact-based character played by Russell Crowe in The Pope’s Exorcist, was a co-founder, along with five other like-minded priests, of the International Association of Exorcists. Amorth, who passed in 2016 at age 91, claimed to have performed “tens of thousands” of exorcisms over the decades.

Imagine — “tens of thousands” of Puzuzu demons inhabiting the souls and bodies of humans young and old, and the vast majority almost certainly inspired by the imaginings of William Peter Blatty and the directing chops of William Friedkin. And Amorth casting out…what, 15,000 or 20,000 unclean spirits?

Directed hy Julius Avery, The Pope’s Exorcist (Sony, 4.14) is by all appearances an exploitation film. Once you’ve seen the trailer what would be the point of watching the full-length version? I’m asking.

My Thoughts Exactly

I was tapping out some thoughts about Rupert Murdoch’s sworn admission during testimony over the Dominion lawsuit trial against Fox News. And then I happened upon Rick Wilson’s 2.27 thoughts about same. He fails to note that Maoist woke terror on the left is…okay, not quite as bad as blind Trump denialism about the 2020 election having been rigged, but….okay, let’s not get into that now.

Wilson: “So the Dominion lawsuit depositions from Rupert Murdoch and Fox News are lighting up the internet tonight, and there’s a true frenzy over the revelations that the entire network, even the performative nightside trio of terror.

“They knew Trump lost. They knew there was not then (nor is there now) a scintilla of fraud. They knew, and lied. Over, and over, and over. They chose guests they knew were lying. They allowed story meetings promoting a massive, dangerous lie that reduced faith and belief in the American system. The entire top level of Fox management knew their lies were leading to danger for this nation.

“Just as the GOP once ruled the base and now the base rules the GOP, a slavering, inchoate rage beast demanding more and more…so to is Fox owned by its base. Rupert and Roger’s machine ran off the rails, and they fear their audience will follow the conspiracy crack at OAN or Newsmax or some damn Telegram channel.

“They knew the lies were lies. They fed and fed the beast. The Fox audience is, let’s be honest, unsophisticated.” [HE insert: Undereducated and incurious.] “They’re addicted to ‘hot women with great hair, big tits and degrees from cheap J-schools’ (as Roger Ailes used to say) and ragey bros telling them that their hatred of immigrants, blacks, gays, readin’ and ideas is logical.
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“The question the Fox audience should but won’t ask is, ‘What else is behind the curtain? What else is a lie? What else do they say about us off-camera?’

“Here’s your answer: it’s [mostly] all a lie. The entire thing is a big, dumb, loud performance piece.
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“They’re lying about Ukraine. About Biden (at scale). About all the catalog of imaginary culture war demons. (TONIGHT ON TUCKER: ‘Will Transtifa Terrorist Drag Queens FORCE your kids into Gay Sharia Marriage Veganism?’)

“This is Rupert and Roger’s model at its end state…a seething, metastasizing cancer consuming the minds of millions of Americans convinced by the cynical playhouse of a network of liars, arsonists, and enablers.

“Dominion called their b.s. Fox will lose. They’ll settle and offer a fat check and an elliptical apology.

“If their viewers had the slightest curiosity they’d start asking what Fox is lying about to them now…and tomorrow…and the next day. Because one thing is certain. The lies will continue.”

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In The Wee Hours

Hollywood Elsewhere will be switching domains starting around 1 am eastern or 10 pm Pacific. It may take a few hours to populate — be advised. I’ve been with Siteground for two or three years, but I’m heading back to Liquid Web. Here’s hoping it all goes well.

Update: The domain migration (technically a re-migration) began at 1 am on Tuesday, 2.28. I updated the new nameservers about a half-hour later. So far it all looks fine, although “they” say the full worldwide propulgation can take as long as 24 to 48 hours.

Hate-Watching 3.12 Oscars

We all snark-watch or bitch-watch the Oscars. It’s fun to talk back to the screen and tweet about whatever. But for me, the 95th Academy Awards (AMC, 3.12) will be a hate-watch. I’ve been watching the show since I was 9 or thereabouts, and year after year I’ve always felt enthused, touched, occasionally wowed. I adored the Polanski Oscars (75th Academy Awards, 3.23.03). The Best Picture screw-up at the end of the 2017 Oscars was fantastic; ditto Will Smith slapping Chris Rock. But I’m actually dreading the EEAAO Oscars. Truly dreading them.

Fair Play for Soderbergh

Two days ago I posted about the nightmarish Covid Oscars (“Never Forget Soderbergh Oscars…Night of Infamy“). Perhaps it isn’t fair to describe that godawful show as a Steven Soderbergh creation. There were two other producers (Jesse Collins, Stacey Sher) and a third guy (Glenn Weiss) who actually directed it.

Soderbergh mainly took the gig as a favor to Sher, but “he wasn’t the micromanaging woke Blofeld you seem to think he was,” says a certain fellow.

“I know Soderbergh was the most famous person of this roster, and hence the easiest target,” he continues. “But it’s not as if he was the sole mastermind. He was actually directing Kimi at the same time, as multi-taskers do.”

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