Sasha Stone‘s “Oscar Primer — Why No Women Were Nominated for Best Director“, posted on 1.16, is essential reading. It does an excellent job of analyzing the whole notion of “Greta Gerwig and Little Women were screwed over by industry sexism, as evidenced by a lack of a Best Director Oscar nom.” And it points a finger at Gerwig’s water-carriers — i.e., wokester critics.
The piece is brilliant and definitive from start to finish, but here’s my favorite portion:
“Many critics did everyone a disservice by not being completely honest about Little Women. By and large, they went overboard for it, giving it a 95% score on Rotten Tomatoes with only a few brave voices of dissent endeavoring to describe what the film is and isn’t.
“Yes, it’s beautiful, lush, alive, and funny in places. But for many [Little Women] is also a structural disaster. Unless a viewer is familiar with the story, the rearranged timeline often causes confusion, and many will have trouble keeping their bearings. Even for those of us who accepted the task of putting the puzzle together, we had to wonder what purpose it served.
“You heard no qualms about this from major film critics because they were swept up in the idea that ‘Gerwig was back’ and no one wanted to dampen that enthusiasm. When critics addressed it at all, they would explain away the approach with a variety of rationales that fail to convince a lot of us, That said, congratulations to all the fans of Little Women who had fun solving the Rubik’s Cube. Now solve the mystery of why you’re so furious at anyone who wishes the plotline had been more straightforward.
“Those who love the film aren’t bothered by the ornate structural affectation. They love it anyway. Obviously, at least 350 Oscar voters loved it too. But the very real issue is clearly not something that a large number of voters were willing to overlook when they weighed a convoluted film on the one hand against 10 or 12 other other films that flowed seamlessly across the screen with such propulsive narrative thrust.
“In fact, it’s hard not to suspect that the reason a lot of voters named Little Women on their ballots was because they felt it was their duty, because Gerwig is a woman. Would a Best Director nomination bestowed on those terms even be fair to Gerwig? Nope.