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Hollywood Elsewhere - Movie news and opinions by Jeffrey Wells

“There’s Hollywood Elsewhere and then there’s everything else. It’s your neighborhood dive where you get the ugly truth, a good laugh and a damn good scotch.”
–JJ Abrams
(Star Wars: The Force Awakens, Super 8)

“Smart, reliable and way ahead of the curve … a must and invaluable read.”
–Peter Biskind
(Down and Dirty Pictures Easy Riders, Raging Bulls)

“He writes with an element that any good filmmaker employs and any moviegoer uses to fully appreciate the art of film – the heart.”
–Alejandro G. Inarritu
(The Revenant, Birdman, Amores Perros)

“Nothing comes close to HE for truthfulness, audacity, and one-eyed passion and insight.”
–Phillip Noyce
(Salt, Clear and Present Danger, Rabbit-Proof Fence, Dead Calm)

“A rarity and a gem … Hollywood Elsewhere is the first thing I go to every morning.”
–Ann Hornaday
Washington Post

“Jeffrey Wells isn’t kidding around. Well, he does kid around, but mostly he just loves movies.”
–Cameron Crowe
(Almost Famous, Jerry Maguire, Vanilla Sky)

“In a world of insincere blurbs and fluff pieces, Jeff has a truly personal voice and tells it like it is. Exactly like it is, like it or not.”
–Guillermo del Toro
(Pan’s Labyrinth, Cronos, Hellboy)

“It’s clearly apparent he doesn’t give a shit what the Powers that Be think, and that’s a good thing.”
–Jonathan Hensleigh
Director (The Punisher), Writer (Armageddon, The Rock)

“So when I said I’d like to leave my cowboy hat there, I was obviously saying (in my head at least) that I’d be back to stay the following year … simple and quite clear all around.”
–Jeffrey Wells, HE, January ’09

“If you’re in a movie that doesn’t work, game over and adios muchachos — no amount of star-charisma can save it.”
–Jeffrey Wells, HE

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42 Comments
We’re Good Now

Redesign guru Sasha Stone threw the switch from classic Hollywood Elsewhere to the newbie about three hours ago. (Roughly 4:30 eastern.) Except Sasha didn’t mention there’s no actual “switch”, but a series of marginal, step-by-step changes that add up to a switch after you’ve been finessing the process for 90 minutes or so. Or two hours. All to say HE was down while the transition happened, but things are mostly pretty good now. A few minor tweaks remain (I’ve made a short list in my head). I’m sure there are things that we’re not even noticing. Please tell us what’s bothering, what could be better, etc.

May 6, 2017 4:56 pmby Jeffrey Wells
18 Comments
Legendary Mayfair/DeMille Billboards

How many years did the DeMille (formerly the Mayfair) use that massive, two-walled, wrap-around billboard at the corner of Seventh Ave. and 47th Street? The Mayfair began in October 1930 and continued for nearly three decades. It became the DeMille Theatre when roadshow, reserved-seat flicks played there during the early ’60’s (Spartacus, The Cardinal, Barabbas, The Fall of the Roman Empire, Hawaii). So how many films were gigantisized? At least 150 or so, but I’ve only been able to find eight or nine decent shots in all my internet searches, which I’ve been doing for the last decade or so. It’s a shame. If I could get my hands on two or three dozen I’d create an HE sub-site that would be about nothing else.

 
 

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May 6, 2017 12:49 pmby Jeffrey Wells
4 Comments
“Strangelove-ian”?

For some reason I can’t seem to recall the name of David Michod and Brad Pitt‘s War…the second word won’t come. Not War Games, not War Dogs…what is it again? War Machine. For whatever reason it won’t settle in my head. Pitt’s white hair sticks. The Afghanistan part sticks. Looking forward to getting past this. The word on the street is that it’s “Strangelove-ian.” To me that means broadly funny but in a way that’s (a) dryly matter-of-fact and yet (b) perverse.

Brad Pitt as Gen. Glen McMahon, a character more or less based on General Stanley McChrystal.
May 6, 2017 12:33 pmby Jeffrey Wells

8 Comments
This Is The Way The World Ends

May 6, 2017 11:40 amby Jeffrey Wells
10 Comments
Scammed

Around this time last year I mentioned that I’d bought my usual Paris-to-Cannes train ticket, and that the cost was 185 euros. In the comment thread Bob Strauss said “that sounds like a lot for train fare.” I agreed that the cost was high, but little did I know that I was being charged that amount because I was a clueless American. This morning I discovered that French natives who order SNCF/TGV train tickets online pay a lot less — 67 euros for the exact same first-class ticket. Repeating: I just paid 67 euros for a ticket would have cost 185 euros for if I’d bought it at Gare de Lyon in Paris, as I did last year. This is repulsive. I was half-overjoyed that I’d just saved 118 euros, and half-furious that I’ve been ripped off like a schmuck the last couple of years.


May 6, 2017 11:34 amby Jeffrey Wells
15 Comments
La Belle et Lon Chaney

I don’t see a beastly figure in the bathroom mirror. I see a healthy, relatively trim, moderately attractive hombre who bears…well, a certain resemblance to the guy I used to be. (Last night Glenn Kenny tweeted that I had marionette hair — a resentful observation if I ever heard one.) But whatever limited solace or comfort I get from my reflection, it all vanishes when someone snaps a photo. Once in a blue moon I’ll be okay with an iPhone image of myself, but the ratio of “oh my God, please delete that” to acceptable or semi-acceptable (from my perspective) is about 75 to 1.


Myself and the SRO, snapped sometime in March. Mask was bought in Venice, and in the same shop that supplied Stanley Kubrick with all his gargoyle masks for that orgy scene in Eyes Wide Shut.
May 6, 2017 11:12 amby Jeffrey Wells

2 Comments
May Is Bustin’ Out All Over

New York weather was moist and cool when I arrived yesterday morning. Then it got a bit colder, and then a heavy rainstorm hit. It was suddenly early March. I was wearing two jackets and a scarf. My train arrived in Fairfield at 11:30 am, but I had to return to Manhattan on a 2:30 pm train to catch Alien: Covenant, and under near-typhoon conditions. Then the rain stopped and it was strangely warm again. Today it’s cool and sunny, but who knows what meteorological upheavals await? On top of which it’s cold and rainy in Paris (where both Jett and HE’s own Svetlana Cvetko and David Scott Smith are currently bunking).

I’m staying in Connecticut until early Monday morning, and then I’ll have three and three-quarter days in Manhattan and Brooklyn. Dropping my bags at a Murray Street pad and then catching a 10 am screening. Three more screenings follow plus a Tuesday interview with Long Strange Trip‘s Amir Bar Lev, along with some Jett and Cait hang time. It all concludes with a JFK-to-CDG flight late Thursday night (i.e., 11:30 pm).

One way or another, New York City’s subway system always manages to try my patience. I’m not even mentioning the aromas, and don’t get me started on the people. I thought hyena giggling was bad in Los Angeles cafes and bars — it’s worse on the A train.

May 6, 2017 10:47 amby Jeffrey Wells
25 Comments
Reconnecting With Prometheus Hate

I can’t post my reactions to Alien: Covenant (20th Century Fox, 5.19), which I saw last night at Leows’ Lincoln Square. But I’ve already passed along a view from a European movie-critic pal: “It’s a prequel to the first Alien, yes, but much more a sequel to Prometheus, delving very much into the same themes and also going into the creation of the alien, creation being very much on the movie’s mind.”

I can at least say that if you hated Prometheus, as I did, you’ll have an opportunity to savor the same stomach-acid sensations while watching Alien Covenant. So while waiting for the embargo to end…

Posted on 10.5.12: “Prometheus happened so long ago it doesn’t even feel like it came out this year. I saw it in Prague on a rainy afternoon. Mostly I remember the humidity and how warm it was in the lobby as all the journos and media people stood around and waited for the doors to open. And how I was sweating under my baseball cap and shades. And then wondering why the projectionist was showing it in 1.85 and not 2.35. And then trying to make sense of it…and failing.

Ridley Scott‘s Prometheus “is impressively composed and colder than a witch’s boob in Siberia,” I wrote on 6.1. “It’s visually striking, spiritually frigid, emotionally unengaging, at times intriguing but never fascinating. It’s technically impressive, of course — what else would you expect from an expensive Scott sci-fier? And the ‘scary’ stuff takes hold in the final third. But it delivers an unsatisfying story that leaves you…uhm, cold.

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May 6, 2017 9:23 amby Jeffrey Wells
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