My instantant reaction to this Ophelia trailer was (and still is) that George MacKay is one dorky-looking Hamlet with an appalling pudding-bowl haircut. One glance and I was muttering “I hate this guy.” In the titular role, Daisy Ridley seems fetching as far as it goes, although she seems a little too athletic and spirited in her suicide scene. I’m sorry but you can just smell problems with this one. Any film released 18 months after debuting at Sundance almost always has problems. IFC Films will open Ophelia on 6.28.19.
From Jordan Hoffman’s Guardian pan, posted on 1.23.18, titled “Daisy Ridley stranded in disastrous Hamlet reimagining“:
“If a producer cornered me in an elevator and pitched ‘Hamlet, but from Ophelia’s point of view, and we’ve got Daisy Ridley in the lead’, I’d sell everything I had to invest. And I’d probably make a killing, as Claire McCarthy’s Ophelia is going to cut into one heck of a trailer.But to thine own self one must be true.
“This film looks absolutely gorgeous, but apart from its production design it is basically a disaster. Shakespeare purists will revolt, high-fantasy fans will be bored and the kids who make gifs of Daisy Ridley and put them on Tumblr will wait until they can pirate this anyway. This project is madness with no method to it.
“Daisy Ridley’s voiceover introduces us to Ophelia, floating in her watery grave, suggesting that only now will we hear ‘the real story’. We cut to her childhood at court, a little scamp that Queen Gertrude (Naomi Watts) chooses to be one of her ladies-in-waiting. She and young Hamlet are already making eyes at one another, yet when he returns to Elsinore as a young man (MacKay) their flirtation soon escalates.


