I’m bringing nothing original to the table from Switzerland but let’s review the basics. After Earth‘s Rotten Tomatoes verdict is the pits — it’s the new Battlefield Earth. And so far the public appears underwhelmed with the M. Night Shyamalan-directed sci-fi adventure expected to reach the mid $20s by Sunday night, which Deadline‘s Nikki Finke is calling a shortfall given expectations of a mid 30s-to-low 40s haul. So basically it’s a tank and a major embarassment and very possibly the end of (or certainly a roadblock to) Jaden Smith‘s big-screen career.

I don’t think ticket-buyers are hip or curious enough to smell the Scientology metaphor, which Vulture‘s Matt Patches has recently pointed out (“After Earth Is Will Smith’s Love Letter to Scientology” — URL: http://www.vulture.com/2013/05/after-earth-will-smith-love-letter-to-scientology.html). I think the rejection of After Earth is more fundamental than that. Audiences resented the idea of shelling out to see an unproven and not-all-that-charismatic or even talented teenage kid just because he’s Will Smith‘s sire.

So that’s an unfortunate fail for the Hotel Schuetzen Lauterbrunnen (URL: http://www.hotelschuetzen.com/en/) because of their totally shitty, verging-on-nonexistent wifi. They’re fine, I’m fine, it’s nobody fault and I’m checking my ass out this morning and heading back to Berne for the night. All I know is that a cafe right next door to the Hotel Schuetzen Lauterbrunnen has absolutely drop-dead, world-class, lightning-fast wifi. They get it and Schutzenites don’t.

Most of the good people who stay in this place are retirees who wear sandals with brown socks. These people are not part of the dynamic 2013 world and are therefore content to reside in a a wifi black hole. Fine for them — not so good for a fellow like myself. No biggie. I just don’t have time for this crap. And Berne is a very spirited town.

If I came back as a cow, I’d want to live in Lauterbrunnen. A friend said yesterday that the sight of cows gloomed her out because they all end up being slaughtered. To which I replied, “Wait…cows get slaughtered?” Then I thought about it. The basic principle of any farm is to never let anything go to waste so I guess when cows reach retirement age it’s off to the House of Death. I’m fairly certain that farmers don’t just let them get sick and drop dead on the pasture. So in a way the story of every cow is mirrored in Shohei Imamura‘s The Ballad of Narayama.

Yesterday in Berne I came upon a small park that was used for an important scene in Smiley’s People (’82), the six-part BBC miniseries adaptation of John Le Carre‘s 1979 novel. made for the BBC. It’s the scene in which the corrupt Soviet diplomat Grigoriev (exquisitely played by Michael Londsdale) is kidnapped by Toby Esterhase (Bernard Hepton) and his men, and driven to a flat where a well-armed George Smiley (Alec Guinness) awaits. (The scene begins at 1:06 in this clip.) I happened upon it by accident, but I recognized it instantly.

Thursday, 5.30, 2:35 pm.

My son Jett, a highly sophisticated music guy, swears by Pitchfork (“easily the most cutting-edge hipster music site…the best place to read about music you can’t stand”) and is telling me I should visit The Dissolve, a Pitchfork-created, Chicago-based movie site, when it debuts sometime this summer. I still have no WordPress embed capability (although it briefly returned in Paris a couple of days ago) so the URL is http://thedissolve.com.

Led by editorial director Keith Phipps and edited by Scott Tobias, The Dissolve “will feature reviews, commentary, interviews, and news about the films of the moment, while also exploring more than a century of film history”…fascinating! “[Covering] everything from the latest studio blockbusters to American independent films to vital imports from around the world, the site will also conduct in-depth conversations with filmmakers, screenwriters, and actors while engaging in commentary that goes beyond gossip and box-office results.” Wait…I do that! Okay, I don’t talk to that many actors.

And Paul Dano plays the creepo. Hugh Jackman goes vigilante when a detective (Jake Gyllenhaal) fails to find his kidnapped daughter. Paychecks for Maria Bello, Terrence Howard, Viola Davis, etc. Directed by Incendies helmer Denis Villeneuve (Incendies) and penned by Contraband‘s Aaron Guzikowski. Whoa…Contraband with Mark Wahlberg? This is what’s known in the motion picture industry as an “uh-oh” moment. Ding-ding-ding-ding-ding-ding! Opens on 9.20.

I clench up every time a table of three or four people erupts in loud sustained giggling. Laughter is basically about the releasing of feelings that you’ve kept bottled up for whatever reason. Freeing these suppressed judgements and emotions from the cage is exhilarating — an occasion for pure joy. I’ve been there a few thousand times in my life, and will hopefully go there again very soon. But it’s over within five or ten seconds, max. And then I settle into “the space.” Because I don’t have that much bottled up to begin with. No healthy person does.

What good are you if you can’t be Zen about things? The Zen guy or the Bhagavad Gita gal lives 24/7 with the hum of the universe animating his/her spirit and zapping every molecule, and therefore he/she doesn’t explode in spazzy giggling fits at breakfast tables…on and on and on, dropping silverware on the floor, getting louder and louder.

It’s not “she knows too much to argue or to judge” — it’s “she knows and feels too much to giggle for 30 or 40 seconds straight.”

The fact is that anyone who succumbs to boorish and sustained giggling fits means they’ve probably got a shitload of bottled-up feelings and rage and bad memories, which obviously indicates they’re living in a fairly conflicted or repressed place, and are therefore probably miserable to some degree, not to mention immature. So if you’re the type of person who giggles in loud, prolonged, hyena-like bursts in a Swiss breakfast room at 8:25 am you’re probably a bit of an asshole. You probably need years of therapy, but if you haven’t done the therapy by now you probably never will.

Does it matter to you that you’re irritating others with your gales of hideous gaiety? Of course not. Why should it? You’re on your vacation and you worked hard to pay for it and so you can do what you want, whenever you want…right? So you’re a sociopath to boot.

I decided to do a brief weekend in Lauterbrunnen, the little village in the Bernese Alps that I visited last June. Back then it was warmish, summery — this year it’s chilly and occasionally rainy. Jackets, scarves, layers. But that’s cool. But the wifi sucks again. It takes 20 to 30 seconds for a new page to load. And it doesn’t work at all in the wee hours. (Or it didn’t this morning at 5:30 am.) So I’m delighted to be deep inside God’s natural cathedral but at the same time irritated and even miserable. I was so dispirited by the crap wifi I didn’t even file anything yesterday.

Yesterday I read Young Il Kim‘s Rodham, the Hillary Clinton-at-the-crossroads screenplay that James Ponsoldt (Smashed, The Spectacular Now) will direct. It’s a snappy, reasonably engaging read as far as it goes.

I can see why it’s a “go” project and why some top-tier actresses want to play the part. It’s an intriguing story about a smart woman dealing with sexism in high places, and how she dealt with the difficult choice of becoming the star of her own life and career vs. becoming the partner of an up-and-comer. The film will also serve as a flattering testimonial when Clinton (presumably) launches her campaign for President in 2015.

This should reach the really sophisticated idiots out there. The idea, I gather, is to make light of End of Days as a way of making light of actual feelings of doom and futility shared by co-directors Seth Rogen and Evan Goldberg and their pallies. Costarring Rogen, James Franco, Jonah Hill, Jay Baruchel, Danny “slovenly Irish animal” McBride and Craig Robinson, blah blah.