Sunday Futures

The still-unnamed granddaughter (I’ve been urging Hadlee or Wave) is expected to emerge four days hence (Thursday, 11.18). HE will fly to NYC on 11.26 and pay a visit a few days later. I’ll be in the NYC, New Jersey and Connecticut region for 16 days.

All my life I’ve been an existential mystical jazz cat samurai poet warrior Bhagavad Gita mescaline X-factor rumble-hogging be-bop Dharma Bum in a leather motorcycle jacket, slim jeans, Italian brown suede lace-ups and a black cowboy hat. In just a few days all of that will take a back seat to “don’t drop the baby, grandpa” and “you remember how to change diapers, right?”

Family Resemblance

Yesterday afternoon I finally saw Joachim Trier’s The Worst Person in the World, the justifiably acclaimed Norwegian relationship drama that led to star Renate Reinsve winning the Best Actress trophy at last July’s Cannes Film Festival.

A side observation shared by Tatiana and myself was that Reinsve bears an unusual resemblance to HE’s own Svetlana Cvetko (Show Me What You Got, the forthcoming One Nation Under Earl). They’re of different generations, of course, but with Svetlana being a younger-looking ex-model type you might almost think “older sister-younger sister” if they were to stand side by side at a cocktail party.

Reinsve will be in town soon for interviews and industry schmoozers, and I’m determined to at least try and get the two of them to pose before HE’s iPhone 12 Max Pro.

Here are some comparison shots — one of the Reinsve snaps was taken during an accidental fire alarm intermission at the Soho House screening room; the others were taken in Cannes. The Svet shots (wearing a cap, accepting an award at the Messina Film Festival, etc.) speak for themselves.

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Beware Clayton’s Anti-Bardem, Ethnic-Identity Tirade

Variety’s Clayton Davis is shaking his woke turkey feathers at Javier Bardem’s Desi Arnaz portrayal in Being The Ricardos. Bardem’s big shortcoming, Davis feels, is his Spanish ancestry, which is an OUTRAGE because Arnaz was Cuban. Joe and Jane Popcorn (not to mention your average Academy and SAG member) don’t and won’t give a shit, but Clayton has a solemn duty to raise high the woke, ethnic-identity, social-casting-justice flag. (Thanks to Jordan Ruimy for the nudge.)

Fassbender Resurgence?

Most anyone will tell you that Michael Fassbender started to slip into some kind of career withdrawal or even eclipse mode around three years ago, give or take. Whatever happened to Next Goal Wins, the Taika Watiti flick in which Fassy plays Thomas Rongen, a real-life soccer coach? I only know that he was hot for a few years (‘08 to ‘13), and then I went cold on him and the candle flickered, and now he’s shooting David Fincher’s The Killer in Paris. Maybe it’s comeback time.

Joaquin Phoenix Discussion

Friendo to HE: “C’mon C’mon was so mediocre. I can’t get over critics digging this Mike Mills film.”

HE to Friendo: “I’ve never been much of a Mills fan. That Santa Barbara movie with Greta Gerwig was kind of a drag. 20th Century Friendos….Women, I mean. 20th Century Women.”

Friendo to HE: “I’m no fan either.”

HE to Friendo: “Smooth and mellow Joaquin doesn’t wash. I don’t want to hang with a nice, sensitive, caring father figure played by that fucking guy. To me Joaquin is a twitchy, flakey, cigarettesmoking weirdo. I can’t accept him as a kind, gentle, soft-caressing fellow.”

Friendo to HE: “I wrote this: ‘As much as I’ve championed Phoenix as one of the great living actors, it pains me to say that he’s miscast here. The actor tries to, for once, embody a ‘normal’ character but it just doesn’t work. He’s best at playing unstable eccentrics rather than any kind of subdued, big-city schlub a la Mark Ruffalo.”

Bad Old Days

Amazon previously offered Otto Preminger‘s Advise and Consent (’62) as an HD streamer, but no longer. Which means that someone (Kino Lorber?) is preparing a Bluray release.

Don Murray‘s closeted gay character, Sen. Brig Anderson of Utah, winds up killing himself over a gay blackmail attempt, which tells you how plugged-up the original 1959 Allen Drury book was.

“This was the first commercial film to include a scene in a gay bar, and I have to admit that even today the vibe is a bit much. (It reminds me of a Palm Springs gay bar I accidentally walked into once, and the smell of strong cologne was almost suffocating.) The first gay film that I really enjoyed and relaxed with was William Friedkin‘s The Boys In The Band (’70), but I’ve mentioned that once or twice.

Steve Hayes (“Tired Old Queen at the Movies”) delivers a savvy assessment:

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