Anderson Ducking Cannes Journos

Director-writer Wes Anderson — the most recognizable and widely imitated auteur-level helmer working today — surely understands that his decision to not participate in a Cannes Film Festival press conference following screenings of his latest film, The French Dispatch (Searchlight, 10.22), isn’t going to enhance the film’s reputation.

Does this mean that The French Dispatch might be problematic on some level? Impossible. That can’t be the case. But Anderson’s duck-out means something.

The film will almost certainly play like another tasty bowl of Anderson soup. Wes is too assured, accomplished and exacting a filmmaker to do anything but deliver like he always has. For a quarter-century his signature has guaranteed a certain set of ingredients — dry irony, deadpan humor, high quirk, production designed with an inch of its life, a stop at Andersonville, etc.

Perhaps this more-than-two-years-old film is so out of his system that Anderson is thinking like Bob Dylan these days — perhaps he can only discuss a relatively fresh film or one that’s about to begin filming or whatever. Perhaps he simply feels unable to go over what for him is yesterday’s news — a film that, however popular it may turn out to be with critics and fans, is no longer in his system. Or he’s completely caught up in his next project (a film to be shot in Spain) and he doesn’t want to interrupt, etc.

The French Dispatch will debut in Cannes on Monday, July 9, and stateside, as noted, on Friday, 10.22.

Friendo to HE: “Maybe for Anderson there’s no value in pushing this movie?”

HE to Friendo: “What the hell does that mean, ‘no value’? If you bring your film to Cannes, you and your creative colleagues (cast, producers) always sit for a press conference. Has any brand-name director ducked a Cannes presser since Terrence Malick was a no-show at the Tree of Life press conference?”

Friendo to HE: “Not sure why, but he’s blowing it off for some reason.

HE to Friendo: “He made it, he’s a grade-A filmmaker, it’s playing at the biggest and most glamorous film festival in the world, it’s going to be offered to audiences in the fall, etc. Ducking the press conference makes zero sense.”

Friendo to HE: “I don’t think it’s because the movie is bad.”

HE to Friendo: “Something has stuck in his craw.”

Dispatch began shooting in late ’18 and wrapped in March ’19. It was slated to premiere at the 2020 Cannes Film Festival, but that went south, etc.

The French Dispatch cast members include Bill Murray, Tilda Swinton, Léa Seydoux, Timothée Chalamet, Owen Wilson, Benicio del Toro, Elisabeth Moss, Adrien Brody and Willem Dafoe.

Variety‘s Manori Ravindran: “Sources indicate that Anderson isn’t doing any press at all on the ground in Cannes, including a press conference for his latest France-set movie, which will premiere on Monday [7.12].”

Cut Binx A Break

AP story filed around 4:30 pm Pacific:

Binx the cat, until recently a resident of a ninth-floor apartment (#904) in the collapsed Champlain Towers in Miami Beach, has been found safe and well.

Gina Nicole Vlasek, co-founder of The Kitty Campus, posted two days ago (7.8) that a black cat resembling Binx had been found near the rubble.”

Binx’s identity by confirmed the next day by one or both of the owners, Devin and Angela Gonzalez, both of whom had been “seriously injured” by the collapse.

Miami-Dade County Mayor Daniella Levine Cava“: “I’m glad that this small miracle could bring some light into the lives of a grieving family today and could provide a bright spot for our whole community in the midst of this terrible tragedy.”

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True Headcap Story

Tatiana and I are in the process of finding good loving homes for a few kittens. They’re just over six weeks old. Naturally we’re requiring a “re-homing” fee — you have to use that term in order to avoid the wrath of the Craig’s List fuzz.

Over the last two or three days a few people have dropped by to inspect the kittens before buying, and it’s all been good. Today a young hetero couple came over. Somewhere between their mid and late 20s, I guessed. Possibly a bit younger. Nice people, good natured, intelligent, etc.

But here’s the thing: When they arrived it was fairly warm outside, mid 80s with lots of glaring sunlight. And yet the young woman (short, a bit chubby-ish) was wearing a heavy black headcap (made of dense yarn) and a heavy-ish hoodie garment plus a sweater, leotard tights and athletic shoes — gear that would have worked for a nice cool fall day.

Except it’s July in Los Angeles. It wasn’t “Death Valley hot”, but if God had added less than five degrees to the thermometer you could’ve fried an egg on the sidewalk.

I didn’t say anything, of course — they were good people. But deep down I was thinking “seriously?” Who wears a heavy yarn headcap in this kind of heat?

Respect & Affection for Hinterland Sociopaths

Variety‘s Matt Donnelly: During a Cannes Film Festival press conference earlier today, Stillwater star Matt Damon said that his Oklahoma-based, vowel-swallowing character, Bill Baker, “absolutely would’ve supported Trump.”

Damon and Stillwater director Tom McCarthy “road-tripped through Oklahoma prior to shooting, where they were invited into the break rooms and backyard barbecues of the real men who inspired the character.

“These guys don’t apologize for who they are,” Damon said. “They’re in the oil business, of course he [would have] voted for Trump. [But] these people were wonderful to us, they really helped us. It was eye-opening for me.”

“They all have goatees, the sunglasses. They’re not six-pack ab guys, but they’re strong. You go to their barbecues and a guitar comes out and they start singing church songs.”

HE comment: Damon is portraying these Oklahoma fellows in fairly benign terms — authentic, earnest, no apologies for who and what they are. His generous impressions are more or less based on these guys being “wonderful” in helping Damon and McCarthy learn what they’re really about.

But what middle-American Average Joe wouldn’t be generously forthcoming if a famous actor wanted to know what made he and his friends tick? Supporting Donald Trump is not some idle preference. Anyone failing (or refusing) to understand that Trump is a malicious, anti-Democratic sociopath and criminal con man is living in a rabbit hole of denial, and is therefore not, by any fair or sensible standard, a fundamentally decent person. They are basically admitting to being delusional cult followers.

HE to Chelsea Handler: What’s Funny, If Anything?

The only “ism” that’s still allowed is ageism — you can have at that all you want. And white guys are the only ethnic group you can dump on with absolutely no fear of reprisal. Because white guys are mostly assholes, right?

And not just the rich, powerful ones but white professional-class dicks you might run into in upscale bars, white-male skilled laborers, snotty-ass white hinterland teenagers, white GenX and boomer-aged freelancers, white male actors, comedians and comedy writers, white dads (divorced or married), white policemen, white male office managers. white male airline pilots…they’re all bad news.

Chelsea Handler to N.Y. Times columnist/podcaster Kara Swisher in 7.8.21 piece called “Chelsea Handler Has A Message for Straight Men“:

“We’re having a social justice and racial justice movement, and so there’s tons to play with and tons to talk about. And we’re all kind of saying goodbye to so many of the things that we’re so accustomed to doing, having to say goodbye to words that you used to think were okay, having to say goodbye to phrases and ways to describe things that you think were okay…

“And”…here it comes!…”having to say goodbye to men for a while because they’re on probation. And until they’ve proven to us that there are more good ones than bad ones, there’s one big group we’re still able to make fun of. And that’s white guys who don’t seem to be getting the message of the movement that’s happening. I’m single so I deal with a lot of straight men who don’t seem to understand that either get on the bus, or you’re going to miss it.”

Did you hear that? Did you understand it clearly? Handler is persuaded that for the most part, there are more “bad” white guys than “good” white guys out there, and therefore the probation status. The world she inhabits is seriously asking itself “are these guys even worth it?” The thinking seems to be that most of them are dicks or at least insufficiently evolved, and they don’t even seem interested in upping their game or broadening their horizons so who needs the bullshit?

Powerful rich white guys are routinely dismissed these days as thugs and assholes, especially those who’ve been portrayed in the media as brash, arrogant, entitled, etc. How should they respond to these characterizations and charges? They can dispute them, of course, but the simplest (and probably the healthiest) response is to take a look in the bathroom mirror and say “okay, I’ve acted like a dick at times and I’m sorry…I could do better and I will try to do that.” That wasn’t so hard, was it?

It follows, naturally, that there are varying degrees of assholery. Starting at the highest (or lowest) levels, there are (a) astounding assholes, (b) exceptional assholes, (c) major-league assholes, (d) average assholes, (e) moderate in-and-out assholes, (f) occasional-but-not-all-that-bad assholes, (g) infrequent assholes and (h) spotty assholes. And those who aren’t assholes at all.

It also follows…I don’t think I’m allowed to say this but what about moderately asshole-ish females? That doesn’t sound right, does it? “Asshole” sounds like a term that guys own. Doesn’t sound right if applied to women, even though they exist. So what’s a fair, non-sexist term for women who are brash, insensitive, obnoxious, arrogant, indifferent to their own shortcomings, etc.?

Female friend to HE: “Bitch. That’s what I say.”

HE to female friend: “That’s a very specific thing, no?”

Female friend to HE: “She’s such a bitch. You can’t say it but I can.”

HE to female friend: “Hah.”

Back to Handler: “Yeah, I mean, all those guys deserve to be made fun of because they’re all assholes. You know what I mean? Jeff Bezos, Elon Musk for sure. Yeah, all of those guys. When you guys make that much money, we’ve got a big problem with capitalism in this country. So yeah, those guys are on the table to make fun of.

“Look at Bill Gates. I thought Bill Gates was this great guy. I was like, look at him. He’s the best billionaire. Warren Buffett — he’s the best billionaire. And then you find out Bill and Melissa are getting divorced. And you’re like, divorced? He doesn’t seem like that kind of guy. He wouldn’t be having an affair. He wouldn’t be doing…and then you fucking find out, yeah, he could have been! Or he could have been at Jeffrey Epstein’s. I mean, allegedly, possibly. Who knows? But it’s like nobody would be fucking Bill Gates in the real world. Nobody.”

HE to Handler: So if a marriage has gone stale or run its course, the husband is automatically an asshole? The wife is 100% blameless? And if you’re bored with your marriage and you’ve decided you’d like to explore a potential new chapter…middle-aged people do this from time to time…the white 40ish husband is automatically an asshole? Did Handler read about Gates’ pathetic, half-hearted attempts to date this or that woman whom he knew from work? And then she turns around and belittles Gates by saying nobody would have fucked him anyway? Maybe they wouldn’t have, but imagine some guy saying that about a well-known, successful woman who isn’t the greatest looker, “No guy would want to fuck her…nobody.”

If a prominent guy were to say this in a N.Y. Times interview, he would be roasted alive.

Handler to Swisher: “There’s an evolution with everybody. And the problem with a lot of these men that have been canceled is they’re not sincerely apologizing, you know?

“My therapy, my whole thing has been on public record. I actually have had an evolution. I do want to be kinder and gentler. I want my jokes to not be reflective of a time in my life that I wasn’t aware of how they impact people. Your words are powerful, especially someone like me, who has a very big mouth. People that do, do that, you can forgive them. You do understand that Chrissy Teigen’s situation, she admitted her bad behavior. She said, ‘I’m really sorry.’ And that’s what we should all be doing when confronted with anything we’ve done, is say, ‘I’m sorry. Thank you for letting me know. I’m going to do better,’ period, end of story.”

HE to Handler: “You’re completely correct. People of maturity and character suck it up and admit error, and they offer apologies where appropriate. We all need to grow and become better people. Definitely.

“But you know what? For the most part offering apologies and becoming better people are not, generally speaking, funny activities. Compassion is necessary and showing obeisance before the woke mob is something we all have to do in order to survive, but it’s not all that funny. Really. Show me more than one or two instances in which big-time comedians of the past have gotten laughs or guffaws or chuckles or even murmuring titters by offering apologies. Apologies are not funny.”

Rumblehog Ahab vs. Marvel Leviathan

As much as I despise the idea of paying money to see Black Widow, the seemingly reprehensible Marvel newbie from director Cate Shortland and the evil, cap-wearing Kevin Feige, I’m determined to experience the big, full-blast whomping bullshit effect by catching it on a large IMAX screen. I’ll be submitting sometime later this afternoon, probably at the AMC Century City.

I know I’m going to HATE it, but I have to do this. For years I’ve hated most things (85% to 90%) Marvel. Oddly, in a strange way, I can’t wait to get my seethe on: “Towards thee I roll, thou all-destroying but unconquering Marvel poison; to the last I grapple with thee; from hell’s heart I stab at thee; for hate’s sake I spit my last breath at thee.”

Stephen Dorff to The Independent‘s Adam White on 7.5:

“Forgive Me, Father, For I Have Scissored”

HE to Jordan Ruimy: “I’m loving the wild reactions to Paul Verhoeven‘s Benedetta, and especially Kyle Buchanan‘s reference to a Jesus Christ figurine used as a sexual tool. Man to man, Jordan, and no beating around the bush: a small sculpture of Christ is used as a dildo…right? Please tell me this is true.”

Ruimy to HE: “Yes, sir. Carved to penis size because she wanted it deep and the nun’s fingers weren’t lengthy enough.” [Note: The Telegraph‘s Tim Robey claims that the sexual tool is “a whittled statuette of the Virgin Mary.”]

Does anyone remember the rightwing Christian loon response to descriptions of Willem Dafoe‘s Jesus having sex with Barbara Hershey‘s Mary Magdelene in The Last Temptation of Christ (all of it imagined as he experiences doubt and agony as he hangs on the cross and dreams about having lived a normal life)?

I saw Last Temptation at the Century City Plitt on the day it opened (8.12.88) and when it was over we encountered a mob of devout Orange County nutters howling about religious sacrilege.

Does anyone remember how Warner Bros. refused to integrate the infamous “rape of Christ” sequence into a DVD/Bluray director’s cut of Ken Russell‘s The Devils, presumably out of fear that heartland Christians would freak out over a group of naked, sexually frenzied nuns (Vanessa Redgrave among them) using a statue of Christ to grind out orgasms?

Judging by the heated Benedetta descriptions, The Last Temptation of Christ and The Devils were mere dabblers in terms of blending representations of the Son of God with sexually perverse eroticism.

When Benedetta opens stateside your deranged righties are going to have a field day…Tucker Carlson! And the left can point to relentless rightwing sexual hypocrisy over the decades, not to mention The Eyes of Tammy Faye.

The anti-Benedetta chant will go something like “hot lesbian action defiling the image of Jesus of Nazareth…this diseased Paul Verhoeven fantasy gives us an idea of what Christianity under the left is headed for…sweaty paganism spilling sex juice over the image of our Lord and Savior…these people are beyond sick…stop them at the ballot box in ’22! This is disgusting!”

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Trail of Jack the Hawk

Friendo to HE: “Val Kilmer may have been very shrewd to have his son speak his lines in that Val documentary. You’ll recall that Jack Hawkins, a heavy smoker who had his larynx removed, continued to act thanks to having all his dialogue looped in post by Charles Gray. He was still employable despite having a voice that sounded like Kilmer’s. Kilmer will surely be able to do the same thing with his son providing a voice.