A 5.29 NBC News story by Dante Chinni calculates that with Bernie Sanders out of the Presidential race, Hillary Clinton‘s lead over Donald Trump, currently at 46% to 43%, would surge to 51% to 43%.

“To get a better look at where the Clinton-Trump race might stand after the nominating dust has settled, we recalculated the latest NBC/WSJ poll with Clinton capturing 70 percent of the Sanders-only vote,” Chinni writes.

“The result [is that] Sanders-only voters are worth an extra five points to Clinton. In the NBC/WSJ poll, Clinton’s advantage over Trump goes from three points to eight points and she leads 51 percent to 43 percent. But the difference holds in other polls as well.

News reports indicate that an innocent gorilla died yesterday because an irresponsible mother was too distracted to properly watch her four-year-old son. The kid crawled through a barrier and fell into a 12-foot-deep gorilla pit at the Cincinatti Zoo, and was soon being carried around by Harambe, a 400-pound, 17-year-old gorilla. Fearing for the kid’s life, zoo officials felt they had no choice but to shoot Harambe. “It seemed very much by our professional team…to be a life-threatening situation,” Cincinnati Zoo President Thane Maynard said at a press conference. The mainstream news whores won’t say this (all they’re talking about is what a close call it was…kid saved from scary gorilla!), but the kid’s mother killed that poor gorilla. Okay, 85% her fault and 15% the fault of the zoo staffers who built a barrier that a four-year-old could crawl through without much difficulty.

The biggest pre-ordained, sight-unseen tank of the summer is Paul Feig‘s Ghostbusters (Columbia, 7.15) reboot. It doesn’t matter if it’ll be any good or not (although it’s obviously not going to be the least bit funny), or if it’ll make a lot of money, which it probably will. What matters is that everyone hates the trailers. There is, however, one thing working in its favor right now, and that’s Donald Trump’s vidclip from January 2015. Nobody wants to agree with Trump’s agenda so there’s now a little part of me that wants to like this awful movie whereas before I didn’t care — I just wanted it to die.

After watching this excerpt from The Graham Norton Show, I realized that Kate Beckinsale, 42, has suddenly caught on by tapping into something a bit louche in herself. Part of this has to do with Beckinsale having nailed the part of Lady Susan Vernon, a blase, irreverent seductress, in Whit Stillman‘s Love and Friendship, but it’s mainly due to a suspicion that she’s somehow become Vernon or, you know, merged personalities. I’ve been reading for years that Beckinsale, a mother of a youngish daughter, is a bit eccentric and levitational but in the Norton clip she seems more than a bit perverse. A woman who thinks nothing of slipping a bar of chocolate between her sleeping boyfriend’s butt cheeks…okay!.

Beckinsale has been plugging away since the mid ’90s as an intriguing actress who’d never quite lit the big fuse. Sometimes it takes a while for an actor/actress to get lucky and turn the key just so and realize, “Ah, yes…that’s me, that’s my brand.”

Vernon has become Beckinsale’s all-defining role. Image-wise she and Vernon are suddenly a “team” in the same way that Bette Davis (also 42 at the time) and Margo Channing had seemingly blended into one person after the release of Joseph L. Mankiewicz‘s All About Eve (’50). Before Love and Friendship Beckinsale’s best performance ever had been as a besieged journalist in Rod Lurie‘s Nothing But The Truth (’08). Before that her most admired turn had been in Stillman’s The Last Days of Disco (’98). I don’t blame KB entirely for acting in five of those awful Underworld movies (she held her nose and pocketed the paycheck so she could cover her daughter’s college tuition) but it’s water under the bridge now. From here on Beckinsale is, for me, Lady Susan chocolate bar ass-crack Vernon.

There was a sobering discussion about Hillary Clinton‘s credibility gap during a Morning Joe segment yesterday morning. Transcripts are copied from Shaun King‘s 5.27 N.Y. Daily News column, titled “Hillary Clinton should quit presidential race as email scandal engulfs her campaign“:

2:43 — Mika Brzezinski to Andrea Mitchell: “The first interview we showed was the one you did with her and she says time and time and time and time and time and time again it was allowed. Was it allowed?” Andrea answers: “It was not allowed to not return those records before she left the State Department. She violated the Official Records Act, according to her own State Department IG (Investigator General) appointed by President Obama.”

Mitchell (cont’d): “What you have shown just now, Mika, completely undercuts the argument she has been making for more than a year, just as she trying to persuade voters that she is not untrustworthy. I think the most surprising, and in some ways shocking thing, is their reaction, claiming that this is the same as what former secretaries did.”

GoGo in-flight wifi (I’m somewhere over the North Atlantic) won’t let me watch video, but Bill Maher + Bernie Sanders has to be fairly decent chatter. I’m crestfallen that Donald Trump has chickened out of the proposed Trump-Sanders debate. Is he a man or a mouse?

After staying in an Airbnb place you’re aways asked to review the apartment as well as the host, and the host in turn gets to review your performance as a renter. Did you leave the place in reasonably decent condition? Were you polite and considerate? Do you have a nice smile?

I never give hosts a bad review as a rule. If I don’t like a place I just won’t say anything. But a couple of renters have given me shitty reviews because I didn’t leave their places white-glove clean. In response to which I’ve always replied as follows: “Are you serious? I was raised by nice middle-class people with good hygiene and manners, and most of that rubbed off. I know I left your place in reasonably good condition. I’m not an animal, but if you want your apartment absolutely dead-bang spotless after a renter leaves, hire a housecleaner.”

I’ll never leave a place looking like a cyclone hit it. I always tidy up a bit — no sopping towels on the floor, no stogies in the ashtray, no broken cups or glasses. But it’s not my responsibility to leave the place looking like an IKEA showroom. It’s my responsibility to show respect by leaving things in reasonable order and by not trashing it, but no more than that.

I might leave a chewing-gum wrapper or an empty Coke bottle lying around but I’m not a private in the Marines, and when I leave a place I expect that the owner will bring in a professional to spruce it up, which is what I always do when I rent my place out. I think it’s definitely beyond the pale to read an Airbnb review that belittles me as some kind of uncouth person or, you know, makes me feel like Gomer Pyle being reamed out by Gunnery Sergeant Hartmann in Full Metal Jacket.

Wanna guess how many Sundance reviewers of Eat That Question mentioned the boxy aspect ratio? So far I’ve counted one — a review by Variety‘s Dennis Harvey that mentions “archaic” video formats. I haven’t seen the doc so maybe there are portions shot in standard 16:9 but the trailer is all 1.37:1, and that, for me, is a deciding factor.

My 5.16 Cannes review reposted in recognition of a new trailer: “Woody Allen‘s Cafe Society is an attractively composed period dramedy (a few laughs but hardly a torrent) that plays it mild and steady and familiar. But it’s a fine Woody hit-list thing with a compelling if familiar moral undertow. There’s no way anyone who’s even half-acquainted with the Allen realm is going to be disappointed. Is it a bust-out in the vein of Midnight in Paris? No, but it’ll do until the next one comes along. It’s fine, it’s good — just don’t expect any big surprises.

“Set in Los Angeles and New York over a two-year period in the mid ’30s, Cafe Society is a romantic triangle piece mixed with a hard-knocks, get-tough saga. It’s witty more than funny, but it’s really great when the laughs land. How many good laughs does it have? Not more than 20 or 25. I laughed maybe 10 or 12 times but I didn’t mind because it’s not about hah-hah but fuck-me.

“It’s a romance-gone-wrong thing that deals with sadness, moral ambiguity, disappointment. It’s too mired in hurt to be called a light-touch thing, but it does kind of glide along in a way that lets you know nothing awful or grotesque will occur.

Listen to Steven Spielberg’s 5.25 Harvard commencement address [below] and then listen to Oliver Stone’s commencement address at UConn, which was posted earlier this month. The contrast is noteworthy. At the end of his address Stone tells the UConn-ers to “take a year off, be a bum, be a janitor, work with your hands, travel to some distant land second or third class” and basically break out of their entitled attitudes and smug presumptions. Can you imagine Spielberg suggesting this to the Harvard grads? Or to anyone?

The Infiltrator is a Broad Green theatrical release? Why does the trailer seem to be selling a Netflix mini? A good cast — Bryan Cranston, Benjamin Bratt, John Leguizamo, Diane Kruger, Amy Ryan, Jason Isaacs, Olympia Dukakis — doing another “take down Pablo Escobar’s empire” tale. (How many Pablo flicks have there been over the last couple of years?).  You  might be a bit concerned that the lead lawmen are an oil-and-water team, a straightlaced, no-fucking-around federal agent named Bob Mazur (Cranston) and a streetwise Latino with an occasional fuck-around attitude named Emir Abreu (Leguizamo) — that in itself spells trouble. Boilerplate: “Mazur risks it all by building a case that leads to indictments of 85 drug lords and the corrupt bankers who cleaned their dirty money, along with the collapse of the Bank of Credit and Commerce International, one of the largest money-laundering banks in the world,” etc. Directed by Brad Furman (The Lincoln Lawyer). Pic pops on 7.13.