A stern argument against Hillary Clinton‘s claim that she has passed the “Commander in Chief test,” posted today and written by Greg Craig, former director, Policy Planning Office, U.S. State Department.

Showest, the longstanding exhibitor convention, kicks off in Las Vegas today. Exhibitors attend because…I don’t know, ask them. It’s basically a dog-and-pony show (stars, speeches, product reels). Trade journalists attend for exhibition stories, for the relationship-fortifying schmooze opportunities, and to report on the product reels (or the occasional debut of a new trailer that hasn’t gone online yet).

I haven’t attended since the mid ’90s. I had a perfectly miserable time. Vibe- and energy-wise it felt like the exact opposite of being, say, at a great big-time film festival or even a small cool one — like I was marooned on another planet with a bunch of chowderheads who didn’t know any more than I did and were basically there to kick back and maybe enjoy a nasty experience on the side. (Which is what all middle Americans imagine they’ll do when they visit this grotesque town. And which 99% of them don’t have the balls to even attempt.)
I wouldn’t dream of going again. I hate Vegas anyway, and I can get whatever news that may come out of it right here at my desk.

Ever since Hillary Clinton failed to correctly pronounce the name of Russian president Dmitri Medvedev (“Medvuh.. vuh-devah, whatever”) during that Ohio debate, I’ve been wondering how to say it myself. And now longtime Herald Tribune and N.Y. Times foreign correspondent Serge Schemann has written a piece that includes a phonetic spelling (courtesy of Voice of America): “mehd-V(y)EHD-yehf.” Say it over and over (I’ve done it about 20 times now) and it gradually begins to feel half-negotiable.

Israeli film blogger Yair Raveh (a.k.a., Cinemascope) has posted an mp3 of a song called “One More Word,” a tune from a well-regarded low-budgeter film called Strangers. Favorably reviewed after a Sundance showing two months ago by Variety‘s John Anderson, the film will next be shown at the Tribeca Film Festival.

The tune was written by Israeli musician Eyal Leon Katzav but recorded by Once stars and Best Song Oscar winners Glen Hansard and Marketa Irglova in the Czech Republic a week or so before the Oscar telecast. Strangers is said to be a bittersweet drama in a Romeo and Juliet vein about an Israeli guy and a Palestinian gal, etc. Co-directors Guy Nattiv and Erez Tadmor plan, Raveh says, to shoot Hansard and Irglova for the music video.

The main point of Chris Nashawaty‘s big Indiana Jones piece in the current Entertainment Weekly (dated 3.14) is that as we approach the May 21st opening of Indiana Jones and Kingdom of the Crystal Skull, the tangy, thrill-a-minute franchise is undimmed — that it still has enormous vitality and fan loyalty.

cover of EW issue #982; Ford in Indiana Jones and the Kingdom of the Crystal Skull

But the underlying suggestion in the cover photo, of course, is that the 65 year-old Harrison Ford is still a brawny-studly sex symbol. Which, to many millions, may well be the case. No argument from this corner. (I’m done with the Uncle Festus routine. For now.) But I would have respected the cover-shot choice (as well as Nasahawaty’s article, now that I think about it) a bit more if EW had run a shot of the current Ford/Indy biology. He is what he is, “be here now” and all that….right?

Imagine if a female celebrity emerged from plastic surgery with her mouth sewn up…no lips, no trace, just skin. The rationale, a friend might tell a tabloid reporter, is that while she can no longer talk, sing, smile, kiss or eat, at least the permanent frown — the sagging bulldog corners on either side of her mouth — is now gone, and she’s happy about that. The revulsion would be instantaneous, right? Well, look at this. Because it’s real. I’ve never seen anything so deranged, plastic surgery-wise, in my life. (And while you’re at it, check out that left hand and the dried-blood fingernails…the mummy’s claw!)

A painter I knew in the ’80s always referred to Salvador Dali as “Norman Rockwell on acid.” And now three Dail biopics with three stars — Johnny Depp, Al Pacino and Peter O’Toole — are reportedly being prepared. If I were a potential investor, I would think twice about investing. Movies about eccentric artists tend to piddle along or just lay there. Two exceptions: Ken Russell‘s Savage Messiah and The Music Lovers.

Cadaques, Spain — an hour south of the French border

My most profound commnunication with the spirit of Salvador Dali happened when I visited the Spanish seaside town of Cadaques, where Dali had a home. Nice place, cool vibe.

“Disinvited to a Screening, a Critic Ends Up in a Faith-Based Crossfire,” a 3.10 N.Y. Times story by John Metcalfe, is about how Orlando Sentinel critic Roger Moore managed to attend a screening of a fundamentalist right-wing documentary called Expelled: No Intelligence Allowed, in which Ben Stein does a Michael Moore-ish job of selling the idea of “intelligent design,” and how he panned it and so on.

Intelligent design, which President George Bush allegedly believes in, is creationism in new clothes. Anyone who’s seen Inherit The Wind, the Stanley Kramer drama about the famous 1925 “monkey trial” in Dayton, Tennesee, knows that creationism is a belief that God in heaven created everything as part of an immaculate design. They also know that creationism’s most fervent supporters during the monkey trial days were backwater yahoos — the religious right of the Calvin Coolidge era.
Premise Media Corporation, a right-wing religious organization involved in various Christian enterprises (including super-churches), produced and is distributing Expelled.
The irony is that I happen to believe in intelligent design also, in a sense. There is obviously a unified flow and an absolute cosmic commonality in all living things and all aspects of the architecture. The difference is that I don’t attach a Bible-belt morality to this overwhelming fact. To me God is impartial, celestial, biological, mathematical, amoral, unemotional, miraculous and breathtaking. However you define the altogether, He/She/It has absolutely zero “interest” in whether you or your great-uncle or next door neighbor are adhering to the Ten Commandments or having an abortion or helping a homeless person or what-have-you. The molecular perfection and mind-blowingly infinite implications of God are way, way beyond ground-level morality.
What I don’t get is why a sophisticated brainy fellow like Ben Stein would make a movie for Bible-belt types. He surely doesn’t believe that the earth was created 6,000 years ago, or that cavemen and dinosaurs roamed the earth at the same time. (This issue was brought up by a born-again Christian character in The Sopranos a couple of seasons back, and Tony replied, “What, like the Flintstones?”)

Clarence Darrow, William Jennings Byran during the Scopes “monkey” trial

Stein is a very bright fellow, and not in my judgment the type to look heavenward for answers to everything, and certainly not one to embrace the primitive attitudes of those who call themselves “God-fearing.” When I interviewed Stein for a 1994 Los Angeles magazine piece about Hollywood Republicans, he said that “the agenda of Republicans out here is the same as everyone else — get in on the goodies.” Stein, in short, is basically a right-wing guy who’s in business. What was he paid to be the star of Expelled? What are they paying him to attend early screenings?
In that same article screenwriter Lionel Chetwynd said that “people on the right are considered by people of the left to be too insensitive, too Darwinian. They’re not touchy-feely enough to write touchy-feely movies. They have been ghetto-ized into the action field.” Darwinian?

Congrats and best wishes to director Phillip Noyce (Mary Queen of Scots, Catch a Fire, Clear and Present Danger) and South African designer Vuyo Dyasi on the birth of their son, Luvuyo William Noyce, born today in London. Noyce and Dyasi met in ’05 during the shooting of Catch A Fire in Johannesburgh. Luvuyo means “it is joy” in his mother’s Xhosa language.

Wachowski brothers’ live-action Speed Racer (Warner Bros., 5.9) will close the Tribeca Film Festival on May 6th, or three days before the nationwide opening. If you ask me the film is already looking pretty silly due to Emile Hirsch‘s McDonald’s helmet. I took one look at this photo and went “what?” Is this an intentional joke? (Producer Joel Silver‘s Demolition Man had fun with Taco Bell, after all.)

Emile Hirsch in Speed Racer (Warner Bros., 5.9)

The Reeler‘s Stu VanAirsdale is reporting that other Tribeca world premieres are I Am Because We Are, the Madonna-produced documentary about orphans of the AIDS epidemic in Malawi, and Mariah Carey‘s Tennessee.

This is Senator Obama’s best retort ever to Senator Clinton’s “he won’t be ready on day one” argument. In fact, it blows it all to hell. She’s boxed herself in and there’s no way out of this. Plus her management abilities have been called into question in a just-published N.Y. Times story. A one-two punch by any standard or yardstick.

In a speech today in Mississippi, Obama said, “With all due respect…with all due respect…I’ve won twice as many states as Senator Clinton, I’ve won more of the popular vote than Senator Clinton, I’ve more delegates than Senator Clinton…so I don’t know how somebody who’s in second place is offering the vice-presidency to someone who’s in first place. So that’s point #1.
“Point # 2 is that Senator Bill Clinton, back in 1992, said the only criteria…the most important criteria for vice-president..is that that person, if [he] fell out in the first week, is that he or she would be ready to be commander in chief. That was his criteria. [But Senator Clinton’s campaign has] been saying for the past two or three weeks…you remember that advertisement with the phone call ad, we’re not sure he’s ready, I’ll be ready on day one but he may not be ready…but if I’m not ready, how is it that [Senator Clinton] thinks I should be vice-president?”
Plus Adam Nagourney, Patrick Healy and Kate Zernike‘s N.Y. Times story calls Clinton’s leadership and management abilities, into question, to wit:
“Interviews with campaign aides, associates and friends suggest that Mrs. Clinton, at least until February, was a detached manager. Juggling the demands of being a candidate, she paid little attention to detail, delegated decisions large and small and deferred to advisers on critical questions. Mrs. Clinton accepted or seemed unaware of the intense factionalism and feuding that often paralyzed her campaign and that prevented her aides from reaching consensus on basic questions like what states to fight in and how to go after Mr. Obama, of Illinois.
“Mrs. Clinton showed a tendency toward an insular management style, relying on a coterie of aides who have worked for her for years, her aides and associates said. Her choice of lieutenants, and her insistence on staying with them even when friends urged her to shake things up, was blamed by some associates for the campaign√ɬ¢√¢‚Äö¬¨√¢‚Äû¬¢s woes. Again and again, the senator was portrayed as a manager who valued loyalty and familiarity over experience and expertise.”

This Incredible Hulk teaser isn’t loading for me, but maybe it’s just the traffic.