Roughly 16 months ago Terrence Malick was shooting the Austin-based “musical drama” once known as Lawless but now called Untitled Terrence Malick Project (2014). You can never trust the IMDB about release dates but it has the Austin flick opening in the Netherlands in early September 2014. We all know Malick’s tendency to dither in post but this film, which costars Natalie Portman, Michael Fassbender, Ryan Gosling, Christian Bale, Rooney Mara, Cate Blanchett, Val Kilmer, Benicio del Toro and Holly Hunter, could possibly screen at next year’s Telluride or Toronto festivals…maybe.

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The transforming of the TCL Chinese (formerly the legendary Grauman’s Chinese) into a stadium-seating theatre with a fake IMAX screen is one of the best renovations of this type I’ve ever seen. The plush red seats blend in with the walls and the red curtains and the classic Chinese artifact ceiling and everything else. It looks like it’s always been a stadium seating theatre. If Sid Grauman‘s ghost could see this, I think he’d be pleased. It may be the most beautiful-looking theatre around now. (200 seats and the old balcony were sacrificed by the designer — c’est la vie.)

I posted a Craigslist ad for someone responsible (i.e., not a 20something Indian guy) to stay here for free and feed the cats while I’m in Vietnam for 10 or 11 days. The following text exchange happened two days ago. Interested party: “Hi — I’m responding to your [ad]. Please call me back at your earliest convenience, please.” Me: “Are you an animal, vegetable or mineral?” Interested party: “A little of each.” Me: “Okay.” [I figured this person would follow up with some details — gender, age, job, phone number, etc. But nothing was offered.] Me: “Later.” Interested party: “Later what?” Me: “I’ll let you stay here for free in your next life.” Interested party: “Okay, weird.” Me: “You’re weird, or haven’t you noticed?” Interested party: “Wow! I feel sorry for the person that stays @ your place.” Me: “Wow! I’m going to be away, asshole. It’ll just be the cat-sitter and the cats.” Interested party: “LOL — seems you have anger problems. I feel badly for your cats.” Me: “The cats are fine, Sam. My only problem right now is with people who like to be vague and mysterious when they ask about staying at my place.”

Sebastián Lelio‘s Gloria (Roadside Attractions, 1.17.14) is about a spirited, attractive 50something divorcee (Pauline Garcia) with grown kids who doesn’t want to resign herself to loneliness and is therefore looking for an attractive, quality-level boyfriend. I knew going in that the film would have some nudity and sex scenes and whatnot, so I was secretly begging Gloria to please find someone youngish-looking (in decent shape, not balding or white-haired, white teeth) and at least as attractive in his way as she is in hers because I really, really don’t want to watch sex scenes with some moderately flabby, sagging older guy with gray or yellowish teeth who probably needs a pedicure. Please don’t do this to me…please.

Sure enough Gloria falls for some moderately flabby, sagging older guy named Rodolfo (Sergio Hernandez), and within 10 or 15 minutes there’s a sex scene. Good God! Due respect to Hernandez, a distinguished Chilean actor, but I don’t want to watch a going-to-seed male in his mid 60s having sex ever again.

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A friend just called to ask if I’ll be making special preparations for the Vietnam journey (the plane leaves on Wednesday night) considering that Typhoon Haiyan is hitting the coast of central Vietnam as we speak. “What do you want me to do?,” I asked. “Bring an inflatable life raft?” The latest report says Hurricane Haiyan, which has caused thousands of deaths in the Phillippines, has been reduced to a Category 1 event, which is very wet and windy but nothing that scary. By the time I arrive in Hanoi the ground won’t even be damp.

If I know anything about Joe and Jane Popcorn, they won’t be storming the megaplexes when Scott Cooper‘s Out of the Furnace opens on 11.27. I didn’t want to see it myself. “Who wants to sink into some violent rustbelt melodrama about grimy, morose working-class beardos and hillbilly druggies?,” I asked myself. “Driving around some Pennsylvania backwater in pickup trucks with Godzilla-sized smokestacks blowing tons of shit into the atmosphere? Later.” But guess what? I saw it last night and it’s a surprisingly accomplished (if gloomy) Terrence Malick-y melodrama — a smooth painterly atmosphere trip with good acting first and a portrait of characters who are stuck in a rust-belt gulag second.

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The first six minutes of David O. Russell‘s American Hustle (Sony, 12.13) were shown at the very end of last night’s AFI Fest tribute to Russell at the Egyptian, and of course it wasn’t enough to go on. Not a flicker of a hint of what the film might actually be. What do you expect from an hors d’oeuvre? But it was fine. I chuckled, I laughed, I was fascinated. And Russell talked a lot about his career and his process, and before the Egyptian event we (i.e, the invitees) were all hanging at a pleasant open-air party at the Hollywood Roosevelt that overlooked a big blue pool. Jennifer Lawrence (in a pixie haircut), Jane Fonda and Diane Lane attended along with Russell and a few of his Hustle collaborators. (TheWrap‘s Steve Pond reported that Bradley Cooper was lurking around.)

American Hustle director David O. Russell, costar Jennifer Lawrence at Hollywood Roosevelt party that preceded the American Cinematheque presentation

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Early last evening I spoke with Bethlehem director Yuval Adler and Ali Waked, the Palestinian journalist with whom Adler co-wrote the screenplay. I wrote a few days ago that Bethlehem, Israel’s official entry for the Best Foreign Language Film Oscar, is “a lucid, tightly wound thriller that regards the Israeli-Palestinian conflict through a filter of double-agenting and family matters and betrayal and anxiety,” and that the Academy’s foreign language committee “would be foolish not to pay heed.”

(l.) Bethlehem director Yuval Adler, (r.) co-screenwriter Ali Waked at Hollywood Roosevelt hotel — Friday, 11.8, 5:55 pm.

Adler and Waked are in Los Angeles for screenings of Bethlehem at AFI Fest. We kicked it around for 40 minutes in the lower lobby of the Roosevelt hotel. This was just before the David O. Russell event upstairs.

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I couldn’t file anything today after the first two articles. I spent a good portion of the morning writing and thinking about Spike Lee‘s Oldboy, which I was generally okay with and actually impressed by to a certain extent (it’s nowhere near as problematic as the buzz might suggest). Except for the ending. But I can’t get into it until embargo day so that’s that. And then I spent some time trying to decide if it’s worth going to the Berlin Film festival in February in order to see George Clooney‘s Monuments Men and Wes Anderson‘s The Grand Budapest Hotel. And then I got un-invited to a screening of Delivery Man, the Vince Vaughn-starring remake of Starbuck. And then…I don’t want to talk about it. Now I have to get down to the Hollywood Roosevelt for a Bethlehem interview, and then I’ll be hitting a reception for American Hustle‘s David O. Russell at 7pm (also at the Roosevelt) followed by a Russell chit-chat at the Egyptian at 9 pm.

Paul Greengrass, director of The Bourne Supremacy (’04) and The Bourne Ultimatum (’07), is a seasoned maestro of grade-A political action thrillers. If you were to make another Bourne film, you’d want Greengrass directing and Matt Damon back for one more paycheck. If you’re determined to make a sequel to The Bourne Legacy with Jeremy Renner in the lead and you can’t get Greengrass, you would at least want Tony Gilroy to re-deploy. But you certainly don’t want Fast and the Furious franchiser Justin Lin because he’s a low-rent, jizz-whiz director with a sloppy, pseudo-animated videogame attitude about shooting chases and fights and shoot-outs. Lin would rather shoot himself in the mouth than direct an action sequence that even occasionally adheres to the laws of physics. All Lin will do is cheapen the franchise and lower the property values. Lin makes Brett Ratner look like Anthony Mann. But of course, the Universal zombie execs want him. He makes action flicks for under-35s who want sequences in which guys leap from one rooftop to another and then do swan dives off 50-story office buildings. He’s an animal. Greengrass to Gilroy To Lin…what a devaluation. Greetings, Mr. Bourne — you are about to become a T-1000 cyborg.